Steffen Schleiermacher - Piano Pieces - COMPACT DISCS [CD]

Album Tracks 1. For Piano 1 1. MF Sempre 2. For Piano 1 2. Dolcissimo Molto Espressivo 3. For Piano 1 3. MP Sempre 4. For Piano 1 4. Un Poco Nobilmente 5. For Piano 1 5. Meccanico Sempre 6. For Piano 1 6. Misty and Dreamy, Like a Nursery Rhyme 7. For Piano 1 7. Scherzando 8. For Piano 1 8. Senza Espressione Sempre 9. Notti Stellate a Vagil, for Piano 10. Tango for Piano 11. Chorale for Howard Skempton for Piano 12. Sonata for Toy Piano 13. Finnissys Fifty, for Piano 14. Tango (With Impassioned Precision), for Piano 15. Birthday Piece for Michael Finnissy, for Piano 16. Starlight, for Piano 17. After Image, for Piano 18. Eirenicon 4, for Piano 19. Even Tenor 20. For Piano 2 Part 1 21. For Piano 2 Part 2 22. For Piano 2 Part 3 23. For Piano 2 Part 4 24. For Piano 2 Part 5 25. For Piano 2 Part 6 26. For Piano 2 Part 7

Album Tracks 1. Soliloquy 2. Ophelia 3. The Seasons PRLD I 4. The Seasons Winter 5. The Seasons PRLD II 6. The Seasons Spring 7. The Seasons PRLD III 8. The Seasons Summer 9. The Seasons PRLD IV 10. The Seasons Fall 11. The Seasons Finale (PRLD I) 12. Two Pieces Slowly 13. Two Pieces Quiet Fast 14. Jazz Study 15. Metamorphosis I 16. Metamorphosis II 17. Metamorphosis III 18. Metamorphosis IV 19. Metamorphosis V 20. Quest - Second Movt 21. Three Easy Pieces Round 22. Three Easy Pieces Duo 23. Three Easy Pieces Infinite 24. A Room 25. Crete & Dad Crete 26. Crete & Dad Dad 27. Two Pieces I 28. Two Pieces II 29. Ad Lib 30. Tripel-Paced - First Version I 31. Tripel-Paced - First Version II 32. Tripel-Paced - First Version III

At the same time as Arnold Schönberg, Josef Matthias Hauer developed a very individual system for twelve-tone composition. The works of the two Austrians could not be more different, as Steffen Schleiermacher has impressively documented in several album productions. Now the versatile pianist has addressed Hauer's earliest works, providing an exciting insight into an important chapter of 20th-century music history. Hauer calls his opus 1 InchNomosInch, which implies a great claim like a law of nature, this composition already contains everything that makes up music - new works are only further elaborations. Of course, the public at the time could not follow Hauer in this - the premiere of the orchestral version did not even take place until 30 years after Hauer's death. Of the few works by Hauer that make it onto today's program from time to time, the InchNachklangstudienInch, which in their delicate texture develop a very special, somehow oriental aura, are probably the best known. Quite different are the InchFive Little PiecesInch from the same year, which, with their reminiscences of Reger and other contrapuntalists, seem almost traditional. The cycle InchMusic-FilmInch is downright enigmatic. The 21 character pieces have programmatic titles, as if they were meant to illustrate a silent movie - or are they even a parody of this genre? In any case, Hauer actually wanted to publish the collection under a pseudonym. And indeed, the pieces have nothing in common with Hauer's other tonal language. Steffen Schleiermacher, however, approaches this work with the same seriousness as he does the other pieces, and he succeeds in a fascinating rehabilitation for someone who has been unjustly almost completely forgotten.