The Brahms Trio - History of the Russian Piano Trio, Vol. 6 - Rachmaninoff: Trios elegiaques - COMPACT DISCS [CD]

The piano trio holds an important place in the history of Russian chamber music and to follow the development of the genre is to accompany the fascinating history of Russian music in the 19th century. It's beginnings can be found with Alexander Alyabiev, a student of John Field, whose unfinished but elegant and vivacious Piano Trio in E flat major is paired with the yearning Romanticism of the Piano Trio in A minor. Mikhail Glinka's Trio pathétique bears the inscription 'I have only known love through the sorrow it causes!', while Anton Rubinstein's elaborately acrobatic piano writing in his Piano Trio in G minor reminds us of his own virtuosity, and reveals his magnificent skills as a melodist.

Nikolay Roslavets was one of the great musical innovators of the 1920s, described by Stravinsky as Inchthe most interesting Russian composer of the 20th century,Inch but vilified by the Soviet regime on account of his constant experimentation. His Piano Trio No. 4 is notable for it's romantic and passionate spirit and complex polyphony. Shostakovich's Piano Trio No. 2 is one of the most harrowing and revered of all his chamber works. The Piano Trio No. 1, a remarkable composition for a 16-year-old student, is a work of romantic intensity cast in a musical language recognisably that of Shostakovich.

Paris was the musical destination for many Russian emigre composers between the two World Wars, with both Grechaninov, from an older generation, and Tcherepnin, from a younger one, living in the city. Grechaninov's Piano Trio No. 2 in G major is a brightly decorative work, whereas Tcherepnin's concise, refined orientalism in the Piano Trio, Op. 34 is influenced by French modernism and the Russian avant-garde. Daniele Amfitheatrof moved to Rome where he wrote his beautiful, sunlit Piano Trio, richly imbued with the aura of Puccini and Mascagni. The dazzling Piano Trio on Hebrew Themes by New York-based Jacob Weinberg incorporates synagogue and Russian tunes, quotations from Bizet, Beethoven, Schubert and Schumann, as well as tango rhythms.