Sufjan Stevens - The Ascension - VINYL LP
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Double vinyl LP pressing. The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens' Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as Inchrestrained and meticulousInch while Pitchfork declared it Incha masterpiece.Inch In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James McAlister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet Reflections (Houston Ballet) and Principia (NYCB). The Ascension is musically expansive and sweeping in thematic scope.
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- GenreRockDescriptionDouble vinyl LP pressing. The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens' Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as Inchrestrained and meticulousInch while Pitchfork declared it Incha masterpiece.Inch In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James McAlister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet Reflections (Houston Ballet) and Principia (NYCB). The Ascension is musically expansive and sweeping in thematic scope.ArtistSufjan StevensTitleThe AscensionFormatVINYLLabelAsthmatic Kitty
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Double vinyl LP pressing. The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens' Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as Inchrestrained and meticulousInch while Pitchfork declared it Incha masterpiece.Inch In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James McAlister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet Reflections (Houston Ballet) and Principia (NYCB). The Ascension is musically expansive and sweeping in thematic scope.

Vinyl LP pressing. 2023 . Over the course of his career, Sufjan Stevens has blurred distinctions between the major and the minor, between the details that color our existence and the big events that frame our lives. He has turned historical footnotes of States into kaleidoscopic pop, and rendered the immeasurable grief of loss with intimacy and grace. Javelin - Sufjan's first solo album of songs since 2020's The Ascension and his first in full solo singer-songwriter mode since 2015's Carrie & Lowell - bridges all these approaches. Sufjan uses the quietness of a solitary confession to ask universal questions in songs we can share communally. Accompanying the CD and LP formats of the album is a 48-page book of art and essays. With a series of meticulous collages, cut-up catalog fantasies, puff-paint word clouds, and iterative color fields, Sufjan builds order from seeming chaos and vice versa. And toward the middle of it all are 10 short essays by Sufjan, another window into the process that informed Javelin.

Sufjan Stevens - The Avalanche [VINYL LP] date 08/31/2018

It may be tempting to reduce Convocations into a longform ambient anomaly within Sufjan Stevens' vast catalogue. It is, however, neither an anomaly nor entirely ambient. This is not a side project. From his numerous dance scores for New York City Ballet to instrumental albums such as Enjoy Your Rabbit, Aporia, and The BQE, Stevens spends at least half his working life making largely instrumental music, as he has for decades. And though the first ten pieces, dubbed InchMeditations,Inch unfurl as gorgeous states of reflective new-age grace, this is by no means an ambient enterprise. Stevens invokes the lessons of Morton Subotnick, Maryanne Amacher, Christian Fennesz, Brian Eno, and Wolfgang Voigt here. As musically erudite as it is emotionally experienced, Convocations can be dissonant, vertiginous, rhythmic, repetitive, urgent, or calm-that is, all the things we undergo when we inevitably live through loss, isolation, and anxiety. Indeed, Convocations moves like a two-and-a-half-hour requiem mass for our present times of difficulty, it's 49 tracks allowing for all these feelings to be felt. The album is divided into five sonic cycles, each replicating a different stage of mourning. InchMeditationsInch work toward acceptance and resolution, of coming to terms with the day's news even if it stings. The subsequent InchLamentationsInch slink, sputter, and sometimes grind, as sadness transmutes to anger and back again. The rhythmic drift and glitchy strata of InchRevelationsInch allow for confusion and catharsis, of asking just why the world or the heavens have wronged us. With it's bright tones, occasional sweeps of strings, and scrambled voices, InchCelebrationsInch offers furtive bits of fondness, though the nostalgia is never far removed from the news that prompted it. The final nine InchIncantationsInch are lessons for those of us who remain, gorgeous and galvanizing r
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