Sissy Spacek - Entrance - VINYL LP
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Entering it's 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project's most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. Founded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on it's head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of it's own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation and musique concrète. Fiercely positioning it's efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From it's earliest releases - collage treatments of material gathered from the band's full throttle practice sessions - the project's conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception reg
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- GenreRockDescriptionEntering it's 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project's most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. Founded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on it's head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of it's own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation and musique concrète. Fiercely positioning it's efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From it's earliest releases - collage treatments of material gathered from the band's full throttle practice sessions - the project's conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regArtistSissy SpacekTitleEntranceFormatVINYLLabelShelter Press
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Entering it's 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project's most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. Founded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on it's head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of it's own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation and musique concrète. Fiercely positioning it's efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From it's earliest releases - collage treatments of material gathered from the band's full throttle practice sessions - the project's conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception reg
San Francisco post-black metal outfit BOTANIST and Los Angeles based electronic project THIEF the split-album InchCicatrix/Diamond BrushInch. Despite their stylistic differences, both bands have much in common. They were both conceived and are mostly recording as solo-projects run by a single mastermind. Both multi-instrumentalists recruit live members to put their music on the stage. Yet the connection between BOTANIST's Otrebor aka Roberto Martinelli and Dylan Neal from THIEF runs deeper Dylan Neal played hammered dulcimer in the post-black metal outfit and even after officially departing from BOTANIST, he has continued to contribute as a InchsilentInch member, for example by writing the dulcimer and bass parts for the album InchCollective The Shape of He to ComeInch. This personal connection between both bands is reflected in the material of this split-album. BOTANIST's InchCicatrixInch contains previously unreleased tracks from the recording sessions of their acclaimed full-length InchVI FloraInch (2014), which is also the record that Dylan toured on, when the band went to Europe and delivered their legendary performance at the Roadburn Festival in 2015. The botanical term 'cicatrix' refers to the scarring that shows on a plant after it has been damaged and the title track points towards the damage that mankind has inflicted at the global flora. While the backbone of THIEF's sound has been formed by manipulated sacred chant and choral samples, InchDiamond BrushInch prominently features live drums and electric guitars for the first time on one of their records. Thematically, Dylan explores a spiritual pursuit of awakening through the experience of transgression and suffering with allusions to Joyce, Salinger, Nabokov, and Mobb Deep. InchDiamond BrushInch is also intended as a companion to the third THIEF full-length, InchThe 16 Deaths of My MasterInch, which i
At the intersection of the two extreme genres of noise and grindcore, Sissy Spacek has been an ongoing artistic process to create anxiety inducing chaotic music. The band has gone back to it's basics with a lineup of it's core member John Wiese and longtime collaborator Charlie Mumma (who you may know from BLOODY PHOENIX or his contributions to KNELT ROTE). Diaphanous is a mess of blast beats, noise walls, and ardent screaming. The music is both artistic and unstructured - is it high culture or lowbrow? If you enjoyed the group's 2016 album Disfathom, you can consider this it's spiritual successor. For fans of raucous noise with blastbeats. This is technically the band's second grindcore full length after being a band for almost a quarter of a century and it is not to be missed.
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Non-Linear is a box set of new material celebrating 26 years of Sissy Spacek, featuring a wide range of contributors. The set consists of three 7-inch vinyl records containing six tracks, and a CD featuring 20 tracks, packaged in an elegant, heavy duty casewrap slipcase with art and design by John Wiese. The collection offers a rich overview of Sissy Spacek's highly varied output, which throughout the years has ranged from free improv infused musique concrète to grinding maximalist noise to chaotic grindcore/noisecore outbursts, whilst always staying within the spirit of total freeform non-linear expression with it's many collaborators. A vital group which is relentlessly changing shape in new exciting ways.Participants Tim Barnes (7, 18)Phil Blankenship (13)Mike Du Bose (2, 15)James Fella (9, 21, 26)Aaron Hemphill (15, 26)Isaac Horne (3, 15)Katsura Mouri (25)Charlie MummaBill Nace (23)Oblivia (9, 21, 26)Jay Randall (4, 16)Ralf Wehowsky (25)John WieseC. Spencer Yeh (7, 18, 25)
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