Squarepusher - Kammerkonzert - VINYL LP
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Polylined inner sleeve in gatefold outer sleeve. Tom Jenkinson, aka Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes, and handbrake turns through varieties of progressive, ambient, electronic andexperimental music. The singular producer, experimental musician and creator of futuristic forms of fusion, has a three-decade-long back catalogue studded with a variety of jewel-like records. From the furious breakbeat acid and pulverising live bass guitar attack of Feed Me Weird Things (1996) to the literal and self-explanatory Music For Robots (2014) via the virtuosic live showcase of Solo Electric Bass 1 (2009) and the otherworldly concrète jazz of Ultravisitor (2004) few contemporary musicians have covered as much ground in as sure-footed a manner. But despite this reach, his three decade output is only typified by two things unpredictability and rule breaking. Given that his new album on Warp, Kammerkonzert, is essentially a chamber concerto with Jenkinson himself playing all of the parts it's safe to say he has come a long way since his crystalline drum & bass debut for the tag in 1996, Port Rhombus EP. Twenty-one albums in, Kammerkonzert is the start of a new era for Squarepusher as a composer.
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- GenreDance and electronicDescriptionPolylined inner sleeve in gatefold outer sleeve. Tom Jenkinson, aka Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes, and handbrake turns through varieties of progressive, ambient, electronic andexperimental music. The singular producer, experimental musician and creator of futuristic forms of fusion, has a three-decade-long back catalogue studded with a variety of jewel-like records. From the furious breakbeat acid and pulverising live bass guitar attack of Feed Me Weird Things (1996) to the literal and self-explanatory Music For Robots (2014) via the virtuosic live showcase of Solo Electric Bass 1 (2009) and the otherworldly concrète jazz of Ultravisitor (2004) few contemporary musicians have covered as much ground in as sure-footed a manner. But despite this reach, his three decade output is only typified by two things unpredictability and rule breaking. Given that his new album on Warp, Kammerkonzert, is essentially a chamber concerto with Jenkinson himself playing all of the parts it's safe to say he has come a long way since his crystalline drum & bass debut for the tag in 1996, Port Rhombus EP. Twenty-one albums in, Kammerkonzert is the start of a new era for Squarepusher as a composer.ArtistSquarepusherTitleKammerkonzertFormatVINYLLabelWarp Records
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Polylined inner sleeve in gatefold outer sleeve. Tom Jenkinson, aka Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes, and handbrake turns through varieties of progressive, ambient, electronic andexperimental music. The singular producer, experimental musician and creator of futuristic forms of fusion, has a three-decade-long back catalogue studded with a variety of jewel-like records. From the furious breakbeat acid and pulverising live bass guitar attack of Feed Me Weird Things (1996) to the literal and self-explanatory Music For Robots (2014) via the virtuosic live showcase of Solo Electric Bass 1 (2009) and the otherworldly concrète jazz of Ultravisitor (2004) few contemporary musicians have covered as much ground in as sure-footed a manner. But despite this reach, his three decade output is only typified by two things unpredictability and rule breaking. Given that his new album on Warp, Kammerkonzert, is essentially a chamber concerto with Jenkinson himself playing all of the parts it's safe to say he has come a long way since his crystalline drum & bass debut for the tag in 1996, Port Rhombus EP. Twenty-one albums in, Kammerkonzert is the start of a new era for Squarepusher as a composer.
Originally self-released under the artist name 'Stereotype' in 1994, an hour of raw, dancefloor focused early Squarepusher productions, fuelled by pirate radio and rave, remastered from the original tapes and recut as 2 x LPs. A companion of sorts to the debut Squarepusher album Feed Me Weird Things, which was recorded around the same time before emerging on Rephlex Records in 1996.
Ultravisitor is an immensely thrilling, technically exciting, wildly emotional and challenging record. -The Quietus (Reissue of the week) An album beloved by fans since it's in March 2004, Ultravisitor is one of the most popular records in Squarepusher's entire discography. A unique blend of studio and live recordings, it's an excellent showcase for the diversity of his music from the frenetic title track to the funky jazz of InchIambic 9 PoetryInch to the sunlit bliss of InchTommib Help BussInch and beyond. Following last year's 20th-anniversary expanded deluxe reissue, the standalone remastered edition is now widely available. Carefully remastered from the original tapes by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson-who was never entirely happy with the original -this edition brings fresh dynamics and details in the tracks.
Double vinyl LP pressing housed in gatefold jacket. Includes . Dostrotime is Squarepusher-style fun. Heavy, intense, tear out experimental electronic music for the sheer exhilaration of it. Unapologetically, one for the Squarepunter Massive! In early 2020, Squarepusher had just released Be Up A Hello to huge acclaim, and was gearing up for a worldwide tour featuring some of his biggest shows to date. Then the pandemic hit, and it was all off... Devoid of distractions, naturally the artist headed to the studio to begin recording. He says that Inch[...]Without customary interruptions, time elapsed differentlyInch. It's an episode he's dubbed InchDostrotimeInch. As such, Dostrotime is an attempt to capture the peculiarity of music catalysed by lockdown being part of the celebration of lockdown's demise.
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