Sandro Perri - Plays Polmo Polpo - COMPACT DISCS [CD]

Album Tracks 1. Family Tree 2. City of Museums 3. Double Suicide 4. The Drums 5. Everybody's Talkin' 6. The Mime 7. You're the One 8. White Flag Blues 9. Love Is Real 10. Mirror Tree

It took seven years for Sandro Perri to return with an album under his own name, releasing In Another Life (Inchhis outsider pop masterpieceInch- Exclaim) in the fall of 2018, as the much-anticipated follow-up to his acclaimed full-length Impossible Spaces (#38 album of 2011 at Pitchfork, among other accolades). But the Perri floodgates have now well and truly opened the flow of sparkling, eddying music he's been meticulously doling out of late (including two recent volumes of collaborative avant-electronic work with his Off World project) charts another vital, rejuvenating tributary with Soft Landing. Soft Landing features songs Perri has been playing around with for the better part of the last decade, taking many forms along the way, and recorded sporadically over a long period. It's also his most guitar-based collection since 2007's Tiny Mirrors. While Perri is rightly celebrated as Inchone of the most singular producers in contemporary musicInch (Boomkat) for his widely varied electronic work, his foundations as a guitarist have always anchored his 'solo' albums in one form or another. On Soft Landing, Perri's guitar playing is at the smoothly, expressively rambling heart of these tunes - while his recording and mixing acumen as a (self) producer is also on brilliant display. As with last year's In Another Life (which comprised two album-length sides of 'infinite song'), Soft Landing opens with the 16-minute InchTime (You Got Me)Inch, an enchanted mid- tempo excursion anchored by Perri's gently sliding guitar riff and a serene vocal delivering lyrics that can be read as a wistfully acquiescent love letter to the fourth dimension. Paced by congas, shakers, claves, impressionistic piano and even the occasional wind chime, Perri wraps up his final vocal refrain by the song's fifth minute and then steers the instrumental theme down a long and winding road in his inim

Ronen Givony is a New York City music curator and writer and the following is excerpted from a text he wrote to accompany the of Impossible Spaces After four years of writing, recording, and self-production, Impossible Spaces has delivered on the promise so abundantly present in Sandro Perri's earlier work; and with it, a synthesis of the experimental, electronic and singer/songwriter modes that have marked his evolution as an artist. On first listen, Impossible Spaces seems to position itself self-consciously as a collection of music about other music. Album Tracks 1. Changes 2. Love and Light 3. How Will I? 4. Futureactive Kid (Part I) 5. Futureactive Kid (Part II) 6. Wolfman 7. Impossible Spaces