Spellling - Portrait of My Heart - COMPACT DISCS [CD]
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On Chrystia Cabral's fourth album as SPELLLING, the Bay Area artist transformsher acclaimed avant-pop project into a mirror. Cabral's lyrics for Portrait of MyHeart tackle love, intimacy, anxiety, and alienation, trading the allegorical approachof much of her previous work for something pointed into her human heart. Thealbum's thematic forthrightness is echoed in it's arrangements, making it thesharpest, most direct SPELLLING album to date. From the dark minimalism ofher earliest music to the lavishly orchestrated prog-pop of 2021's The TurningWheel to this newly energetic expression of her creative spirit, Cabral has provedagain and again that SPELLLING can be whatever she needs it to be.The title track, with it's propulsive drum groove and anthemic chorus of InchI don'tbelong here,Inch is the most potent embodiment of the album's turn toward emotional directness. Once the main melody emerged, Cabral used the song as a toolto process her anxiety as a performer and opted for a tighter, more rock-orientedcomposition. This transformation mirrors the album's broader shift toward energyand immediacy, driven by the core band of Wyatt Overson (guitar), Patrick Shelley (drums), and Giulio Xavier Cetto (bass), whose collaboration uncovers newcontours of the SPELLLING sound. Cabral still writes and demos in isolation, butpresenting the songs for Portrait of My Heart to her bandmates helped her discovertheir eventual lively, organic forms. So did working with a trio of producers-TheTurning Wheel mixing engineer Drew Vandenberg, SZA collaborator Rob Bisel,and Yves Tumor producer Psymun.Key guest contributions further shape the album. Chaz Bear (Toro y Moi) deliversSPELLLING's first duet on InchMount Analogue,Inch Turnstile guitarist Pat McCroryturns Cabral's original piano demo for InchAlibiInch into the crunchy, riff-y version thatappears on the record, while Zulu's Braxton Mar
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- GenreRockDescriptionOn Chrystia Cabral's fourth album as SPELLLING, the Bay Area artist transformsher acclaimed avant-pop project into a mirror. Cabral's lyrics for Portrait of MyHeart tackle love, intimacy, anxiety, and alienation, trading the allegorical approachof much of her previous work for something pointed into her human heart. Thealbum's thematic forthrightness is echoed in it's arrangements, making it thesharpest, most direct SPELLLING album to date. From the dark minimalism ofher earliest music to the lavishly orchestrated prog-pop of 2021's The TurningWheel to this newly energetic expression of her creative spirit, Cabral has provedagain and again that SPELLLING can be whatever she needs it to be.The title track, with it's propulsive drum groove and anthemic chorus of InchI don'tbelong here,Inch is the most potent embodiment of the album's turn toward emotional directness. Once the main melody emerged, Cabral used the song as a toolto process her anxiety as a performer and opted for a tighter, more rock-orientedcomposition. This transformation mirrors the album's broader shift toward energyand immediacy, driven by the core band of Wyatt Overson (guitar), Patrick Shelley (drums), and Giulio Xavier Cetto (bass), whose collaboration uncovers newcontours of the SPELLLING sound. Cabral still writes and demos in isolation, butpresenting the songs for Portrait of My Heart to her bandmates helped her discovertheir eventual lively, organic forms. So did working with a trio of producers-TheTurning Wheel mixing engineer Drew Vandenberg, SZA collaborator Rob Bisel,and Yves Tumor producer Psymun.Key guest contributions further shape the album. Chaz Bear (Toro y Moi) deliversSPELLLING's first duet on InchMount Analogue,Inch Turnstile guitarist Pat McCroryturns Cabral's original piano demo for InchAlibiInch into the crunchy, riff-y version thatappears on the record, while Zulu's Braxton MarArtistSpelllingTitlePortrait of My HeartFormatCDLabelSacred Bones
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On Chrystia Cabral's fourth album as SPELLLING, the Bay Area artist transformsher acclaimed avant-pop project into a mirror. Cabral's lyrics for Portrait of MyHeart tackle love, intimacy, anxiety, and alienation, trading the allegorical approachof much of her previous work for something pointed into her human heart. Thealbum's thematic forthrightness is echoed in it's arrangements, making it thesharpest, most direct SPELLLING album to date. From the dark minimalism ofher earliest music to the lavishly orchestrated prog-pop of 2021's The TurningWheel to this newly energetic expression of her creative spirit, Cabral has provedagain and again that SPELLLING can be whatever she needs it to be.The title track, with it's propulsive drum groove and anthemic chorus of InchI don'tbelong here,Inch is the most potent embodiment of the album's turn toward emotional directness. Once the main melody emerged, Cabral used the song as a toolto process her anxiety as a performer and opted for a tighter, more rock-orientedcomposition. This transformation mirrors the album's broader shift toward energyand immediacy, driven by the core band of Wyatt Overson (guitar), Patrick Shelley (drums), and Giulio Xavier Cetto (bass), whose collaboration uncovers newcontours of the SPELLLING sound. Cabral still writes and demos in isolation, butpresenting the songs for Portrait of My Heart to her bandmates helped her discovertheir eventual lively, organic forms. So did working with a trio of producers-TheTurning Wheel mixing engineer Drew Vandenberg, SZA collaborator Rob Bisel,and Yves Tumor producer Psymun.Key guest contributions further shape the album. Chaz Bear (Toro y Moi) deliversSPELLLING's first duet on InchMount Analogue,Inch Turnstile guitarist Pat McCroryturns Cabral's original piano demo for InchAlibiInch into the crunchy, riff-y version thatappears on the record, while Zulu's Braxton Mar
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Spellling, the moniker of the Bay Area experimental pop mastermind Chrystia Cabral, returns with Spellling & the Mystery School, a collection of richly envisioned new versions of songs from throughout her critically-acclaimed discography, out August 25 via Sacred Bones. Recorded with her touring band (est. 2021), these reimagined studio tracks follow Cabral's spellbinding career - from her 2017 breakthrough debut Pantheon Of Me, to 2018's multidimensional synth-based project Mazy Fly, and her expansive third album, 2021's The Turning Wheel, breathing new life into the extravagant orchestrations she's written and produced entirely herself. InchWith this album, I wanted to capture the ways that these songs have morphed,Inch Cabral says of Spellling & the Mystery School. InchThey're like my children all grown up in a different stage of their lives, and I wanted to celebrate that.Inch Throughout Spellling & the Mystery School, Cabral's hypnotizing voice is enveloped in a newly fleshed-out sonic universe of dreamy strings (Del Sol Quartet and Divya Farias), haunting piano (Jaren Feeley), driving trip-hop percussion (Patrick Shelley) and bass (Giulio Xavier Cetto), shredding electric guitar (Wyatt Overson), and drama-intensifying background vocals (Toya Willock and Dharma Moon-Hunter). Overall, the album encapsulates the transportative Spellling live experience through which Cabral, with her idiosyncratic stage presence, conjures up a spiritual sense of communion and vulnerability among her audience. InchI want people to feel like there's alchemy happening and to be aware of the magical parts of sound,Inch she explains. InchLike, this really did come out of thin air.Inch Cabral plans to bring her otherworldly live set through a special performance with Atlas Obscura this summer, held at Children's Fairyland, a historical children's amusement park in Oakland that her own mot
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