The Black Angels bring the aura of mid-1966-the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators-everywhere they go, including the levitations on their second album, Directions To See A Ghost. Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas' rocker-monk incantations. But he knows what time it is. 'You say the Beatles stopped the war,Inch Maas sings in 'Never/Ever. They might've helped to find a cure/But it's still not over. ' Even so, this medicine works wonders. Inch - David Fricke, Rolling Stone When last we met The Black Angels, they were staring into the desert sun somewhere outside of Austin, Texas. Two years later, night has fallen and the spirits have come out. It's time for The Black Angels to provide Directions To See A Ghost. If you're familiar with Passover, the band's 2006 debut, you'll know that The Black Angels' music alone is enough to invoke spirits. There's a name for the band's sound Inchhypno-drone 'n' roll. Inch It's the sound of long nights on peyote, dreams of a new world order, and half-invented memories of the seamy side of 60s psychedelia. The Black Angels formed in Austin, Texas, in 2004, comprised of six people (now five) from very different backgrounds. Singer/vocalist Christian Bland is the son of a Presbyterian Pastor and was raised in a devoutly religious household. Bassist/guitarist Nate Ryan was born on a cult compound, and drummer Stephanie Bailey claims she's a descendent of Davy Crocket. She and Alex Maas (vocals/guitar) both believe a little girl in a red linen dress haunts the group's home. InchCivil War battlefields are prime spots for seeing ghosts,Inch says Bland. InchOne time at Kennesaw mountain in Georgia, I was climbing the mountain i