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Stumbleine - Sink Into The Ether - COMPACT DISCS [CD]

SKU: 12594379

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UK producer Stumbleine's seventh album is chilled, heavenly and thought provoking. The album envelops the listener from the outset with the soft, pitched sway of InchSonderInch. The track ebbs through calming shadows, showcasing Stumbleine's warm, electronic glow and gamut of influences, with hushed hypnotic delayed sounds, vocal samples and snappy beats. Stumbleine's skill at blending an array of electronic timbres washes over the largely instrumental record, exemplified in InchSupermodelsInch, with it's lo-fi chorus-drenched haze building to an emotional, percussion-driven climax. Here, and scattered about the album, RnB vocals are chopped-up, but glistening a dark, dreamy hue. A cover of the Hole song, InchMalibuInch features Elizabeth Heaton of Midas Fall. Her delicate, dream-like vocals waft over the hazy instrumental waves like tendrils of smoke, as they both grow ever more desperate, and slowly crash. Elsewhere on the album tracks like 'Lost To The World' come together more immediately with flourishing synths and soaring backdrops overlaid by a heady bass and intricate beats, while 'White Noise Therapy' invokes a cinematic Tokyo-set film score peppered with playful soft pianos. InchLost To the WorldInch swings in addictive pitched-vocal punches, circling itself into a spiral. InchYour Angel Was FakeInch has a hopeful darkness about it, recalling electronic shoegaze and witch house artists of the early 2010s. It scales and then pulls away, at once breathing and stopping, full of blanket synth pads and subtle snaps of percussion.1. Sonder 2. Aloof 3. Malibu (ft Elizabeth Heaton) 4. My Head Hurts 5. Lost To The World 6. Tidepool 7. Words Fail Me 8. Supermodels 9. White Noise Therapy 10. Your Angel Was A Fake 11. Disintegrate Together

Specifications

  • Genre
    Rock
    Description
    UK producer Stumbleine's seventh album is chilled, heavenly and thought provoking. The album envelops the listener from the outset with the soft, pitched sway of InchSonderInch. The track ebbs through calming shadows, showcasing Stumbleine's warm, electronic glow and gamut of influences, with hushed hypnotic delayed sounds, vocal samples and snappy beats. Stumbleine's skill at blending an array of electronic timbres washes over the largely instrumental record, exemplified in InchSupermodelsInch, with it's lo-fi chorus-drenched haze building to an emotional, percussion-driven climax. Here, and scattered about the album, RnB vocals are chopped-up, but glistening a dark, dreamy hue. A cover of the Hole song, InchMalibuInch features Elizabeth Heaton of Midas Fall. Her delicate, dream-like vocals waft over the hazy instrumental waves like tendrils of smoke, as they both grow ever more desperate, and slowly crash. Elsewhere on the album tracks like 'Lost To The World' come together more immediately with flourishing synths and soaring backdrops overlaid by a heady bass and intricate beats, while 'White Noise Therapy' invokes a cinematic Tokyo-set film score peppered with playful soft pianos. InchLost To the WorldInch swings in addictive pitched-vocal punches, circling itself into a spiral. InchYour Angel Was FakeInch has a hopeful darkness about it, recalling electronic shoegaze and witch house artists of the early 2010s. It scales and then pulls away, at once breathing and stopping, full of blanket synth pads and subtle snaps of percussion.1. Sonder 2. Aloof 3. Malibu (ft Elizabeth Heaton) 4. My Head Hurts 5. Lost To The World 6. Tidepool 7. Words Fail Me 8. Supermodels 9. White Noise Therapy 10. Your Angel Was A Fake 11. Disintegrate Together
    Artist
    Stumbleine
    Title
    Sink Into The Ether
    Format
    CD
    Label
    Monotreme Records
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Stumbleine - Sink Into The Ether   - COMPACT DISCS [CD]
Stumbleine - Sink Into The Ether - COMPACT DISCS [CD]

UK producer Stumbleine's seventh album is chilled, heavenly and thought provoking. The album envelops the listener from the outset with the soft, pitched sway of InchSonderInch. The track ebbs through calming shadows, showcasing Stumbleine's warm, electronic glow and gamut of influences, with hushed hypnotic delayed sounds, vocal samples and snappy beats. Stumbleine's skill at blending an array of electronic timbres washes over the largely instrumental record, exemplified in InchSupermodelsInch, with it's lo-fi chorus-drenched haze building to an emotional, percussion-driven climax. Here, and scattered about the album, RnB vocals are chopped-up, but glistening a dark, dreamy hue. A cover of the Hole song, InchMalibuInch features Elizabeth Heaton of Midas Fall. Her delicate, dream-like vocals waft over the hazy instrumental waves like tendrils of smoke, as they both grow ever more desperate, and slowly crash. Elsewhere on the album tracks like 'Lost To The World' come together more immediately with flourishing synths and soaring backdrops overlaid by a heady bass and intricate beats, while 'White Noise Therapy' invokes a cinematic Tokyo-set film score peppered with playful soft pianos. InchLost To the WorldInch swings in addictive pitched-vocal punches, circling itself into a spiral. InchYour Angel Was FakeInch has a hopeful darkness about it, recalling electronic shoegaze and witch house artists of the early 2010s. It scales and then pulls away, at once breathing and stopping, full of blanket synth pads and subtle snaps of percussion.1. Sonder 2. Aloof 3. Malibu (ft Elizabeth Heaton) 4. My Head Hurts 5. Lost To The World 6. Tidepool 7. Words Fail Me 8. Supermodels 9. White Noise Therapy 10. Your Angel Was A Fake 11. Disintegrate Together

Stumbleine - Dissolver   - COMPACT DISCS [CD]

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Stumbleine - Deleted Scene   - COMPACT DISCS [CD]

Deleted Scene, the 8th studio album from UK producer Stumbleine, overflows with beautiful nostalgia-tinged electronica. The album is steeped with cloud-like beauty, with opener I Can Stop Anytime I Like fusing addictive sampled vocals with soft, glassy guitars, as if a reflecting pool of the listeners' memories. Cinderhaze ripples that pool with a more driving, magnetic force, shifting and pulling it's emotional weight in cyclic waves. Ursa Minor Sleeps Forever is fittingly sleepy, circling soft slow synth arpeggios in a dreamy haze, a sound built upon by Somnia to an epiphany-like string bed, never straying too far from Stumbleine's serene haven of melodic grace. On Catastrophette Stumbleine crafts a more dramatic and poignant web of sound, as if running through the memories created by the rest of Deleted Scene.The album as a whole is an escape to a dream-state of Stumbleine's making, captivating, yet familiar, and completely enveloping.According to Peter, InchDeleted scene refers to the memories that play over and over inside your own head, replaying hazy copies of hazy copies that evolve into a bittersweet fever dream. Everybody has their own unique collection of deleted scenes slowly distorting and fading away.Inch'Stumbleine is the alias of Peter Cooper. With roots in the UK post rock scene, the reclusive producer began blending slow dream-like pop with fractured lo-fi beats as Stumbleine in 2012. Melancholic rnb vocals ebb and flow above submerged guitar ballads. Sand blasted samples intertwine with broken beats to create music with a nostalgic fragile warmth. Stumbleine is known for a DIY ethic, releasing music directly to fans or via the independent tag Monotreme Records.'

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