Shostakovich / Nelsons - City of Birmingham So - COMPACT DISCS [CD]

Dmitri Shostakovich's Symphonies are arguably the most impressive symphonic cycle of the 20th century - certainly, if you don't count Gustav Mahler. The depth and variety of these 15 Symphonies, so closely tied to Shostakovich's personality and the times he lived in, make it particularly rewarding to listen to varying interpretations. Dmitrij Kitajenko's survey, recorded between 2002 and 2004, has found it's place among the great such cycles, both for it's artistic merits and it's reference sonics, the wide dynamics and the impassioned playing from the Gurzenich Orchestra Cologne that the native Leningrad native Kitajenko gets from his musicians.

Shafer presents 15 popular songs chosen from the mainstream of American music. Features the songs InchI Left My Heart in San Francisco,Inch InchWhat a Wonderful World,Inch InchStardust,Inch InchAs Time Goes By,Inch InchGeorgia on My Mind,Inch InchHappy Days Are Here Again,Inch InchMakin' Whoopee,Inch InchBlue Skies,Inch InchIt Had to Be You,Inch InchWho's Sorry Now,Inch InchSweet Georgia BrownInch & others.

This 28-CD set commemorates the 50th anniversary of the death of Dimitri Shostakovich, presenting his symphonies, chamber symphonies, concertos, chamber music, string quartets, Jazz Ballet & Film music, 24 Preludes & Fugues. Dimitri Shostakovich (1906-1975) is without doubt one of the most famous and influential composers of 20th century Russia. He lived in a time of Soviet repression and, though outwardly a loyal communist, he resented the restrictions imposed by the regime on his creativity. This led to a fascinating duality between conformism and the expression of his most innermost feelings, fears and anger. Shostakovich's 15 symphonies chart a remarkable artistic journey. The Fifth Symphony, often considered his response to political censorship, balances grandeur with emotional depth. Later symphonies, such as the Eighth and Fourteenth, delve into themes of war and death, using stark textures and powerful contrasts to convey their messages. His concertos, particularly for piano, violin, and cello, showcase both virtuosity and lyrical intensity. The First Cello Concerto, written for Mstislav Rostropovich, is notable for it's bold structure and expressive range. Similarly, his Piano Concerto No. 1 stands out for it's wit and originality, blending classical form with jazz-like energy. Shostakovich's 15 string quartets form a deeply personal body of work. Unlike his public-facing symphonies, the quartets are introspective, often revealing his inner turmoil. The Eighth Quartet is especially poignant, widely interpreted as a self-portrait filled with coded references and bleak emotional content. In ballet, Shostakovich contributed scores such as The Golden Age and The Bolt, works that combine satire, modernist flair, and Soviet themes. These compositions often clashed with official ideology but are now appreciated for their rhythmic vitality and sharp characterizations