Spiritual Front - The Queen Is Not Dead - VINYL LP
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Gatefold LP (black vinyl)with printed inner sleeve, additional 7inch single and protection sleeve. InchThe Queen Is Not DeadInch is not your average Spiritual Front album, but then again, nothing about the Italian suicidal pop outfit has ever been lukewarm or middle of the road anyway. In fact the eighth studio full-length from the Romans is Incha homage to Morrissey's and Johnny Marr's legendary hymns of unquestionable beautyInch, according to Simone Salvatori. The band's founder and frontman claims THE SMITHS as a major musical inspiration for every member of Spiritual Front. The Italians recorded the album with the explicit aim to pay a respectful homage yet at the same time to stay away from cloning. Across fifteen cover tracks, which many consider sacred, the Italians stayed true to the original recordings, while pulling those songs closer to the sonic world of Spiritual Front for example by adding strings and horn parts. Salvatori and his fellow band members, guitarist Francesco Conte and Andrea Freda on drums, are joined by bass player Daniele Raggi, a string sextet and a horn player as well as a plethora of contributions by friends, among others including vocalist Durga McBroom (PINK FLOYD, BLUE PEARL), Riccardo Galati, Filippo Marcheggiani (BANCO DEL MUTUO SOCCORSO), Michal Stepien (MGÅA), Jairo Zavala (CALEXICO), King Dude, Traci Danielle (MY LIFE WITH THE THRILL KILL KULT), Riccardo Spilli (IL BALLETTO DI BRONZO) and Sasha Boole (ME AND THAT MAN). Formed in 1999 as the solo project of Salvatori, Spiritual Front have since released numerous full-length albums, singles, EPs and collaborations. The Italians describe their sound as Inchcatchy ballads for heartbreaker nihilist youthInch. Lyrically, Spiritual Front have dealt with themes such as searching for self-identity, sexuality, harsh realities and angry break-ups, which are often tinted with sarcasm, nihi
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VINYLSpecifications
- GenreRockDescriptionGatefold LP (black vinyl)with printed inner sleeve, additional 7inch single and protection sleeve. InchThe Queen Is Not DeadInch is not your average Spiritual Front album, but then again, nothing about the Italian suicidal pop outfit has ever been lukewarm or middle of the road anyway. In fact the eighth studio full-length from the Romans is Incha homage to Morrissey's and Johnny Marr's legendary hymns of unquestionable beautyInch, according to Simone Salvatori. The band's founder and frontman claims THE SMITHS as a major musical inspiration for every member of Spiritual Front. The Italians recorded the album with the explicit aim to pay a respectful homage yet at the same time to stay away from cloning. Across fifteen cover tracks, which many consider sacred, the Italians stayed true to the original recordings, while pulling those songs closer to the sonic world of Spiritual Front for example by adding strings and horn parts. Salvatori and his fellow band members, guitarist Francesco Conte and Andrea Freda on drums, are joined by bass player Daniele Raggi, a string sextet and a horn player as well as a plethora of contributions by friends, among others including vocalist Durga McBroom (PINK FLOYD, BLUE PEARL), Riccardo Galati, Filippo Marcheggiani (BANCO DEL MUTUO SOCCORSO), Michal Stepien (MGÅA), Jairo Zavala (CALEXICO), King Dude, Traci Danielle (MY LIFE WITH THE THRILL KILL KULT), Riccardo Spilli (IL BALLETTO DI BRONZO) and Sasha Boole (ME AND THAT MAN). Formed in 1999 as the solo project of Salvatori, Spiritual Front have since released numerous full-length albums, singles, EPs and collaborations. The Italians describe their sound as Inchcatchy ballads for heartbreaker nihilist youthInch. Lyrically, Spiritual Front have dealt with themes such as searching for self-identity, sexuality, harsh realities and angry break-ups, which are often tinted with sarcasm, nihiArtistSpiritual FrontTitleThe Queen Is Not DeadFormatVINYLLabelProphecy
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Gatefold LP (black vinyl)with printed inner sleeve, additional 7inch single and protection sleeve. InchThe Queen Is Not DeadInch is not your average Spiritual Front album, but then again, nothing about the Italian suicidal pop outfit has ever been lukewarm or middle of the road anyway. In fact the eighth studio full-length from the Romans is Incha homage to Morrissey's and Johnny Marr's legendary hymns of unquestionable beautyInch, according to Simone Salvatori. The band's founder and frontman claims THE SMITHS as a major musical inspiration for every member of Spiritual Front. The Italians recorded the album with the explicit aim to pay a respectful homage yet at the same time to stay away from cloning. Across fifteen cover tracks, which many consider sacred, the Italians stayed true to the original recordings, while pulling those songs closer to the sonic world of Spiritual Front for example by adding strings and horn parts. Salvatori and his fellow band members, guitarist Francesco Conte and Andrea Freda on drums, are joined by bass player Daniele Raggi, a string sextet and a horn player as well as a plethora of contributions by friends, among others including vocalist Durga McBroom (PINK FLOYD, BLUE PEARL), Riccardo Galati, Filippo Marcheggiani (BANCO DEL MUTUO SOCCORSO), Michal Stepien (MGÅA), Jairo Zavala (CALEXICO), King Dude, Traci Danielle (MY LIFE WITH THE THRILL KILL KULT), Riccardo Spilli (IL BALLETTO DI BRONZO) and Sasha Boole (ME AND THAT MAN). Formed in 1999 as the solo project of Salvatori, Spiritual Front have since released numerous full-length albums, singles, EPs and collaborations. The Italians describe their sound as Inchcatchy ballads for heartbreaker nihilist youthInch. Lyrically, Spiritual Front have dealt with themes such as searching for self-identity, sexuality, harsh realities and angry break-ups, which are often tinted with sarcasm, nihi

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Vinyl LP pressing. Wewantsounds is delighted to reissue Fumio Itabashi's sought-after album InchWataraseInch hailed as one of the great Japanese jazz albums and featuring Itabashi on piano playing an inspired mix of standards and originals. Recorded in 1981 for Denon and released the following year, the album has since reached cult status among jazz connoisseurs, thanks to Itabashi's inventive piano playing and to it's cult title track, a superb soulful and spiritual composition. Newly remastered by Nippon Columbia using their ORT mastering technology, the album reissue features original artwork including a 2 page insert with a new introduction by Paul bowler.
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