sE Electronics T2. Titanium makes the difference. The T2 appeals with its down-to-earth elegance, offering discrete electronics prioritizing the features you really need. With titanium being much stiffer and three times lighter than gold, your transients will never be the same. Product Highlights: Hand-crafted titanium-sputtered true condenser capsule. Accurate definition and fast transient response. Switchable pickup patterns, cardioid, omnidirectional, figure-eight, and hypercardioid. Innovative close-miking shockmount. 40 / 80 Hz bass-cut filters and -10 / -20 dB pads. Available in a matched-pair configuration. Product Features: Hand-crafted 1" Titanium-sputtered True Condenser Capsule. The T2’s titanium-sputtered capsule is much stiffer and three times lighter than gold, giving it a quicker transient response than gold-sputtered capsules, which is essential when recording instruments that have fast attack - like drums and percussion - to maintain clarity and deliver exceptionally accurate performance. Free of Thrills, No LEDs. No Plastic Switches. Select between 4 polar patterns with metal switches, from cardioid to omnidirectional or figure-eight to hypercardioid, with a gold-sputtered, dual-diaphragm capsule for precision-based miking techniques to minimize signal bleed from unwanted sources in demanding studio or fast-paced live environments. Dent-proof Metal Housing & Premium Finish. Hand-crafted with the highest attention to detail, built with a roadworthy die-cast all-metal housing, metal switches, and rugged spring steel wire mesh grille, the T2 is built to last for years of demanding studio use and the day-to-day life of a touring artist. Switchable Pre-attenuation Pad & Bass-cut Filter. Select between two pre-attenuation pads for an extended dynamic range and compensate for loud vocals, guitars, drums, and brass instruments. With two low-cut filters, easily tame excessive low-frequency rumble and proximity effect and efficiently adjust for close-miking techniques. Available as a Matched Stereo-pair. Each T2 Matched-Pair is rigorously tested, tuned in-house and sonically matched to ensure a virtually identical frequency response for balanced, consistent sound. Complete with a metal mic case, stereo bar, two shockmounts and two T2 microphones. Recommended Use. Drums, percussion, overheads, hi-hats, orchestral + strings, piano, bass guitar cab, acoustic guitar, electric guitar cab, vocals, woodwinds, brass. Product Specifications: Components. Capsule: Hand-crafted 1" true condenser capsule. Diaphragm: Titanium-sputtered mylar. Power. Electrical Impedance: 22 Ohms. Connectivity: 3-pin male XLR connector. Powering: 48 Volts according to IEC 61938. Sound. Polar Patterns: Cardioid, Hypercardioid, Omni-directional, Figure-8. Frequency Range: 20 Hz - 20 kHz. Sensitivity: 25 mV / Pa (-32 dBV). Max SPL: 137 / 147 / 157 dBSPL (0/10/20 dB Attenuation pad - 0.5% THD). Equivalent Noise Level: 13 dB(A). Signal to Noise Ratio: 81 dB. Low-cut Filter: 40 / 80 Hz, 6 dB/Oct, switchable. Attenuation Pad: 10 / 20 dB, switchable. Dimensions. Mic Weight: 290 g (10.23 oz.). Mic Length: 146 mm (5.75 in.). Mic Width: 58 mm (2.32 in.). Mic Diameter: 29 mm (1.10 in.)
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sE Electronics T2. Titanium makes the difference. The T2 appeals with its down-to-earth elegance, offering discrete electronics prioritizing the features you really need. With titanium being much stiffer and three times lighter than gold, your transients will never be the same. Product Highlights: Hand-crafted titanium-sputtered true condenser capsule. Accurate definition and fast transient response. Switchable pickup patterns, cardioid, omnidirectional, figure-eight, and hypercardioid. Innovative close-miking shockmount. 40 / 80 Hz bass-cut filters and -10 / -20 dB pads. Available in a matched-pair configuration. Product Features: Hand-crafted 1" Titanium-sputtered True Condenser Capsule. The T2’s titanium-sputtered capsule is much stiffer and three times lighter than gold, giving it a quicker transient response than gold-sputtered capsules, which is essential when recording instruments that have fast attack - like drums and percussion - to maintain clarity and deliver exceptionally accurate performance. Free of Thrills, No LEDs. No Plastic Switches. Select between 4 polar patterns with metal switches, from cardioid to omnidirectional or figure-eight to hypercardioid, with a gold-sputtered, dual-diaphragm capsule for precision-based miking techniques to minimize signal bleed from unwanted sources in demanding studio or fast-paced live environments. Dent-proof Metal Housing & Premium Finish. Hand-crafted with the highest attention to detail, built with a roadworthy die-cast all-metal housing, metal switches, and rugged spring steel wire mesh grille, the T2 is built to last for years of demanding studio use and the day-to-day life of a touring artist. Switchable Pre-attenuation Pad & Bass-cut Filter. Select between two pre-attenuation pads for an extended dynamic range and compensate for loud vocals, guitars, drums, and brass instruments. With two low-cut filters, easily tame excessive low-frequency rumble and proximity effect and efficiently adjust for close-miking techniques. Available as a Matched Stereo-pair. Each T2 Matched-Pair is rigorously tested, tuned in-house and sonically matched to ensure a virtually identical frequency response for balanced, consistent sound. Complete with a metal mic case, stereo bar, two shockmounts and two T2 microphones. Recommended Use. Drums, percussion, overheads, hi-hats, orchestral + strings, piano, bass guitar cab, acoustic guitar, electric guitar cab, vocals, woodwinds, brass. Product Specifications: Components. Capsule: Hand-crafted 1" true condenser capsule. Diaphragm: Titanium-sputtered mylar. Power. Electrical Impedance: 22 Ohms. Connectivity: 3-pin male XLR connector. Powering: 48 Volts according to IEC 61938. Sound. Polar Patterns: Cardioid, Hypercardioid, Omni-directional, Figure-8. Frequency Range: 20 Hz - 20 kHz. Sensitivity: 25 mV / Pa (-32 dBV). Max SPL: 137 / 147 / 157 dBSPL (0/10/20 dB Attenuation pad - 0.5% THD). Equivalent Noise Level: 13 dB(A). Signal to Noise Ratio: 81 dB. Low-cut Filter: 40 / 80 Hz, 6 dB/Oct, switchable. Attenuation Pad: 10 / 20 dB, switchable. Dimensions. Mic Weight: 290 g (10.23 oz.). Mic Length: 146 mm (5.75 in.). Mic Width: 58 mm (2.32 in.). Mic Diameter: 29 mm (1.10 in.)

The Rode NT1 5th Generation reimagines the classic studio condenser with next-level digital versatility and legendary analog performance. Featuring both XLR and USB-C outputs, it seamlessly adapts to professional studios or home recording setups without needing an audio interface. Its 1” gold-sputtered HF6 capsule captures vocals and instruments with warmth, clarity, and silky high-end detail, while the cardioid pickup pattern minimizes unwanted background noise. Inside, a precision-engineered Rycote Lyre suspension system and ultralow-noise electronics achieve an astonishing 4 dBA self-noise for whisper-quiet operation. When used via USB, the built-in Revolution preamp and 32-bit floating-point converter deliver pristine, unclipable recordings with immense dynamic range and sampling rates up to 192 kHz. The mic is powered by phantom power or USB bus power, making it truly plug-and-play. Bundled accessories include the SM6 shockmount with pop shield, XLR and USB-C cables, and a padded pouch. The NT1 5th Gen also integrates with Rode’s software suite: Rode Central for DSP configuration and APHEX processing, Rode Connect for podcasting up to four mics, and UNIFY for pro-level streaming and multitrack recording. Combining premium build quality with advanced digital innovation, the NT1 5th Generation is a modern studio essential for musicians, podcasters, and content creators seeking uncompromised sound.Manufacturer Items Include:RODE NT1 5th Generation Large-Diaphragm Cardioid Condenser XLR/USB Microphone (Black)RODE SM6 Shock Mount with Detachable Pop FilterUSB-C to USB-C Cable (9.8')XLR Microphone Cable (19.7')Bundle Items Include:RODE NT1 5th Generation Large-Diaphragm Cardioid Condenser XLR/USB Microphone (Black)Podcast Studio HeadphonesPodcast Boom Arm Mic StandCable TiesMicrofiber ClothMicrophone CleanerHeadphone Cleaner

Your mic for pure studio sound. The LCT 440 PURE uses the same high-end components and capsule technology as LEWITT's prestige models. You will fall in love with its larger-than-life sound and build quality right away. No doubt about it; this is a mic for life. LCT 440 PURE stands for class-defining sound. The LCT 440 PURE provides larger-than-life sound for vocals and instruments. Its 1 inch. true condenser capsule captures your signal with an impressive amount of depth and clarity. Every single capsule is measured and tested according to the highest quality standards. This way, you capture your individual personality and all the emotion you've put into your performance. Nothing limits your performance. You can record anything with the LCT 440 PURE as it is a true studio allrounder. It features a very low self-noise value of only 7 dB (A) and handles ear-shattering sound pressure levels of up to 140 dBSPL. This results in an outstanding dynamic range of 133 dB (A). What's in the box? The LCT 440 PURE comes with a shock mount that minimizes structure-borne noise, a transport bag, a windscreen, and a magnetic pop filter that perfectly integrates with the design of the microphone.

The new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The WA-87 R2 also features three polar patterns (cardioid, omni and figure 8) so you're covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings and more. Not only that, it's the same price as the original WA-87, so you can afford to have several in your mic locker!