Sonic Youth - Evol - COMPACT DISCS [CD]
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Reissue of this album by the Alt-Rock icons. The third studio album by Sonic Youth, originally released in May 1986 on SST Records, shows the first signs that the band was ready to transform their no wave past into a greater Alternative Rock sensibility. InchEvol... marks the true departure point of Sonic Youth's musical evolution,Inch says Pitchfork, who place the album in the #31 slot of their Top 100 Albums of The 1980s. InchIn measured increments, Thurston Moore and Lee Ranaldo... bring form to the formless, tune to the tuneless, and with the help of Steve Shelley's drums..., [impose] melody and composition on their trademark dissonance.”
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- GenreRockDescriptionReissue of this album by the Alt-Rock icons. The third studio album by Sonic Youth, originally released in May 1986 on SST Records, shows the first signs that the band was ready to transform their no wave past into a greater Alternative Rock sensibility. InchEvol... marks the true departure point of Sonic Youth's musical evolution,Inch says Pitchfork, who place the album in the #31 slot of their Top 100 Albums of The 1980s. InchIn measured increments, Thurston Moore and Lee Ranaldo... bring form to the formless, tune to the tuneless, and with the help of Steve Shelley's drums..., [impose] melody and composition on their trademark dissonance.”ArtistSonic YouthTitleEvolFormatCDLabelGoofin Records
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Reissue of this album by the Alt-Rock icons. The third studio album by Sonic Youth, originally released in May 1986 on SST Records, shows the first signs that the band was ready to transform their no wave past into a greater Alternative Rock sensibility. InchEvol... marks the true departure point of Sonic Youth's musical evolution,Inch says Pitchfork, who place the album in the #31 slot of their Top 100 Albums of The 1980s. InchIn measured increments, Thurston Moore and Lee Ranaldo... bring form to the formless, tune to the tuneless, and with the help of Steve Shelley's drums..., [impose] melody and composition on their trademark dissonance.”
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Digitally remastered and expanded edition. Sonic Youth's eponymous debut 12-inch was recorded in late 1981 at Radio City Music Hall in NYC and originally released on composer Glenn Branca's Neutral tag. The album is loosely based on compositions the newly formed group had performed at that year's week-long Noise fest event (and remains the only recorded document of an early line-up featuring actor Richard Edson on drums). Back in print on CD, the Goofin' Records edition also features extra live material from a 1981 gig and an outtake from a early studio session. InchWe wanted it to sound like PIL who we were into. It didn't but we were lucky it came out sounding like a record. We did it in two eight-hour sessions at a studio at Radio City Music Hall called Plaza Sound. The janitor let US in the back door.Inch
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In the summer of 2003 Sonic Youth cut the LP for June 2004 InchSONIC NURSE.Inch SONIC NURSE is the nineteenth long player by the New York City supernova together since 1981.

Double vinyl LP pressing. 2023 collection. Following on from the Primal Scream frontman's brilliantly-received previous for Ace, 'Sunday Mornin' Comin' Down' (accolades included being short-listed for Rough Trade's compilation of the year), Bobby Gillespie brings us another slice of the music that soundtracks his life. And in this case, it's his touring life. Drawing on the experience of 'the way that the noise and clamour of the road can tire you out, wear you down and frazzle your nerves to shattered fragments of jangled exhaustion', these are the records Bobby turns to for solace, for comfort, for empathy and for resourcefulness. The compilation features an introduction from the man himself, talking us through his personal choices as though he's sitting cross-legged on the carpet going through records with you in his lounge. Also long-time cohort of the band, Kris Needs has written extensive liner-notes, serving up an intensive track by track insight and analysis. Titled after and kicking off with the Willie Nelson track of the same name, 'I Still Can't Believe You're Gone' leads us through a darker and deeper exploration than it's predecessor, featuring Nick Cave's funereal version of 'By The Time I Get To Phoenix' and Ry Cooder's sparse and beautiful reworking of 'Dark End Of The Street'. And we get there via such greats as Bob Dylan, JJ Cale, Donnie Fritts, Crazy Horse, Lee Hazlewood, Al Green, Thin Lizzy and so many more.
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