The Barefoot Movement - Rise And Fly - VINYL LP
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Heartfelt, energetic, and down home. Heralded by CMT Edge as Inchone of the most promising bands on the bluegrass scene,Inch the music of the Nashville based group The Barefoot Movement is as down to earth as their intention for members of their audience sit back, relax, take your shoes off and stay a while.
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- GenreFolkDescriptionHeartfelt, energetic, and down home. Heralded by CMT Edge as Inchone of the most promising bands on the bluegrass scene,Inch the music of the Nashville based group The Barefoot Movement is as down to earth as their intention for members of their audience sit back, relax, take your shoes off and stay a while.ArtistThe Barefoot MovementTitleRise And FlyFormatVINYLLabelBonfire Recording Co
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Heartfelt, energetic, and down home. Heralded by CMT Edge as Inchone of the most promising bands on the bluegrass scene,Inch the music of the Nashville based group The Barefoot Movement is as down to earth as their intention for members of their audience sit back, relax, take your shoes off and stay a while.

This gold-selling Keith Richards solo debut (1988) was a success in every way, a joyous set of riffs and rockers that introduced Keith's new band the X-pensive Winos. Bootsy Collins, Maceo Parker, the Memphis Horns and Mick Taylor are among Keith's guests on InchTake It So Hard,Inch InchWhip It Up,Inch InchYou Don't Move Me,Inch InchMake No Mistake,Inch InchStruggle,Inch InchBig EnoughInch and more. Three decades later, Steve Jordan (Keith's co-writer and co-producer on the album) has remastered the LP for reissue on CD, black vinyl or limited-edition red vinyl (both 180-gram). The 2-CD deluxe edition adds a 16-page media-book package and previously unreleased bonus sessions featuring Taylor and Collins plus Johnnie Johnson, Chuck Leavell, Bernie Worrell and more. The limited-edition deluxe box brings you the album and those bonus tracks on CD and 180-gram black vinyl, two 7Inch vinyl singles featuring InchTake It So Hard,Inch InchI Could Have Stood You Up,Inch InchMake No MistakeInch and InchIt Means a Lot,Inch an 80-page book boasting a new essay and interview with Keith plus extensive rare and unseen photos, a tour laminate, lyric sheets, two posters, a guitar pick and more-and the packaging is wrapped in Fender replica guitar-case material. Now THAT's rock 'n' roll! BMG.

As instrumental HipHop albums seem to be at an all-time high, ranging from so called lo-fi aesthetics to progressive sounds with electronic vibe, one of Austrian HipHop's godfathers and OGs on the boards has finally dropped an instrumental album on his own. The title InchExperiencesInch has been chosen not without reason as it both reflects the personal experiences the artist has gone through in his 25 years plus career but also hint the influences and musical aspects that went into this album. Flip has tried to give insight into his musical influences that began in the 80ies with groups like Public Enemy or EPMD into the 90ies era with sounds ranging from Native Tongue territory to a DJ Premier or Pete Rock or the DITC producers, when he started making beats on his own for his rap group Texta. You can hear links to other production wizards like J Dilla, Hi-Tec or Madlib that changed the sampling techniques post 2000 with albums like Donuts, Hi-teknology or Madvillain. So yes, InchExperiencesInch is sample-based but further developed by Flip with original basslines, keys, guitar riffs played by the producer himself. The final result though is not just a simple look back into the golden era but more a retro-futuristic approach that Flip tried to execute within those sixteen compositions. Additional scratches and vocal chops add more flavor to the tracks and as one song flows with ease into the next one, this makes InchExperiencesInch an experience for the listener, too. While a lot of HipHop instrumental albums just let some loops run for two minutes, Flip took a more ambitious approach where continued listening to the album will reveal new details and musical ideas every time. Another fact that won ìt go unnoticed is the heavy punch of the drums which is due to the usage of old samplers like the legendary SP-1200, the ASR-10 or the MPC2000XL that Flip is still using,
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