Sylvain Cambreling - Sarka - COMPACT DISCS [CD]

'There is no Acid in this House' is Hieroglyphic Being's third solo album on Soul Jazz Records, a resolute and powerful statement of Jamal Moss's raw, vital, pioneering, Afro-Futurist electronic (dance) music. // On his new album Moss once-again draws upon the vast scope of experimentation that has defined Chicago's musical universe over the last half a century - from the birth of house music with the pioneers Ron Hardy, Marshall Jefferson, Lil Louis and others to the radical avant-garde jazz legacy of the city - The Association for the Advancement of Creative Musicians, The Art Ensemble of Chicago and Sun Ra. // Chicago's musical universe continues to push-further forward today with artists such as Hieroglyphic Being, Angel Bat Dawid, Makaya McCraven, and labels such as International Anthem and Hieroglyphic Being's own Mathematics, all continuing to explore radical new music while drawing upon the city's decidedly Afro-futurist lineage. // Jamal Moss, aka Hieroglyphic Being, remains at all-times a radical one-off musical explorer, a resolute pioneer of an avant-garde dance music aesthetic taking lineage from the founding fathers of acid house such as Ron Hardy and Adonis, and pushing the musical form to it's own limits, adding his own harder almost industrial edge to this unique sound, which Moss sometimes describes as 'Outsider House' or, referencing the earlier avant-garde musical resident and pioneer, Sun Ra - 'Rhythmic Cubism' and 'Cosmic Be-Bop'. // Hieroglyphic Being's music crosses many boundaries and has led to remixes of a wide and diverse list of artists from St Vincent to Hans-Joachim Roedelius (the pioneering German electronic composer and member of Cluster), King Gizzard and the Lizard Gizzard to Adonis and many more. In similar fashion his music has appeared on Ghostly/Spectral, Warp, Ninja, Axis and his own Mathematics Recordings.1. Communion Of The Hi

Album Tracks 1. Introduction 2. Just Like the Sun Setting O'er the Hills 3. Who Comes Hither Through the Dark Wood 4. O Hallowed Silence 5. We Rage Through the Land 6. The Castle Deserted Stands 7. Behold, See This Place to Which I Bring You 8. Why Did My Heart Set to Trembling 9. O Blessed Moon 10. Tether Me Fast to This Oak Tree 11. O False Deceit and Guileful So 12. It Was the Cruel Vlasta Did the Deed 13. Ctirad I Be 14. We Rage Through the Land 15. My Soul's Filled with Solemn Foreboding 16. It Was the Cruel Sarka Did the Deed 17. Young Ctirad, Just Like a Star Falling 18. You Stand Amazed, Gallant Warriors 19. A Sturdy Oak Stood on a Hill 20. Leap Up, Flame, to the Heavens

?On the occasion of Cambreling's 75th birthday the tag SWR Classic releases on a 10 discs boxed set recordings made by the SWR between 1999 and 2011. Sylvain Cambreling was the chief conductor of the SWR Sinfonieorchester Baden-Baden and Freiburg between 1992-2016. When he took up his position at the broadcasting corporation Südwestrundfunk, he knew only too well that he was the successor to charismatic colleagues such as Hans Rosbaud, Ernest Bour and Michael Gielen, and did not have to be told that the orchestra's tradition was not geared towards providing wellness experiences for hedonistic listeners. He had been engaged because his programmes were daring, informative, suggestive, epoch-spanning, always a bit brushed the wrong way and disconcerting for he regards music as Inchintellectually stimulating materialInch and despises the beaten programme tracks. He met with an orchestra that was young, efficient and enthusiastic, and whose members were eager and willing to fulfil the task the broadcasting corporation had set a strong commitment to New Music. Cambreling was and still is enormously hard-working, curious about anything new and complex, displays a versatility that is without competition, and is a great communicator therefore, he was the ideal cast for this orchestra and it's tasks. The hymns of praise, specifically those of the foreign press, regularly (and not without envy) point out the qualities and possibilities of the orchestra and also the apparently reliable sponsorship from the broadcasting corporation. Just as reliable were the invitations from Salzburg, Paris, Berlin, Vienna, Madrid, Lisbon, Lucerne, Aix-en-Provence. Album Tracks 1. Waverley, Op. 1 [10 45] 2. Les Francs-Juges, Op. 3 [13 27] 3. Le Roi Lear, Grande Ouverture, Op. 4 [15 38] 4. Intrata Di Rob-Roy MacGregor [14 11] 5. Le Carnaval Romain, Op. 9 [09 03] 6. Le Corsaire, Op