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Staatsorchester Braunschweig - Symphony 1 D minor Titan - SUPER-AUDIO CD [Super Audio CD (SACD)]

SKU: 10674800

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Import Hybrid-SACD pressing.

Specifications

  • Genre
    Classical
    Description
    Import Hybrid-SACD pressing.
    Artist
    Staatsorchester Braunschweig
    Title
    Symphony 1 D minor Titan
    Format
    Super Audio CD (SACD)
    Label
    Coviello Classics
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Staatsorchester Braunschweig - Symphony 1 D minor Titan   - SUPER-AUDIO CD [Super Audio CD (SACD)]
Staatsorchester Braunschweig - Symphony 1 D minor Titan - SUPER-AUDIO CD [Super Audio CD (SACD)]

Import Hybrid-SACD pressing.

Various Artists - Hi Power 2004 / Various   - COMPACT DISCS [CD]

Tracks includes InchCalifornia LovinInch by Mr. Capone-E, InchWest CoastinInch by Malow Mac, InchAmbitionInch by Silent, Scrappy Loco, InchDo or DieInch by Scrappy Loco, InchNobody MovesInch by Brown Boy, InchWest Coast Gangstar GrooveInch by Mr. Criminal, Mr. Capone-E, InchArea #Inch by Silent.

Bruckner / Musikkollegium Winterthur - Symphony 3 in D Minor   - SUPER-AUDIO CD [Super Audio CD (SACD)]

Thomas Zehetmaier gets off to a fantastic start with Anton Bruckner's Symphony No. 3, the work marking his discographic debut as the principal conductor of the Musikkollegium Winterthur. This prizewinning, richly traditional Swiss orchestra once again offers a compelling performance enhanced by agile flexibility of chamber character. The overwhelming acoustics of the Winterthur Town Church contribute their share to the magnificent Bruckner sound, which here has been perfectly captured in three-dimensional 2+2+2 recording technology and released on a high resolution Super Audio album. Bruckner's insecurity about his own works is legendary. He repeatedly submitted his symphonies to radical revisions- often because of a few critical remarks. In any event, the InchThirdInch was a genuine disaster when it was premiered; the orchestra's musicians are even said to have left the stage during the performance. Perhaps the absolutely servile accumulation of quotations from Wagner was then somewhat too much of a good thing. As a consequence, Bruckner eliminated all the excessive Tristan and Ring baggage, and the result was a work of appealing design. What causes difficulty for many a gigantic orchestra is easy for the Winterthur musicians the realization of Bruckner's original tempo relations represents a genuine challenge. The syncopated unison passages in the finale assume brute force in the prescribed Allegro that normally would have been beyond the reach of a trim orchestral ensemble. It has been a long time since Bruckner sounded so fresh!

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