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Schumann / Chopin / Donohoe - Chopin, Debussy, Ravel & Schumann: Waltzes - COMPACT DISCS [CD]

SKU: 10600328

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SOMM Recordings is delighted to announce a stunning new solo piano recital from tag veteran Peter Donohoe following his recent acclaimed coupling of Chopin's Second and Third Sonatas with Rachmaninoff's Chopin Variations, over which BBC Music Magazine's Rebecca Franks enthused InchDonohoe's approach has a robust honesty and an appealing straightforward feel, with an instinct for the emotional rises and falls.Inch Now the pianist revisits Chopin in the genre for which the composer is arguably best known and loved the waltz. Donohoe has fashioned a substantial selection of 14 of Chopin's Waltzes into a set of his own design, juxtaposing the intimate numbers with the grand and virtuosic in fortuitous key relationships that the pianist says Inchform a more satisfying collectionInch compared with simply playing them through as numbered. It is hard to imagine any other composer that could have infused a dance-form with Chopin's lyrical pianism and singular dramatic storytelling. But the waltz naturally appealed to a great many other composers, among them Robert Schumann, Chopin's exact contemporary and fervent, if unrequited admirer. His Opus 1 InchAbeggInch Variations, in triple-time throughout and brimming with elegant fioritura, form one of a pair of waltz bookends to the Chopin set and begin this recital with an exhilarating take-off. On the other side of the Chopin set and leading the waltz suavely into the 20th-century is Maurice Ravel's cycle of eight Valses nobles et sentimentales, again organised to contrast vigorous (noble) numbers with evocative (sentimental) counterparts in an eclectic blend of Impressionism and Modernism, but this time according to the composer's own design. A lovely postlude comes in the form of La plus que lente, in which Ravel's fellow impressionist Claude Debussy crafts a harmonically sumptuous ode to the Inchslow waltzInch (valse lente) s

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  • Genre
    Classical
    Description
    SOMM Recordings is delighted to announce a stunning new solo piano recital from tag veteran Peter Donohoe following his recent acclaimed coupling of Chopin's Second and Third Sonatas with Rachmaninoff's Chopin Variations, over which BBC Music Magazine's Rebecca Franks enthused InchDonohoe's approach has a robust honesty and an appealing straightforward feel, with an instinct for the emotional rises and falls.Inch Now the pianist revisits Chopin in the genre for which the composer is arguably best known and loved the waltz. Donohoe has fashioned a substantial selection of 14 of Chopin's Waltzes into a set of his own design, juxtaposing the intimate numbers with the grand and virtuosic in fortuitous key relationships that the pianist says Inchform a more satisfying collectionInch compared with simply playing them through as numbered. It is hard to imagine any other composer that could have infused a dance-form with Chopin's lyrical pianism and singular dramatic storytelling. But the waltz naturally appealed to a great many other composers, among them Robert Schumann, Chopin's exact contemporary and fervent, if unrequited admirer. His Opus 1 InchAbeggInch Variations, in triple-time throughout and brimming with elegant fioritura, form one of a pair of waltz bookends to the Chopin set and begin this recital with an exhilarating take-off. On the other side of the Chopin set and leading the waltz suavely into the 20th-century is Maurice Ravel's cycle of eight Valses nobles et sentimentales, again organised to contrast vigorous (noble) numbers with evocative (sentimental) counterparts in an eclectic blend of Impressionism and Modernism, but this time according to the composer's own design. A lovely postlude comes in the form of La plus que lente, in which Ravel's fellow impressionist Claude Debussy crafts a harmonically sumptuous ode to the Inchslow waltzInch (valse lente) s
    Artist
    SCHUMANN / CHOPIN / DONOHOE
    Title
    Chopin, Debussy, Ravel & Schumann: Waltzes
    Format
    CD
    Label
    Somm Recordings
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SOMM Recordings is delighted to announce a stunning new solo piano recital from tag veteran Peter Donohoe following his recent acclaimed coupling of Chopin's Second and Third Sonatas with Rachmaninoff's Chopin Variations, over which BBC Music Magazine's Rebecca Franks enthused InchDonohoe's approach has a robust honesty and an appealing straightforward feel, with an instinct for the emotional rises and falls.Inch Now the pianist revisits Chopin in the genre for which the composer is arguably best known and loved the waltz. Donohoe has fashioned a substantial selection of 14 of Chopin's Waltzes into a set of his own design, juxtaposing the intimate numbers with the grand and virtuosic in fortuitous key relationships that the pianist says Inchform a more satisfying collectionInch compared with simply playing them through as numbered. It is hard to imagine any other composer that could have infused a dance-form with Chopin's lyrical pianism and singular dramatic storytelling. But the waltz naturally appealed to a great many other composers, among them Robert Schumann, Chopin's exact contemporary and fervent, if unrequited admirer. His Opus 1 InchAbeggInch Variations, in triple-time throughout and brimming with elegant fioritura, form one of a pair of waltz bookends to the Chopin set and begin this recital with an exhilarating take-off. On the other side of the Chopin set and leading the waltz suavely into the 20th-century is Maurice Ravel's cycle of eight Valses nobles et sentimentales, again organised to contrast vigorous (noble) numbers with evocative (sentimental) counterparts in an eclectic blend of Impressionism and Modernism, but this time according to the composer's own design. A lovely postlude comes in the form of La plus que lente, in which Ravel's fellow impressionist Claude Debussy crafts a harmonically sumptuous ode to the Inchslow waltzInch (valse lente) s

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Chopin's E minor Concerto and Schumann's Opus 92 remain two of the finest works for piano and orchestra by composers of the Romantic era- the universal spirit of these compositions being equally relevant in the early decades of the 21st century as they were when they first appeared. Sveinung Bjelland is one of The Norwegian Radio Orchestra's preferred partners, both as soloist, which he has been numerous times, and in it's chamber music series. With an ear for detail in sound and phrasing and content only after achieving his intended nuances at the micro level, he is, at the same time, a pianist with the power and authority needed to be heard over the orchestra. In these works, the interplay between soloist and orchestra is especially important, and it may be noted that the conductor on this recording is also a pianist. Bjelland is Professor at the Norwegian Academy of Music and the Univeristy of Agder. The Norwegian Radio Orchestra is known and cherished throughout the land and regarded by music-loving Norwegians with a unique combination of respect and affection. The orchestra is comprised of highly talented classical instrumentalists and it's musical philosophy is distinguished by a light-hearted approach, a curiosity for all kinds of music, and an unwillingness to pigeonhole musical styles.

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