Sasami - Blood On The Silver Screen - VINYL LP
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Two Sasami's exist in harmony. First is Sasami Ashworth, the conservatory-trained classical French horn player, producer, and composer-an artist with a studious approach to craft. And then there is all-caps SASAMI, the fearless performer and protagonist of her three increasingly audacious albums. For Blood On the Silver Screen, these two sides fused for her most epic and realized music to date the all-out Sasami pop record.After establishing herself with the poised melancholia of her eponymous 2019 debut, Sasami embraced volume and control on 2022's Squeeze-touring with a metal band-but her goal on Blood On the Silver Screen was to speak her truth with conviction by singing. Working with co-producers Jenn Decilveo and Rostam, with Sasami as sole writer, each Blood On the Silver Screen track viscerally captures a different thread of love, S*x, power, and embodiment. InchPop music is like fuel,Inch Sasami says. InchIt's just invigorating.InchAcross Blood On the Silver Screen, Sasami's lyrics narrate the ecstasies and agonies of being Incha modern lover,Inch she says-writing about Inchbig city dating endeavorsInch even as she found herself relocating, on a whim, from Los Angeles to rural Northern California. The anthemic InchFor the WeekendInch explores Inchmodern intimacy, where you can get deep without the relationship being defined,Inch while the irrepressible InchJust Be FriendsInch bottles the dizzying longing that can overtake those in-betweens.InchI wanted to go all out with this album,Inch Sasami continues. InchI wanted to, in my tenderness and emotionality, have the bravery to undertake something as epic as making a pop record about love. I hope it makes people feel empowered and embodied, too. It's important to not box yourself in.Inch
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- GenreRockDescriptionTwo Sasami's exist in harmony. First is Sasami Ashworth, the conservatory-trained classical French horn player, producer, and composer-an artist with a studious approach to craft. And then there is all-caps SASAMI, the fearless performer and protagonist of her three increasingly audacious albums. For Blood On the Silver Screen, these two sides fused for her most epic and realized music to date the all-out Sasami pop record.After establishing herself with the poised melancholia of her eponymous 2019 debut, Sasami embraced volume and control on 2022's Squeeze-touring with a metal band-but her goal on Blood On the Silver Screen was to speak her truth with conviction by singing. Working with co-producers Jenn Decilveo and Rostam, with Sasami as sole writer, each Blood On the Silver Screen track viscerally captures a different thread of love, S*x, power, and embodiment. InchPop music is like fuel,Inch Sasami says. InchIt's just invigorating.InchAcross Blood On the Silver Screen, Sasami's lyrics narrate the ecstasies and agonies of being Incha modern lover,Inch she says-writing about Inchbig city dating endeavorsInch even as she found herself relocating, on a whim, from Los Angeles to rural Northern California. The anthemic InchFor the WeekendInch explores Inchmodern intimacy, where you can get deep without the relationship being defined,Inch while the irrepressible InchJust Be FriendsInch bottles the dizzying longing that can overtake those in-betweens.InchI wanted to go all out with this album,Inch Sasami continues. InchI wanted to, in my tenderness and emotionality, have the bravery to undertake something as epic as making a pop record about love. I hope it makes people feel empowered and embodied, too. It's important to not box yourself in.InchArtistSasamiTitleBlood On The Silver ScreenFormatVINYLLabelDomino
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Two Sasami's exist in harmony. First is Sasami Ashworth, the conservatory-trained classical French horn player, producer, and composer-an artist with a studious approach to craft. And then there is all-caps SASAMI, the fearless performer and protagonist of her three increasingly audacious albums. For Blood On the Silver Screen, these two sides fused for her most epic and realized music to date the all-out Sasami pop record.After establishing herself with the poised melancholia of her eponymous 2019 debut, Sasami embraced volume and control on 2022's Squeeze-touring with a metal band-but her goal on Blood On the Silver Screen was to speak her truth with conviction by singing. Working with co-producers Jenn Decilveo and Rostam, with Sasami as sole writer, each Blood On the Silver Screen track viscerally captures a different thread of love, S*x, power, and embodiment. InchPop music is like fuel,Inch Sasami says. InchIt's just invigorating.InchAcross Blood On the Silver Screen, Sasami's lyrics narrate the ecstasies and agonies of being Incha modern lover,Inch she says-writing about Inchbig city dating endeavorsInch even as she found herself relocating, on a whim, from Los Angeles to rural Northern California. The anthemic InchFor the WeekendInch explores Inchmodern intimacy, where you can get deep without the relationship being defined,Inch while the irrepressible InchJust Be FriendsInch bottles the dizzying longing that can overtake those in-betweens.InchI wanted to go all out with this album,Inch Sasami continues. InchI wanted to, in my tenderness and emotionality, have the bravery to undertake something as epic as making a pop record about love. I hope it makes people feel empowered and embodied, too. It's important to not box yourself in.Inch
Vinyl LP pressing. TRAGIC KINGDOM was the third studio album by American rock band No Doubt. It is the final album to feature original keyboardist Eric Stefani, who left in 1994. The album was produced by Matthew Wilder and recorded in eleven studios in the Greater Los Angeles Area between March 1993 and October 1995. Between 1995 and 1998, seven singles were released from it, including 'Just a Girl', which charted on the Billboard Hot 100 and the UK Singles Chart; and 'Don't Speak', which reached #1 on the Billboard Hot 100 Airplay and peaked in the top five of many international charts. It has sold over sixteen million copies worldwide; and was certified diamond by the Recording Industry Association of America (RIAA) in the United States and Canada, platinum in the United Kingdom, and triple platinum in Australia.
Vinyl LP pressing. Sasami (aka Sasami Ashworth) has been making music in the Los Angeles area, in almost every way you can, for the last decade. From playing French horn in orchestras and studios and playing keys, bass, and guitar in local rock bands (Cherry Glazerr, Dirt Dress), to contributing vocals/string/horn arrangements to studio albums (Curtis Harding, Wild Nothing, Hand Habits) and producing on tracks for other respected artists (Soko), she has gained a reputation as an all-around musical badass. Sasami's self-titled debut album is playful, heartfelt and personal, chronicling the surprising ways that relationships - with lovers, with friends, with oneself - can shift in a single year. Sasami says, Inch'Not the Time' and 'Callous' are basically entries in the diary that is my first record of songs. Maybe it's a mix of a diary and a collection of letters; written but never sent, to people I've been intimately involved with in one way or another.Inch
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