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Any attempt at dating J.S. Bach's three sonatas for viola da gamba and obligato harpsichord (BWV 1027 - 1029) is a very complex issue. According to the most recent research, Bach's gamba sonatas are dated 1736 - 41, and therefore could have been written for Carl Friedrich Abel (1723-1787). Here the Viola da gamba Sonatas are performed by two musicians who have a wide experience and deep knowledge of period instruments and late Baroque performing practice. They focused their attention on the instruments to play. Sergej Istomin chose a viol built by Jacob Stainer in 1655, whose sound is especially brilliant and resonant. Sofronitzky very unusually decided to play these late pieces by Bach on a Silbermann fortepiano copy, built by Paul McNulty. A new instrument at that time, the fortepiano was approved and appreciated by Johann Sebastian Bach during his visit to Gottfried Silbermann in 1747. Paul McNulty's copy of Silbermann's 1749 instrument represents the final stage of the builder's development, seventeen years after the first fortepiano he had built following a description of Christofori's original design. These two instruments' blend of tones and colors conjure up for a unique, singing and invigorating account of well-known works.
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Any attempt at dating J.S. Bach's three sonatas for viola da gamba and obligato harpsichord (BWV 1027 - 1029) is a very complex issue. According to the most recent research, Bach's gamba sonatas are dated 1736 - 41, and therefore could have been written for Carl Friedrich Abel (1723-1787). Here the Viola da gamba Sonatas are performed by two musicians who have a wide experience and deep knowledge of period instruments and late Baroque performing practice. They focused their attention on the instruments to play. Sergej Istomin chose a viol built by Jacob Stainer in 1655, whose sound is especially brilliant and resonant. Sofronitzky very unusually decided to play these late pieces by Bach on a Silbermann fortepiano copy, built by Paul McNulty. A new instrument at that time, the fortepiano was approved and appreciated by Johann Sebastian Bach during his visit to Gottfried Silbermann in 1747. Paul McNulty's copy of Silbermann's 1749 instrument represents the final stage of the builder's development, seventeen years after the first fortepiano he had built following a description of Christofori's original design. These two instruments' blend of tones and colors conjure up for a unique, singing and invigorating account of well-known works.

Limited 180gm vinyl LP pressing in gatefold jacket. The 50th anniversary edition of the original studio album remastered by James Guthrie comes in a gatefold jacket with posters and stickers. Album Tracks 1. Speak to Me 2. Breathe (In the Air) 3. On the Run 4. Time 5. The Great Gig in the Sky 1. Money 2. Us and Them 3. Any Colour You Like 4. Brain Damage 5. Eclipse

Spanning over two decades, this new Greatest Hits collection highlights Finger Eleven's diverse range with fan favorites, including multi-platinum hit "Paralyzer" and Juno-nominated "One Thing," plus chart-toppers like "Falling On" and "Living in a Dream." As a bonus, the 12-track set also offers a previously unreleased cover of Pink Floyd's "Welcome to the Machine" (a longtime live staple) as well as the brand-new single "Together Right." Album Tracks DISC 1 1. Good Times 2. Paralyzer 3. Together Right 4. Living in a Dream 5. I'll Keep Your Memory Vague 6. One Thing DISC 2 1. Above 2. First Time 3. Falling on 4. Slow Chemical 5. Drag You Down 6. Welcome to the Machine
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