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Sabine Devieilhe and Alexandre Tharaud bring their customary clarity, finesse and insight to the works of four composers who defined the path of French art song or mélodie from the late 19th to the mid-20th century. In an imaginatively balanced recital, the two French luminaries perform Fauré, Debussy, Ravel and Poulenc. Their programme, built around Ravel's Cinq Chansons populaires grecques and Debussy's Verlaine setting Ariettes oubliées, takes up the themes of love, war and death and offers both favourite songs like Fauré's 'Après un rêve' and some rarer treasures.

'Bloodline', the striking debut album from Mon Rovîa transforms personal struggle into a powerful statement of resilience and hope. The record channels themes of identity, survival, and transformation into a sound and story that have already resonated with millions worldwide. Mon's music is rooted in his groundbreaking Afro-Appalachian folk sound, a genre-defying blend that bridges folk tradition and modern storytelling. At the heart of Mon Rovîa's artistry is a commitment to fostering community and connection. Whether performed in intimate settings or reaching millions online, his work resonates as a call to gather, to reflect, and to imagine a more connected future together. Album Tracks 1. Black Cauldron 2. Pray the Devil Back to Hell 3. Day at the Soccer Fields 4. Bloodline 5. A Foreshadowing 6. Little By Little 7. Old Fort Steel Trail 8. Whose Face Am I 9. Running Boy 10. Field Song 11. Somewhere Down in Georgia 12. Oh Wide World 13. Code of Many Colors 14. Heavy Foot 15. Infinite Pines 16. Where the Mountain Meets the Sea

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57
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