The 13th Floor Elevators - Easter Everywhere - VINYL LP

180-gram InchPSYCHEDELIC-LAVA-LAMP-COLOREDInchvinyl 2-LPs. Originally released by International Artists in 1967. Remastered & mixed from the original tapes by original 13th Floor Elevators' producer Walt Andrus. Reissue produced by Paul Drummond, 13th Floor Elevators archivist & historian. Gatefold sleeve with rare memorabilia, sleeve notes & track information.InchTheir masterpiece. Easter Everywhere is an all-time higher key document. With a measured Erickson vocal and a blissful Sutherland solo, 'Slip Inside This House' is eight minutes of constant build the guide for a new enlightenment. The rest isn't bad either...Inch MOJOOnly 1,000 copies worldwide! Last copies before 2-LP reverts to 1-LP. Gatefold sleeve features gold metallic ink cover art; obi-style logo sticker with Bob Simmons photo exclusive to this edition; widely regarded as the band's finest album; recordings were remastered from the original tapes by original Elevators' producer Walt Andrus; features the Elevators masterpiece 'Slip Inside This House' and classics, '(I've Got) Levitation', 'Earthquake' and more!Original 1967 Mono Album

Between the new and the familiar, the accordion is a young instrument. This is precisely why I believe it lends itself almost naturally, or rather vocationally, to experimentation. At the same time, it's place in the collective imagination, it's wide diffusion in popular and folkloric cultures, also make it a InchfamiliarInch, InchdomesticInch instrument. This combination of InchfamiliarityInch and experimentation is, then, the inspiration behind the entire InchFly. Electronic Music for AccordionInch project. New works for accordion and electronics aimed precisely at enhancing such duplicity the feeling of familiarity and the disconcerting activation of the new. For this purpose, I involved some of the Italian composers among those I most respect, with whom I could establish a creative relationship that could lead to the development of particularly significant works featuring this instrument. At least in my ambitions and intentions. What the outcome will be is not for me to say. The fact remains that when a new work is born, especially one with some compositional weight, we are always faced with an event, the opening up of a world, which, however bewildering, or perhaps precisely because of this, proves capable of putting us in relation with ourselves and with the contemporaneity in which we live. Besides this, the choice of alternating the electroacoustic works with InchsmallInch pieces (in terms of duration) taken from the historical, classical literature to which we belong, is also intended to promote precisely the coexistence between familiarity and experimentation. A piece of IncheasyInch listening, InchfamiliarInch, a prelude or postlude, as it were, in order to InchcleanseInch the ear, in some way to prepare it for a different kind of listening, that of electroacoustic music, which is complex and full of novel information, not InchfamiliarInch. Fragments of hi

- LP facsimile of the original sleeve & artwork faithfully reproduced in reverse board finish - no bar code etc.- 4-side insert featuring rare band photos closest to the time of recording & recording sessions info- New 96KHZ-24bit transfer from earliest source- Facsimile MONO edition - Half Speed lacquers cut at AIR Studios by Barry Grint- This edition supersedes all previous editions - including the collector's holy-grail the original mono pressing, which has recently fetched over $4,500+.1966 debut album by Texan pioneers of psychedelia. Presenting the HIT singles 'You're Gonna Miss Me' and 'Reverberation'InchThis ground-breaking album not only defined psychedelic rock but informed punk a decade later, influencing everyone from Led Zeppelin to The Cramps. Originally issued in November 1966, this album has not only continued to gain importance but also world-wide recognition as the first bona fide psychedelic rock album.This is a facsimile edition of the original mono mix, a faithful reproduction of what was pressed in 1966. It represents the authentic sound and TRANSFORMATIVE POWER of The Psychedelic Sounds of The 13th Floor Elevators.The mono pressing is highly prized for it's uncompromising solid-sounding mix. Meticulous attention to detail has gone into this reissue and the digitisation to make sure every detailed nuance was preserved. A 96KHZ-24bit pass, using a valve signal at minus ten decibels (to eliminate turntable rumble), was conducted several times in order to gauge the best results. No attempt was made to rebalance or EQ. A half speed master was then cut at AIR Mastering and a test pressing was then dubbed using the same process and the dynamic range compared against the original pressing. The result was a better sound pressing than the original!