Tessa Uys - Holst: The Planets; Elgar: Introduction and Allegro, Salut d’amour - COMPACT DISCS [CD]
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- Genre: Classical
- Description: SOMM Recordings is thrilled to collaborate once again with the Tessa Uys and Ben Schoeman piano duo following their highly praised six-volume recording of the nine symphonies by Beethoven arranged for piano duet by Xaver Scharwenka-about which International Piano says, InchThese readings afford unmitigated pleasure... The articulation and voicing of the players persuades us into thinking we're in the middle of an unleashed virtuoso orchestra.Inch Now, these award-winning South African-born artists present music for two pianos and piano duet from their adopted country, highlighting works by Gustav Holst and Edward Elgar.In the early 1910s, Holst became interested in astrology, and he conceived the idea of a suite for orchestra based on the solar system's individual planets. Originally, he composed The Planets on the piano, using the instrument in his newly-built, sound-proofed room in the music wing at St Paul's Girls School as well as the piano at his home in Thaxted. This version for four hands, two pianos was scored by two of his colleagues at St Paul's, Vally Lasker and Nora Day, who acted as amanuenses, because Holst suffered intermittently from painful neuritis in his right hand. Following the resounding success of the orchestrated version of The Planets, the original piano duet score was overlooked, though it was eventually published separately in 1949-51. In 1979, Holst's daughter, Imogen, reissued the complete two-piano arrangement in one volume, and Tessa Uys and Ben Schoeman perform this version here.Elgar's renown was such that, at the height of his fame, several established musicians were commissioned by publishers to make piano transcriptions of his orchestral music. This was no mean feat, given that Elgar's scores are scrupulously marked as to how he wanted every phrase-sometimes even every bar or note within that phrase-to be played. It was the composer
- Artist: Tessa Uys
- Title: Holst: The Planets; Elgar: Introduction and Allegro, Salut d’amour
- Format: CD
- Label: Somm Recordings
- Release Date: 09/19/2025
- Genre: Classical
- Number Of Discs: 1
- Other
- Product Name: Tessa Uys - Holst: The Planets; Elgar: Introduction and Allegro, Salut d’amour - COMPACT DISCS
- UPC: 748871070929
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SOMM Recordings is thrilled to collaborate once again with the Tessa Uys and Ben Schoeman piano duo following their highly praised six-volume recording of the nine symphonies by Beethoven arranged for piano duet by Xaver Scharwenka-about which International Piano says, InchThese readings afford unmitigated pleasure... The articulation and voicing of the players persuades us into thinking we're in the middle of an unleashed virtuoso orchestra.Inch Now, these award-winning South African-born artists present music for two pianos and piano duet from their adopted country, highlighting works by Gustav Holst and Edward Elgar.In the early 1910s, Holst became interested in astrology, and he conceived the idea of a suite for orchestra based on the solar system's individual planets. Originally, he composed The Planets on the piano, using the instrument in his newly-built, sound-proofed room in the music wing at St Paul's Girls School as well as the piano at his home in Thaxted. This version for four hands, two pianos was scored by two of his colleagues at St Paul's, Vally Lasker and Nora Day, who acted as amanuenses, because Holst suffered intermittently from painful neuritis in his right hand. Following the resounding success of the orchestrated version of The Planets, the original piano duet score was overlooked, though it was eventually published separately in 1949-51. In 1979, Holst's daughter, Imogen, reissued the complete two-piano arrangement in one volume, and Tessa Uys and Ben Schoeman perform this version here.Elgar's renown was such that, at the height of his fame, several established musicians were commissioned by publishers to make piano transcriptions of his orchestral music. This was no mean feat, given that Elgar's scores are scrupulously marked as to how he wanted every phrase-sometimes even every bar or note within that phrase-to be played. It was the composer
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