Sarandon - Kill Twee Pop! - COMPACT DISCS [CD]

Lydia Persaud is a Toronto born & raised soul artist. An alumna of the Humber jazz program, member of the O'Pears & Dwayne Gretzky, and back up vocalist for Lee Fields & the Expressions and Royal Wood, she is an accomplished vocalist and skilled songwriter. Lydia draws on her jazz chops, the sincere songwriting of Carol King, and the warm soul and social commentary of Stevie Wonder to craft her timeless and instantly infectious sound. Her debut full length album, Let Me Show You, will be among the first releases on Next Door Records, the new tag imprint from Outside Music, launching January 2019. The is a high marketing priority for the fresh brand. Lydia has been gaining accolades in the Toronto music community. The 2013 Oscar Peterson Award winner, she has been praised for her intimate songwriting and stunning vocal, while 'Low Light,' the single from her debut EP, reached top 10 on CBC Music. After being selected by Jim Cuddy for his NXNE showcase this spring, Lydia has been charming audiences around Ontario with her stunning voice and solid grooves on tour, including a support tour of Serena Ryder. 2019 will bring extensive festival appearances and album support touring for Lydia. Beginning August 2018 with the first single, Honey Child, Outside will execute a comprehensive marketing and promotional campaign with significant budget towards social media and content creation.Similar artists Liane LaHavas, Carol King, Bill Withers, Kahdja Bonet1 Hold Out2 No Answer3 More of Me4 Stay Down5 Tonight6 Let Me Show You7 Honey Child8 Well Wasted9 Low Light10 Would You Believe11 With You

2011 , a concept album from the respected British Indie rockers. Age of Reason tells the story of Big Trev, a man frustrated with his lot and determined to change his life. The album is narrated by the Shend (of the Cravats and the Very Things) who plays the voice of the story's hero. Produced once again by the inimitable Anthony Chapman (Collapsed Lung, Bis, Klaxons, Ten Benson), the album is a more mature take on the angular agit-pop of their previous outings. The cheese-wire treble of the guitars remains, the bass thuds and booms and the drums clatter at light speed, but the songs contained in Sarandon's Age of Reason are more carefully crafted and arranged. There are songs to make you shout and songs to make you sing. There are even songs to make you dance. Sarandon is back with a vengeance back to rescue you all from the mundane of modern la-la-love-you Indie Pop.

The Salonorchester Schwanen holds a clear position no trumpets, no jazz saxophone phrases in the place of two clarinets, a flute and a string group. From the wide range of light music of the early twentieth century it has therefore chosen not the music drawing inspiration from jazz, but, as a focal point, music of the same period influenced by the tango. In short, it is a matter of the dream of the south, where, south of the Alps, there are always blue skies and we can be entranced by the Blue Tango from Dark Eyes. It actually has almost come to the point where we let ourselves be carried away by associations and no longer ask about the composers. Yet their lives were often colorful enough.