Sea Moss - Seamoss2 - CASSETTES
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Hitting play on SEAMOSS2, the latest missive from Portland noise-tinkerers Sea Moss, is like punching the big red button on a cartoon bomb before it explodes into a multicolored mushroom cloud. From the second InchNap TimeInch revs up, vocalist Noa Ver and drummer Zach D'Agostino absolutely clobber the listener with a distorted hodgepodge of sounds as raw and violent as they are winkingly playful, as if Black Dice and Melt-Banana were caught in the middle of some kind of psychotic square dance together. The duo's setup-which involves a primitive assemblage of hacked feedback oscillators, colorful Rococo tin boxes, and a contact mic plugged directly onto Ver's neck to capture her barking intonations-harkens back to an era of DIY where live performance meant everything. Blurring the line between reckless improvisation and tightly-knit compositions, the band achieves a disorientingly complex interplay. Though Sea Moss's music may initially seem to be an act of pure blunt force, the duo's true prowess lies in the intricacy of their rhythmic interplay. As freeform as it all might seem, SEAMOSS2 contains the band's most potent, precise compositions yet, refining the distinct style they forged on disorienting releases like Bread Bored and Bidet Dreaming into a thrilling act of controlled chaos. In an era where the communal spirit of DIY feels more difficult to achieve than ever, Sea Moss embody the classic ethos of weirdo punk music in all it's absurdity and wonder. It's this same sense of scrappiness that's earned them attention from legends like Lightning Bolt and Machine Girl, and SEAMOSS2 illustrates why they're every bit as deserving of their own trophy in the noise-rock hall of fame-one adorned in broken contact mics and scuffed-up scratches from one too many bloody basement shows.SIDE A1 - Nap Time2 - Candy Run3. -Pig's Feet4 - Split HairsSIDE B5 - Feeding Frenzy6 - S
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- GenreRockDescriptionHitting play on SEAMOSS2, the latest missive from Portland noise-tinkerers Sea Moss, is like punching the big red button on a cartoon bomb before it explodes into a multicolored mushroom cloud. From the second InchNap TimeInch revs up, vocalist Noa Ver and drummer Zach D'Agostino absolutely clobber the listener with a distorted hodgepodge of sounds as raw and violent as they are winkingly playful, as if Black Dice and Melt-Banana were caught in the middle of some kind of psychotic square dance together. The duo's setup-which involves a primitive assemblage of hacked feedback oscillators, colorful Rococo tin boxes, and a contact mic plugged directly onto Ver's neck to capture her barking intonations-harkens back to an era of DIY where live performance meant everything. Blurring the line between reckless improvisation and tightly-knit compositions, the band achieves a disorientingly complex interplay. Though Sea Moss's music may initially seem to be an act of pure blunt force, the duo's true prowess lies in the intricacy of their rhythmic interplay. As freeform as it all might seem, SEAMOSS2 contains the band's most potent, precise compositions yet, refining the distinct style they forged on disorienting releases like Bread Bored and Bidet Dreaming into a thrilling act of controlled chaos. In an era where the communal spirit of DIY feels more difficult to achieve than ever, Sea Moss embody the classic ethos of weirdo punk music in all it's absurdity and wonder. It's this same sense of scrappiness that's earned them attention from legends like Lightning Bolt and Machine Girl, and SEAMOSS2 illustrates why they're every bit as deserving of their own trophy in the noise-rock hall of fame-one adorned in broken contact mics and scuffed-up scratches from one too many bloody basement shows.SIDE A1 - Nap Time2 - Candy Run3. -Pig's Feet4 - Split HairsSIDE B5 - Feeding Frenzy6 - SArtistSea MossTitleSeamoss2FormatCassetteLabelRamp Local
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Hitting play on SEAMOSS2, the latest missive from Portland noise-tinkerers Sea Moss, is like punching the big red button on a cartoon bomb before it explodes into a multicolored mushroom cloud. From the second InchNap TimeInch revs up, vocalist Noa Ver and drummer Zach D'Agostino absolutely clobber the listener with a distorted hodgepodge of sounds as raw and violent as they are winkingly playful, as if Black Dice and Melt-Banana were caught in the middle of some kind of psychotic square dance together. The duo's setup-which involves a primitive assemblage of hacked feedback oscillators, colorful Rococo tin boxes, and a contact mic plugged directly onto Ver's neck to capture her barking intonations-harkens back to an era of DIY where live performance meant everything. Blurring the line between reckless improvisation and tightly-knit compositions, the band achieves a disorientingly complex interplay. Though Sea Moss's music may initially seem to be an act of pure blunt force, the duo's true prowess lies in the intricacy of their rhythmic interplay. As freeform as it all might seem, SEAMOSS2 contains the band's most potent, precise compositions yet, refining the distinct style they forged on disorienting releases like Bread Bored and Bidet Dreaming into a thrilling act of controlled chaos. In an era where the communal spirit of DIY feels more difficult to achieve than ever, Sea Moss embody the classic ethos of weirdo punk music in all it's absurdity and wonder. It's this same sense of scrappiness that's earned them attention from legends like Lightning Bolt and Machine Girl, and SEAMOSS2 illustrates why they're every bit as deserving of their own trophy in the noise-rock hall of fame-one adorned in broken contact mics and scuffed-up scratches from one too many bloody basement shows.SIDE A1 - Nap Time2 - Candy Run3. -Pig's Feet4 - Split HairsSIDE B5 - Feeding Frenzy6 - S
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Few states in this country can boast of more diverse folkways than Virginia. Many of the material objects-such as barns, tools, and furniture-reflect the traditions that shaped the lives of it's earliest settlers and the generations of Virginians who followed. The Commonwealth's performance traditions of songs, tunes, and tales also tell of a shared heritage involving all classes of people in every facet of life. Because traditions naturally change over time, the documentation of Virginia folk culture is an ongoing process essential to our understanding of the past, present, and future. By recording the folkways of Virginia, the Blue Ridge Institute of Ferrum College and it's BRI Record tag strive to foster a greater appreciation of our folk roots through an array of interpretive programs.

Brooklyn bedroom-pop trailblazers Beach Fossils' new album 'Bunny,' is a triumphant return for one of the 2010s most influential NYC bands. 'Bunny' is a precise blend of the luscious dream-pop atmospheres they notoriously honed on their earliest projects, the post-punk vigor expressed on 'Clash the Truth,' and the warm, sophisticated songwriting of 'Somersault.' Composer Dustin Payseur peppers the album equally with descriptions of the joy of fatherhood and the existential pleasure of smoking cigarettes out of a car window with friends-'Bunny' features Beach Fossils' most personal lyrics to-date.This is a collection of new favorite tracks for fans of every era of Beach Fossils. Releasing on Payseur and his partner Katie Garcia's own tag, Bayonet Records, 'Bunny' will prove to be the culmination of a decade's worth of growth and experience.
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