Telekinesis - Ad Infinitum - VINYL LP
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Vinyl LP pressing with that includes three bonus songs (download only). When it came time to make Ad Infinitum, the fourth Telekinesis album, drummer/songwriter/principal architect Michael Lerner found himself in a predicament. In just under five years, he had released three fantastic records-Telekinesis! (2009), 12 Desperate Straight Lines (2011), and Dormarion (2013)-each more ambitious than the last. He had toured all over the world, shared stages with great bands, and enthralled fans of his infectious, ebullient power pop. Newly married and happily ensconced in the home studio he'd assembled in his West Seattle basement, Lerner found himself asking the question that has haunted modestly successful bands down the ages What do you do after the rock and roll dreams you had when you were 19 have come true? InchI went down to the basement,Inch Lerner recalls, Inchand started playing the same chords I always play... I just felt like I'd exhausted everything I knew. I was not excited at all. I just could not make another power-pop album.Inch While many artists have made fruitful use of vintage sounds and production techniques in recent years, Ad Infinitum is a different animal. It feels less like a time capsule and more like a time machine. In the movie version of the story, Lerner would stumble on his way down the stairs, hit his head, and wake up in 1983, and the only way he could get back to the present day would be to make a record using available instruments. Then he'd wake in 2015 to discover he'd been in his basement studio all along. And the record he'd made in that strange dream state would turn out to be Ad Infinitum, the most ambitious and assured Telekinesis to date.
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VINYLSpecifications
- GenreRockDescriptionVinyl LP pressing with that includes three bonus songs (download only). When it came time to make Ad Infinitum, the fourth Telekinesis album, drummer/songwriter/principal architect Michael Lerner found himself in a predicament. In just under five years, he had released three fantastic records-Telekinesis! (2009), 12 Desperate Straight Lines (2011), and Dormarion (2013)-each more ambitious than the last. He had toured all over the world, shared stages with great bands, and enthralled fans of his infectious, ebullient power pop. Newly married and happily ensconced in the home studio he'd assembled in his West Seattle basement, Lerner found himself asking the question that has haunted modestly successful bands down the ages What do you do after the rock and roll dreams you had when you were 19 have come true? InchI went down to the basement,Inch Lerner recalls, Inchand started playing the same chords I always play... I just felt like I'd exhausted everything I knew. I was not excited at all. I just could not make another power-pop album.Inch While many artists have made fruitful use of vintage sounds and production techniques in recent years, Ad Infinitum is a different animal. It feels less like a time capsule and more like a time machine. In the movie version of the story, Lerner would stumble on his way down the stairs, hit his head, and wake up in 1983, and the only way he could get back to the present day would be to make a record using available instruments. Then he'd wake in 2015 to discover he'd been in his basement studio all along. And the record he'd made in that strange dream state would turn out to be Ad Infinitum, the most ambitious and assured Telekinesis to date.ArtistTelekinesisTitleAd InfinitumFormatVINYLLabelMerge Records
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Vinyl LP pressing with that includes three bonus songs (download only). When it came time to make Ad Infinitum, the fourth Telekinesis album, drummer/songwriter/principal architect Michael Lerner found himself in a predicament. In just under five years, he had released three fantastic records-Telekinesis! (2009), 12 Desperate Straight Lines (2011), and Dormarion (2013)-each more ambitious than the last. He had toured all over the world, shared stages with great bands, and enthralled fans of his infectious, ebullient power pop. Newly married and happily ensconced in the home studio he'd assembled in his West Seattle basement, Lerner found himself asking the question that has haunted modestly successful bands down the ages What do you do after the rock and roll dreams you had when you were 19 have come true? InchI went down to the basement,Inch Lerner recalls, Inchand started playing the same chords I always play... I just felt like I'd exhausted everything I knew. I was not excited at all. I just could not make another power-pop album.Inch While many artists have made fruitful use of vintage sounds and production techniques in recent years, Ad Infinitum is a different animal. It feels less like a time capsule and more like a time machine. In the movie version of the story, Lerner would stumble on his way down the stairs, hit his head, and wake up in 1983, and the only way he could get back to the present day would be to make a record using available instruments. Then he'd wake in 2015 to discover he'd been in his basement studio all along. And the record he'd made in that strange dream state would turn out to be Ad Infinitum, the most ambitious and assured Telekinesis to date.

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Effluxion, the fifth full length recorded by Michael Benjamin Lerner as Telekinesis, is a back-to-basics album-not just in it's reaffirmation of the sound and style that made Lerner an indie wunderkind a decade ago at age 22, but in the way it was created. Using the same now-discontinued MacBook microphone he used to record his earliest tracks, he holed up in the basement of his West Seattle home and put the album together piece by piece over the past two years, playing every instrument. While previous albums had former Death Cab for Cutie guitarist Chris Walla-who discovered and championed Telekinesis' demos-and Spoon's Jim Eno serving as producers and sounding boards and sidemen and general voices of authority and experience, Lerner wanted to do this one entirely on his own.

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