Teen Suicide - It's the Big Joyous Celebration, Let's Stir the Honeypot - VINYL LP

Dirty Water are releasing a record from one of the UK's most dynamic bands, from the deepest, darkest depths of Yorkshire. Delivered with force and ferocity from Snakerattlers. The second album from a chaotic two-piece known as Snakerattlers - married couple Dan Oliver Gott and Naomi Gott. It's a hellbound voyage of rockabilly, garage, and traditional gum-chewing greaser rock and roll, delivered with venom and intense bursts of raw, erratic power. Intensive, thunderous drumming. Reverb-drenched double-amped guitar. Aggressive and haunting vocals. A screaming, wailing terrifying version of the rockabilly genre.A1) Aither's Theme A2) All Heads Will Roll A3) Lose My Mind A4) Do The Rattle Rock A5) She's Strange A6) Rattle Rock Stomp B1) I'll Destroy Your Soul B2) Standing On My Own B3) Ooga Booga B4) Snake Rattle Rock, Snake Rattle Roll B5) Wild

Teen Suicide's 2016 album, It's the Big Joyous Celebration, Let's Stir the Honeypot is also, according to the band, their final record. Recorded over 14 months with a Robert Altman-sized group of collaborators and performers, it's both a skeleton key for the band's earlier work and a great corrective addition to it. Updating rather than refuting all of the past themes and styles of their revered first LP and numerous EPs, Big Joyous Celebration shifts between punk, noise, country, house and a myriad of other electric dance genres to create something as messy, sprawling, and captivating as it's mouthful of a title. Spread over 26 tracks, there is plenty that Teen Suicide's swansong has to say for itself in the band's distinct, captivating, and refreshingly enjoyable voice.

Honeybee table at the butterfly feast is the first album from the elusive Baltimore's band Teen Suicide in years. For over a decade, guitarist, vocalist and project runner Sam Ray has been sometimes quietly and sometimes very noisily setting standards in the indie scene by changing genres, live lineups and even band names, but the one constant has been an undeniable gift for songwriting. honeybee table sits at an interesting point in the teen suicide timeline, following years of relative quiet following the releases a whole fucking lifetime of this (2018) and fucking bliss (2019), both released under the short-lived alias American Pleasure Club. Lockdown times saw a viral moment for the song Inchhaunt me (x3)Inch, a cult-classic catalog track featured on the 2015 Run For Cover reissue of the band's two beloved EPs dc snuff film and waste yrself. Now the band returns with what could be their next classic record, 16 songs that oscillate between noisy garage-rock, intimate acoustic songs and even blistering powerviolence in the vein of 2016's ambitious double album it's the big joyous celebration, let's stir the honeypot. The album is as varied and captivating as the cover art of the record - a painting by Ray's mother - and is held together by his unique artistic vision, captured not only in the genius of his songwriting but the power of lyrics that turn his lived experience of the past few years into harrowing poetry.