Shame - Drunk Tank Pink - VINYL LP
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There are moments on Drunk Tank Pink where you almosthave to reach for the sleeve to check this is the same bandwho made 2018's Songs Of Praise. Such is the jump Shamehave made from the riotous post-punk of their debut to thesprawling adventurism and twitching anxieties laid out here.The South Londoner's blood and guts spirit, that wink andgrin of devious charm, is still present, it's just that it's growninto something bigger, something deeper, more ambitious andunflinchingly honest. The genius of Drunk Tank Pink is how these lyrical themesdovetail with the music. Opener Alphabet dissects the premiseof performance over a siren call of nervous, jerking guitars, it'schorus thrown out like a beer bottle across a mosh pit.Songs spin off and lurch into unexpected directions throughouthere, be it March Day's escalating aural panic attack or theshapeshifting darkness of Snow Day. There's a Berlin era Bowiebeauty to the lovelorn Human For A Minute while closer StationWagon weaves from a downbeat mooch into a souring, soullifting climax in which Steen elevates himself beyond the cloudsand into the heavens. Or at least that's what it sounds like. From the womb to the clouds (sort of), Shame are currentlyvery much in the pink.
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VINYLSpecifications
- GenreRockDescriptionThere are moments on Drunk Tank Pink where you almosthave to reach for the sleeve to check this is the same bandwho made 2018's Songs Of Praise. Such is the jump Shamehave made from the riotous post-punk of their debut to thesprawling adventurism and twitching anxieties laid out here.The South Londoner's blood and guts spirit, that wink andgrin of devious charm, is still present, it's just that it's growninto something bigger, something deeper, more ambitious andunflinchingly honest. The genius of Drunk Tank Pink is how these lyrical themesdovetail with the music. Opener Alphabet dissects the premiseof performance over a siren call of nervous, jerking guitars, it'schorus thrown out like a beer bottle across a mosh pit.Songs spin off and lurch into unexpected directions throughouthere, be it March Day's escalating aural panic attack or theshapeshifting darkness of Snow Day. There's a Berlin era Bowiebeauty to the lovelorn Human For A Minute while closer StationWagon weaves from a downbeat mooch into a souring, soullifting climax in which Steen elevates himself beyond the cloudsand into the heavens. Or at least that's what it sounds like. From the womb to the clouds (sort of), Shame are currentlyvery much in the pink.ArtistShameTitleDrunk Tank PinkFormatVINYLLabelDead Oceans
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There are moments on Drunk Tank Pink where you almosthave to reach for the sleeve to check this is the same bandwho made 2018's Songs Of Praise. Such is the jump Shamehave made from the riotous post-punk of their debut to thesprawling adventurism and twitching anxieties laid out here.The South Londoner's blood and guts spirit, that wink andgrin of devious charm, is still present, it's just that it's growninto something bigger, something deeper, more ambitious andunflinchingly honest. The genius of Drunk Tank Pink is how these lyrical themesdovetail with the music. Opener Alphabet dissects the premiseof performance over a siren call of nervous, jerking guitars, it'schorus thrown out like a beer bottle across a mosh pit.Songs spin off and lurch into unexpected directions throughouthere, be it March Day's escalating aural panic attack or theshapeshifting darkness of Snow Day. There's a Berlin era Bowiebeauty to the lovelorn Human For A Minute while closer StationWagon weaves from a downbeat mooch into a souring, soullifting climax in which Steen elevates himself beyond the cloudsand into the heavens. Or at least that's what it sounds like. From the womb to the clouds (sort of), Shame are currentlyvery much in the pink.
Jorge Drexler - Eco [VINYL LP] 140 Gram Vinyl, Spain - Import date 12/20/2024
Their way through their second album's identity crisis, they arrive, finally, at a place of hard-won maturity. Enter Food for Worms, which Steen declares to be Inchthe Lamborghini of shame records.Inch It marks a sonic departure from anything they've done before, abandoning their post-punk beginnings for more eclectic influences, drawing from the tense atmospherics of Merchandise, the sharp yet uncomplicated lyrics of Lou Reed and the more melodic works of 90s German band, Blumfeld. For the first time, the band are not delving inwards, but seeking to capture the world around them. InchI don't think you can be in your own head forever,Inch says Steen. A conversation after one of their gigs with a friend prompted a stray thought that he held onto InchIt's weird, isn't it? Popular music is always about love, heartbreak, or yourself. There isn't much about your mates.Inch In many ways, the album is an ode to friendship, and a documentation of the dynamic that only five people who have grown up together - and grown so close, against all odds - can share.
Cutthroat is shame at their blistering best. An unapologetic new album with Grammy winning producer John Congleton at the helm; it's souped up and supercharged. It's exactly where you want shame to be.Still in their twenties, the five childhood friends - Charlie Steen, guitarists Sean Coyle-Smith and Eddie Green, bassist Josh Finerty and drummer Charlie Forbes - have grown Shame exponentially, with ambitious sonic ideas and the technical chops to execute them. Having proved themselves several times over with legendary live shows and three critically-acclaimed albums under their belts, Shame went into Cutthroat ready to create a new Ground Zero. InchThis is about who we are,Inch says Steen. InchOur live shows aren't performance art - they're direct, confrontational and raw. That's always been the root of us. We live in crazy times. But it's not about 'Poor me.' It's about 'F**k you'.Inch Crucial to this incendiary new outlook was producer John Congleton (St. Vincent, Angel Olsen). From their initial meeting, Congleton's no-bullshit approach became a guiding force to streamline the band's ideas.Stamped throughout with Shame's trademark sense of humour, the album takes on the big issues of today and gleefully toys with them. Casting a merciless eye on themes of conflict and corruption; hunger and desire; lust, envy and the omnipresent shadow of cowardice.Musically, too, the record plays with visceral new ideas. Making electronic music on tour for fun, Coyle-Smith had previously seen the loops he was crafting as a separate entity to the things he wrote for Shame. Then, he realised, maybe they didn't have to be. InchThis time, anything could go if it sounded good and you got it right,Inch he says.The result is an album that revels in the idiosyncrasies of life, raising an eyebrow and asking the ugly questions that so often get tactfully brushed over. InchI'm not here to an
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