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SLACKER, directed by Richard Linklater (DAZED AND CONFUSED), presents a day in the life of a loose-knit Austin, Texas, subculture populated by eccentric and overeducated young people. Shooting on 16 mm for a mere $3,000, writer-producer-director Linklater and his crew of friends threw out any idea of a traditional plot, choosing instead to create a tapestry of over a hundred characters, each as compelling as the last. SLACKER is a prescient look at an emerging generation of aggressive nonparticipants, and one of the key films of the American independent film movement of the 1990s.
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SLACKER, directed by Richard Linklater (DAZED AND CONFUSED), presents a day in the life of a loose-knit Austin, Texas, subculture populated by eccentric and overeducated young people. Shooting on 16 mm for a mere $3,000, writer-producer-director Linklater and his crew of friends threw out any idea of a traditional plot, choosing instead to create a tapestry of over a hundred characters, each as compelling as the last. SLACKER is a prescient look at an emerging generation of aggressive nonparticipants, and one of the key films of the American independent film movement of the 1990s.

12 ANGRY MEN, by Sidney Lumet, may be the most radical big-screen courtroom drama in cinema history. A behind-closed-doors look at the American legal system as riveting as it is spare, the iconic adaptation of Reginald Roses teleplay stars Henry Fonda as the initially dissenting member of a jury of white men ready to pass judgment on a Puerto Rican teenager charged with murdering his father. What results is a saga of epic proportions that plays out in real time over ninety minutes in one sweltering room. Lumets electrifying snapshot of 1950s America on the verge of change is one of the great feature-film debuts.

Melodrama casts noir shadows in this portrait of maternal sacrifice from Hollywood master Michael Curtiz. It's iconic performance by Joan Crawford as Mildred, a single mother hell-bent on freeing her children from the stigma of economic hardship, solidified Crawford's career comeback and gave the actor her only Oscar. But as Mildred pulls herself up by the bootstraps, first as an unflappable waitress and eventually as the well-heeled owner of a successful restaurant chain, the ingratitude of her materialistic firstborn (a diabolical Ann Blyth) becomes a venomous serpent's tooth, setting in motion an endless cycle of desperate overtures and heartless recriminations. Recasting James M. Cain's rich psychological novel as a murder mystery, this bitter cocktail of blind parental love and all-American ambition is both unremittingly hard-boiled and sumptuously emotional. Run Time 111 minutes

John Cassavetes directed this acclaimed, superbly acted drama starring Gena Rowlands as a housewife whose erratic behavior prompts her construction worker husband (Peter Falk) to have her placed in a mental institution. The film takes place before and after her six-month stay at the facility, and is filled with the sort of wild, manic and unpredictable moments that are Cassavetes trademarks. With Fred Draper, Lady Rowlands. 147 min. Widescreen (Enhanced); Soundtrack English Uncompressed PCM mono; Subtitles English (SDH); audio commentary; interviews; photo gallery; theatrical trailer; essay.