Shai Maestro - The Guesthouse - COMPACT DISCS [CD]
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The Guesthouse is about collaboration, inclusion, and the essence of welcoming which is the essence of an open door. It's my most ambitious project to date, sonically and compositionally. It involves so many incredibly talented people some are in the front, playing music together with me, offering their insight, time, effort, and love, and some incredibly talented and hardworking people are behind the scenes, facilitating, allowing, and inspiring me to keep pushing forward.Musically speaking, the color palette on The Guesthouse is huge. It introduces many musical guests that I admire deeply MARO, Immanuel Wilkins, Michael Mayo, and many more. It includes lyric writing for the first time, electronic instruments, guitars, trumpets, flutes, flamenco musicians, in-depth production work, my quartet, solo piano, odd meter explorations, improvisations, songs with no time, strings, two pianos conversing and more and more and more.. I dove as deep as I could into these deep waters.The result is my attempt to turn the creative chaos that lives in mind mind into one coherent artistic statement, always having a simple melody as a thread that tells the story of this collective.Shai MaestroShai Maestro (b. 1987) is one of the most inventive and influential pianists of his generation. Since debuting with his own trio in 2011, he has developed a distinctive musical voice that is fluid, expressive, and profoundly lyrical. His artistry has made him a defining figure in contemporary jazz, merging improvisation, composition, and global influences into a sound that is both cinematic and deeply personal.Maestro began studying classical piano at the age of five and discovered jazz at eight through the recordings of Keith Jarrett and Oscar Peterson. At nineteen, he joined bassist Avishai Cohen's trio, co-writing the acclaimed Gently Disturbed and performing worldwide. In 2011, he formed hi
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- GenreJazzDescriptionThe Guesthouse is about collaboration, inclusion, and the essence of welcoming which is the essence of an open door. It's my most ambitious project to date, sonically and compositionally. It involves so many incredibly talented people some are in the front, playing music together with me, offering their insight, time, effort, and love, and some incredibly talented and hardworking people are behind the scenes, facilitating, allowing, and inspiring me to keep pushing forward.Musically speaking, the color palette on The Guesthouse is huge. It introduces many musical guests that I admire deeply MARO, Immanuel Wilkins, Michael Mayo, and many more. It includes lyric writing for the first time, electronic instruments, guitars, trumpets, flutes, flamenco musicians, in-depth production work, my quartet, solo piano, odd meter explorations, improvisations, songs with no time, strings, two pianos conversing and more and more and more.. I dove as deep as I could into these deep waters.The result is my attempt to turn the creative chaos that lives in mind mind into one coherent artistic statement, always having a simple melody as a thread that tells the story of this collective.Shai MaestroShai Maestro (b. 1987) is one of the most inventive and influential pianists of his generation. Since debuting with his own trio in 2011, he has developed a distinctive musical voice that is fluid, expressive, and profoundly lyrical. His artistry has made him a defining figure in contemporary jazz, merging improvisation, composition, and global influences into a sound that is both cinematic and deeply personal.Maestro began studying classical piano at the age of five and discovered jazz at eight through the recordings of Keith Jarrett and Oscar Peterson. At nineteen, he joined bassist Avishai Cohen's trio, co-writing the acclaimed Gently Disturbed and performing worldwide. In 2011, he formed hiArtistShai MaestroTitleThe GuesthouseFormatCDLabelNaive
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The Guesthouse is about collaboration, inclusion, and the essence of welcoming which is the essence of an open door. It's my most ambitious project to date, sonically and compositionally. It involves so many incredibly talented people some are in the front, playing music together with me, offering their insight, time, effort, and love, and some incredibly talented and hardworking people are behind the scenes, facilitating, allowing, and inspiring me to keep pushing forward.Musically speaking, the color palette on The Guesthouse is huge. It introduces many musical guests that I admire deeply MARO, Immanuel Wilkins, Michael Mayo, and many more. It includes lyric writing for the first time, electronic instruments, guitars, trumpets, flutes, flamenco musicians, in-depth production work, my quartet, solo piano, odd meter explorations, improvisations, songs with no time, strings, two pianos conversing and more and more and more.. I dove as deep as I could into these deep waters.The result is my attempt to turn the creative chaos that lives in mind mind into one coherent artistic statement, always having a simple melody as a thread that tells the story of this collective.Shai MaestroShai Maestro (b. 1987) is one of the most inventive and influential pianists of his generation. Since debuting with his own trio in 2011, he has developed a distinctive musical voice that is fluid, expressive, and profoundly lyrical. His artistry has made him a defining figure in contemporary jazz, merging improvisation, composition, and global influences into a sound that is both cinematic and deeply personal.Maestro began studying classical piano at the age of five and discovered jazz at eight through the recordings of Keith Jarrett and Oscar Peterson. At nineteen, he joined bassist Avishai Cohen's trio, co-writing the acclaimed Gently Disturbed and performing worldwide. In 2011, he formed hi
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In 1819 the and composer Anton Diabelli invited 50 Austrian composers to write one variation a short waltz he had composed. He specified that it take up just one sheet (which he supplied) and this already contained his waltz. Composers such as Czerny, Moscheles, Hummel, Kalkbrenner, Liszt (just 10 years old), Schubert and Beethoven were among those invited. All except one provided their contribution. That one was Beethoven, who, electrified by Diabelli's Waltz produced a massive work comprising 33 variations which was completed after the composer had completed the Missa Solemnis, and the last three piano sonatas. He delivered it to Diabelli in 1823, making it his final masterpiece. This huge work is one of the peaks of the repertoire for solo piano, it still baffles the listener, it still has the capacity to reveal more than we thought we knew about it. It makes extreme demands upon the performer and the listener, and in a great performance never ceases to surprise and shock the listener.
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