Telemann / Rienth - 12 Fantasias - COMPACT DISCS [CD]
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Telemann was a musician and composer who lived and worked in Leipzig, Sorau, Eisenach, Frankfurt/Main, and Hamburg. He is considered the most important German composer of the late baroque era, and an extraordinarily productive musician with an oeuvre of over 3,600 works which cover all genres, including opera. He was one of the few artists of his era who was well respected during his lifetime, and he was able to live comfortably from his work as a musician. He was entirely self-taught, playing a variety of instruments, including the recorder, the violin, and the harpsichord. He was also a great proponent of the recorder, which is why he is often described as the greatest recorder composer. His work for the 'flauto dolce' includes solo concerts, suites, sonatas, trio sonatas, as well as extended recorder parts in oratorios, passions, and cantatas. Of special significance are the Inch12 Fantasias for Solo Flute,Inch published in Hamburg in 1733, which, along with the Inch36 Fantasias for Harpsichord,Inch the Inch12 Fantasias for Solo Violin,Inch and the Inch12 Fantasias for Viola da Gamba,Inch complement Telemann's oeuvre for solo instruments without bass accompaniment. The Inch12 FantasiasInch recorded on this album are based on a transposition for treble recorder which is stored in the library of the Conservatoire Royal de Musique in Brussels.
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- GenreClassicalDescriptionTelemann was a musician and composer who lived and worked in Leipzig, Sorau, Eisenach, Frankfurt/Main, and Hamburg. He is considered the most important German composer of the late baroque era, and an extraordinarily productive musician with an oeuvre of over 3,600 works which cover all genres, including opera. He was one of the few artists of his era who was well respected during his lifetime, and he was able to live comfortably from his work as a musician. He was entirely self-taught, playing a variety of instruments, including the recorder, the violin, and the harpsichord. He was also a great proponent of the recorder, which is why he is often described as the greatest recorder composer. His work for the 'flauto dolce' includes solo concerts, suites, sonatas, trio sonatas, as well as extended recorder parts in oratorios, passions, and cantatas. Of special significance are the Inch12 Fantasias for Solo Flute,Inch published in Hamburg in 1733, which, along with the Inch36 Fantasias for Harpsichord,Inch the Inch12 Fantasias for Solo Violin,Inch and the Inch12 Fantasias for Viola da Gamba,Inch complement Telemann's oeuvre for solo instruments without bass accompaniment. The Inch12 FantasiasInch recorded on this album are based on a transposition for treble recorder which is stored in the library of the Conservatoire Royal de Musique in Brussels.ArtistTELEMANN / RIENTHTitle12 FantasiasFormatCDLabelVanitas
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Telemann was a musician and composer who lived and worked in Leipzig, Sorau, Eisenach, Frankfurt/Main, and Hamburg. He is considered the most important German composer of the late baroque era, and an extraordinarily productive musician with an oeuvre of over 3,600 works which cover all genres, including opera. He was one of the few artists of his era who was well respected during his lifetime, and he was able to live comfortably from his work as a musician. He was entirely self-taught, playing a variety of instruments, including the recorder, the violin, and the harpsichord. He was also a great proponent of the recorder, which is why he is often described as the greatest recorder composer. His work for the 'flauto dolce' includes solo concerts, suites, sonatas, trio sonatas, as well as extended recorder parts in oratorios, passions, and cantatas. Of special significance are the Inch12 Fantasias for Solo Flute,Inch published in Hamburg in 1733, which, along with the Inch36 Fantasias for Harpsichord,Inch the Inch12 Fantasias for Solo Violin,Inch and the Inch12 Fantasias for Viola da Gamba,Inch complement Telemann's oeuvre for solo instruments without bass accompaniment. The Inch12 FantasiasInch recorded on this album are based on a transposition for treble recorder which is stored in the library of the Conservatoire Royal de Musique in Brussels.
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The idea for this developed during a recording of the Fantasy No. 7, and quickly established it's own momentum. What began as a spontaneous thought experiment soon demanded fulfillment, and morphed swiftly into the desire to take part in the reawakening of this music. What followed was months of intensive dialogue with, and examination of, the 12 Fantasies. What would rank as of the greatest possible adventures for a gambist? To approach Telemann's 12 Fantasies which, having long lain dormant, were recently rediscovered. This is music which paints pictures, is sometimes melancholy and longing, sometimes wild, and often humorous - an inexhaustible wellspring of ideas, moods, sounds and colors.
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Album Tracks 1. I. Adagio - Allegro - Adagio - Allegro 2. II. Allegro 3. I. Vivace - Andante - Vivace 4. II. Presto 5. I. Largo 6. II. Presto 7. III. Vivace 8. I. Vivace 9. II. Grave 10. III. Allegro 11. I. Allegro 12. II. Largo 13. III. Allegro 14. I. Scherzando 15. II. Dolce 16. III. Spirituoso 17. I. Andante 18. II. Vivace 19. III. Allegro 20. I. Allegro 21. II. Grave 22. III. Vivace 23. I. Presto 24. II. Grave 25. III. Allegro 26. I. Dolce - Allegro - Dolce - Allegro 27. II. Siciliana 28. III. Scherzando 29. I. Allegro 30. II. Grave 31. III. Allegro 32. I. Andante 33. II. Allegro 34. III. Vivace
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This features one of the greatest discoveries of the 21st century for the early music world. Telemann's 12 Fantasias for Viola da Gamba were considered lost until the discovery of an original print in a private collection in Germany in 2015. Perhaps some of the composer's finest work for solo instrument, they are described by soloist Richard Boothby as being Inch... by turns virtuosic and expressive, Telemann uses all the techniques of the instrument to create satisfyingly complete Fantasias that are full of diversity.Inch One of the UK's leading exponents of early music, Richard Boothby founded the Purcell Quartet in 1984 was a founder member of Fretwork in 1985. Since then his career has been bound up with these two groups with whom he records and tours; and through whom he plays the broadest range of repertory for the instrument from the earliest music to the latest contemporary music commissioned for viols. Album Tracks 1. No. 1 in C Major 2. No. 2 in D Major 3. No. 3 in E minor 4. No. 4 in F Major 5. No. 5 in B Flat Major 6. No. 6 in G Major 7. No. 7 in G minor 8. No. 1 in C minor 9. No. 9 in C Major 10. No. 10 in E Major 11. No. 11 in D minor 12. No. 12 in E Flat Major
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