Schilling / Consortium Classicum / Kloecker - Chamber Music - COMPACT DISCS [CD]

Limited bone-colored vinyl LP pressing in gatefold jacket including . 2017 album from Australian band The Smith Street Band. Produced by Jeff Rosenstock, engineered by Jack Shirley and mixed by John Agnello (Sonic Youth, Dinosaur Jr., The Hold Steady). Follow-up to 2014's Rosenstock-produced Throw Me in the River. First single InchDeath to the LadsInch launched with video featuring the mothers of each of the four members. The Smith Street Band are from Melbourne, Victoria, in which the Smith Street of their name can be found. The band have released two EPs, South East Facing Wall and Don't F**k with Our Dreams-released in 2010 and 2013, respectively-and three studio albums, No One Gets Lost Anymore, Sunshine and Technology and Throw Me in the River-released in 2011, 2012 and 2014, respectively.

Alfons Karl Zwicker artistic journey to composition began when he was 12 years old. A talented painter and musician, he had a keen sensibility for the relationship between art and music. InchMy method of composing is based on the sphere, the continuous new search for an integral lucidity of expression.Inch

Ewa FABIANSKA-JELINSKA is one of the most active and recognized composers of her generation. Her oeuvre is regularly presented at national and international music festivals and appreciated by music authorities, which is confirmed by numerous awards she has received in prestigious composers' competitions. The creative output of Fabianska-Jelinska, despite her young age, includes over a hundred compositions (excluding incidental music and arrangements), written for diverse ensembles, and is constantly expanding. In her work, we can find pieces representing various genres, including songs, solo concertos, symphonic works, while nearly half of them are written for one to four instruments. The present album features compositions created in the years 2015-2019, most of which represent a sui generis specialization of Fabianska-Jelinska in the genre of instrumental chamber music, including instrumental duos and quartets. The album is complemented with four songs for solo instruments. Together, the compositions constitute a showcase of Fabianska-Jelinska's musical language; it's indicators include high formal discipline and attention to material coherence, important role of tone color and melody in shaping expression, often marked by the presence of lyrical element, and frequent use of viola and trombone.