Soulsuckers on Parade - Soulsuckers On Parade - VINYL LP
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Los Angeles independent tag Minky Records is issuing two crucial, hitherto unheard slices of music recorded in the '80s by the late L.A. punk rock legend Jeffrey Lee Pierce and his band The Gun Club. On June 12, the company will an exclusive single version of the Pierce original InchBad IndianInch and a cover of Jody Reynolds' InchFire of Love.Inch This Minky 45 will be accompanied by an even more impressive vault discovery Soulsuckers On Parade, a full-length 1984 Pierce solo recording drawn from an abortive session for the cowpunk compilation album Don't Shoot, first released by Zippo Records in the U.K. The vocalist is supported by an all-star unit comprising guitarist Dave Alvin, drummer Bill Bateman, and the late pianist Gene Taylor, then of the hot L.A. roots combo The Blasters, and bassist Jack Waterson of Green On Red; Chris D. (Chris Desjardins, who also produced the date) and The Gun Club's Kid Congo Powers guest on background vocals.Featuring covers of songs originated by Willie Nelson, Big Joe Turner, and Creedence Clearwater Revival, a wacky, profane blues Pierce improvisation called InchNew Way of Walkin', and a rampaging, demented seventeen-minute original, InchWalkin' Down the Street (Doin' My Thing)Inch, the album will be issued as a limited edition Kelly-green vinyl LP on Record Store Day (June 12), and an unlimited expanded CD package (with studio chatter and improvised vocals and jams) on the same day.
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VINYLSpecifications
- GenreRockDescriptionLos Angeles independent tag Minky Records is issuing two crucial, hitherto unheard slices of music recorded in the '80s by the late L.A. punk rock legend Jeffrey Lee Pierce and his band The Gun Club. On June 12, the company will an exclusive single version of the Pierce original InchBad IndianInch and a cover of Jody Reynolds' InchFire of Love.Inch This Minky 45 will be accompanied by an even more impressive vault discovery Soulsuckers On Parade, a full-length 1984 Pierce solo recording drawn from an abortive session for the cowpunk compilation album Don't Shoot, first released by Zippo Records in the U.K. The vocalist is supported by an all-star unit comprising guitarist Dave Alvin, drummer Bill Bateman, and the late pianist Gene Taylor, then of the hot L.A. roots combo The Blasters, and bassist Jack Waterson of Green On Red; Chris D. (Chris Desjardins, who also produced the date) and The Gun Club's Kid Congo Powers guest on background vocals.Featuring covers of songs originated by Willie Nelson, Big Joe Turner, and Creedence Clearwater Revival, a wacky, profane blues Pierce improvisation called InchNew Way of Walkin', and a rampaging, demented seventeen-minute original, InchWalkin' Down the Street (Doin' My Thing)Inch, the album will be issued as a limited edition Kelly-green vinyl LP on Record Store Day (June 12), and an unlimited expanded CD package (with studio chatter and improvised vocals and jams) on the same day.ArtistSoulsuckers on ParadeTitleSoulsuckers On ParadeFormatVINYLLabelMinky Records
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Los Angeles independent tag Minky Records is issuing two crucial, hitherto unheard slices of music recorded in the '80s by the late L.A. punk rock legend Jeffrey Lee Pierce and his band The Gun Club. On June 12, the company will an exclusive single version of the Pierce original InchBad IndianInch and a cover of Jody Reynolds' InchFire of Love.Inch This Minky 45 will be accompanied by an even more impressive vault discovery Soulsuckers On Parade, a full-length 1984 Pierce solo recording drawn from an abortive session for the cowpunk compilation album Don't Shoot, first released by Zippo Records in the U.K. The vocalist is supported by an all-star unit comprising guitarist Dave Alvin, drummer Bill Bateman, and the late pianist Gene Taylor, then of the hot L.A. roots combo The Blasters, and bassist Jack Waterson of Green On Red; Chris D. (Chris Desjardins, who also produced the date) and The Gun Club's Kid Congo Powers guest on background vocals.Featuring covers of songs originated by Willie Nelson, Big Joe Turner, and Creedence Clearwater Revival, a wacky, profane blues Pierce improvisation called InchNew Way of Walkin', and a rampaging, demented seventeen-minute original, InchWalkin' Down the Street (Doin' My Thing)Inch, the album will be issued as a limited edition Kelly-green vinyl LP on Record Store Day (June 12), and an unlimited expanded CD package (with studio chatter and improvised vocals and jams) on the same day.

Soft Metals - Soft Metals [VINYL LP] date 11/15/2011

First in a series of three records of library music miniatures from composer and multi-instrumentalist Daniel O'Sullivan (Æthenor, Ulver, This is Not This Heat, etc). For heads, the term Inchlibrary musicInch in 2020 might evoke dodgy Italian gray market LPs and crate diggers hunting for Inchfunky breaksInch-but London's venerable KPM Music is working with groundbreakers like O'Sullivan to open up new avenues for composers to experiment. Electric Maya includes eighteen gems, beautifully arranged and recorded specifically for the challenge of the short form. These are fully realized tunes, not just clips from the middle of some jam to be used on late night TV. The obvious touchstones here are Eno's On Land and Music For Films, but O'Sullivcan's touch on multiple instruments and knack for melody extend the music far beyond mere atmospherics. There are plenty of drifty segments, each rendered fully realized-a timely reminder that a well-made drone or bit of ambience can set it's spell in two or three minutes rather than thirty. In a beautiful jacket designed by O'Sullivan and Turner Prize-nominee Mark Titchner.

Shortly before the pandemic, Tim Barry's longtime/former band AVAIL had embarked on weekend reunion tours much to the delight of hardcore fans both decades old and too young to have seen them live. Tim Barry was also touring full-time on his solo music, and building traditions like Novemberfest in RVA, his hometown. With the lockdown, all of this came to a halt and Tim Barry, much to his delight, became a full-time dad. This album, InchSpring HillInch, was written and recorded in Richmond, reflecting all of the storytelling there is to tell in this span, in his signature style.
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