Sonya Headlam - Ignatius Sancho - COMPACT DISCS [CD]
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Ignatius Sancho Music of an Eighteenth-Century Black EnglishmanThe Black British writer and musician Ignatius Sancho (ca. 1729-1780) may have been born into slavery. By 1749, he had become part of the household of the Duke of Montagu, where he worked as a valet, later becoming a shopkeeper in the neighborhood of Westminster. Sancho is known today as a writer through his posthumously published Letters of the Late Ignatius Sancho, an African (1782).
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- GenreClassicalDescriptionIgnatius Sancho Music of an Eighteenth-Century Black EnglishmanThe Black British writer and musician Ignatius Sancho (ca. 1729-1780) may have been born into slavery. By 1749, he had become part of the household of the Duke of Montagu, where he worked as a valet, later becoming a shopkeeper in the neighborhood of Westminster. Sancho is known today as a writer through his posthumously published Letters of the Late Ignatius Sancho, an African (1782).ArtistSonya HeadlamTitleIgnatius SanchoFormatCDLabelCentaur
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Sonya Yoncheva has long been fascinated by George Sand. Writer, dramaturg, and literary critic, a journalist and an intellectual, the lover of Alfred de Musset and then of Frederic Chopin as well as being a friend of Franz Liszt, Pauline Viardot and Marie Dorval, and beyond her remarkable destiny as a woman blessed with the Inchglorious and complete independenceInch which in her age was reserved solely for men, Sand embodies the entire spirit, the essence even, of the 19th century. It is in the first place her boldness, approaching the intrepid, which appeals to the Bulgarian soprano. Sand showed daring for all of her life, and what a fount of inspiration her writings are, on all kinds of topics. Whether political, social, cultural, artistic, how pertinent they are, and how their vibrant, trenchant language dazzles! George Sand loved the arts unconditionally. And so this programme opens the doors to us, revealing her artistic universe and bringing her passions to life. Her house, her kitchen, her salon stir into action again, in this soiree in the company of her friends, these artists to whom she was so close and who, respectfully and with tender affection, listened to each other, conversed, laughed, and celebrated in music and poetry. Here, George Sand do not sing, nor do she play an instrument. So Sonya Yoncheva portrays her by reading some of her words. They bear witness to the sparkling, glittering nature of the InchLady of NohantInch.What surprises there are throughout this recital! If the passionate urges of Alfred de Musset, fervent or, as so often, disappointed, nourish this journey equally, so the sumptuous Nuit de decembre by Ruggero Leoncavallo, the more hedonistic examples of Pauline Viardot, these two Mazurkas by Chopin transformed into melodies with Louis Pomey's slightly schoolboyish texts, or more obscurely the InchmedleyInch of Les Bohemiennes, marryi
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