Schumann / Eckerle Piano Duo - Arrangements for Piano Duet 4 - COMPACT DISCS [CD]
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Demand for piano duet material in the nineteenth century was such that the market expanded to an unparalleled extent. The preparation of an easily playable four-hand piano reduction was of critical importance to a work's dissemination and Robert Schumann, himself a keen duet performer, wrote for the medium with enthusiasm. He arranged his Symphony No. 2 himself, aided by his wife Clara, expending considerable time and effort on the work. The overtures show the variety of arrangers involved, such as his brother-in-law Woldemar Bargiel and the organist Robert Pfretaschner, both of whom Schumann held in the highest regard.
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- GenreClassicalDescriptionDemand for piano duet material in the nineteenth century was such that the market expanded to an unparalleled extent. The preparation of an easily playable four-hand piano reduction was of critical importance to a work's dissemination and Robert Schumann, himself a keen duet performer, wrote for the medium with enthusiasm. He arranged his Symphony No. 2 himself, aided by his wife Clara, expending considerable time and effort on the work. The overtures show the variety of arrangers involved, such as his brother-in-law Woldemar Bargiel and the organist Robert Pfretaschner, both of whom Schumann held in the highest regard.ArtistSCHUMANN / ECKERLE PIANO DUOTitleArrangements for Piano Duet 4FormatCDLabelNaxos
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Demand for piano duet material in the nineteenth century was such that the market expanded to an unparalleled extent. The preparation of an easily playable four-hand piano reduction was of critical importance to a work's dissemination and Robert Schumann, himself a keen duet performer, wrote for the medium with enthusiasm. He arranged his Symphony No. 2 himself, aided by his wife Clara, expending considerable time and effort on the work. The overtures show the variety of arrangers involved, such as his brother-in-law Woldemar Bargiel and the organist Robert Pfretaschner, both of whom Schumann held in the highest regard.
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As keyboards became more powerful during the nineteenth century, so demand for piano duet arrangements increased dramatically. Robert Schumann, already a keen duet player, wrote for the burgeoning market, though largely for the salon and not the concert stage. He almost always supervised the arrangements of his music but the Overture to Hermann and Dorothea is rare in that he arranged it himself. Symphony No. 3 'Rhenish' was arranged by his esteemed colleague and disciple Carl Reinecke, while the Overture to Scenes from Goethe's Faust was the work of his brother-in-law Woldemar Bargiel.
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Joe Locke - Present Tense [COMPACT DISCS] date 08/01/1994
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Piano arrangements were the main way for people to become acquainted with concert repertoire in Schumann's day, and publishers ensured that the huge demand for such versions was met. Otto Dresel's arrangement of the String Quartet, Op. 41, No. 3 was approved by the composer. Clara Schumann was dedicatee and soloist for the Piano Quintet, Op. 44, and she was able to draw on her intimate knowledge of her husband's work to make her own highly effective arrangement. This is the first of seven volumes including Schumann's entire orchestral works arranged for piano duet. Mariko and Volker Eckerle founded the Eckerle Piano Duoin 2006. The German-Japanese duo regularly plays central works of the piano duet repertoire along with rarely heard pieces and works, accompanied by other musicians, actors and ballet companies.
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