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Schutz / Ensemble Matis - Chamber Music from the Early Baroque - SUPER-AUDIO CD [Super Audio CD (SACD)]

SKU: 10676065

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Schutz / Ensemble Matis - Chamber Music from the Early Baroque [SUPER-AUDIO CD] date 07/21/2017

Specifications

  • Genre
    Classical
    Description
    Schutz / Ensemble Matis - Chamber Music from the Early Baroque [SUPER-AUDIO CD] date 07/21/2017
    Artist
    SCHUTZ / ENSEMBLE MATIS
    Title
    Chamber Music from the Early Baroque
    Format
    Super Audio CD (SACD)
    Label
    Ars Produktion
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Schutz / Ensemble Matis - Chamber Music from the Early Baroque [SUPER-AUDIO CD] date 07/21/2017

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Album Tracks 1. I. Praeludium 2. II. Allemande 3. III. Corrente 4. IV. Sarabande 5. V. Minuet I - 6. V. Minuet II 7. VI. Gigue 8. I. Fantasia 9. II. Allemande 10. III. Corrente 11. IV. Sarabande 12. V. Burlesca 13. VI. Scherzo 14. VII. Gigue 15. I. Ouverture 16. II. Allemande 17. III. Courante 18. IV. Aria 19. V. Sarabande 20. VI. Menuet 21. VII. Gigue 1. I. Sinfonia Grave Adagio - Andante 2. II. Allemande 3. III. Courante 4. IV. Sarabande 5. V. Rondeaux 6. VI. Capriccio 7. I. Praeambulum 8. II. Allemande 9. III. Corrente 10. IV. Sarabande 11. V. Tempo Di Minuetto 12. VI. Passepied 13. VII. Gigue 14. I. Toccata 15. II. Allemande 16. III. Corrente 17. IV. Air 18. V. Sarabande 19. VI. Tempo Di Gavotta 20. VII. Gigue

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... o night of love, descend upon us... That motif from Wagner's Tristan and Isolde sets the musical and lyrical mood for the selection of pieces and poems in the Feininger Trio's programme, performed for the first time at the Baden-Baden Easter Festival. Love and death the goal in selecting the poems was to find a mood similar to Schubert's Notturno and Chopin's Piano Trio Op. 8 texts that could establish a lyrical dialogue with those pieces. How can we grasp the great subject of love and death? How can we associate language with music, but without relegating language to a subordinate role? How can a series of poems tell their own story while at the same time highlighting the expression conveyed by the music, which is still the precondition for this musical-poetical programme? Following Schubert's Adagio (later renamed Notturno), the theme of love is addressed in Ingeborg Bachmann's poem Erklar mir Liebe (InchExplain love to meInch) and in Rilke's Liebes-Lied (InchLove SongInch), which features metaphors associated with string music. Allegro con fuoco is the tempo marking of the first movement in Chopin's Piano Trio, Op. 8. It is paired alongside Elke Lasker-Schuler's poem Du spieltest ein ungestumes Lied (InchYou played me a wild songInch).

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