The Dead Weather - Dodge And Burn - VINYL LP

Limited 180gram red marble vinyl LP pressing in gatefold jacket. Play Dirty is the fourth studio album by British heavy metal band, Girlschool, originally released on Bronze Records in 1983 and produced by Noddy Holder and Jim Lea from the hard rock band Slade. Featuring Kelly Johnson, Kim McAuliffe, Denise Dufort and Gil Weston and showcasing hits such as Inch20th Century Boy,Inch InchBurning In The Heat,Inch and InchPlay Dirty.Inch Remastered in 2020.During the torrent of new wave of British heavy metal, (NWOBHM), Girlschool were somewhere in the middle. They weren't mentioned in the same breath as the giants of the time but they were better known than other bands like Diamond Head and Raven. True, their music didn't get the airplay it deserved but most metalheads in 1983 knew who they were. I was fortunate on one occasion in the year to catch one of the few times the title track from the album, InchPlay Dirty,Inch got played on MTV.InchPlay DirtyInch marked a change in direction for Girlschool towards a more softer rock sound. Some would compare them to Def Leppard, really? However, the softer sound comes out with the first two tracks on the album. It is the first time, to my knowledge, that keyboards were ever used on a Girlschool album. Those tracks aren't bad but they aren't real headbangers either. Things do go much heavier with the third one, the title track. Even then, there are keyboards at the bridges on the song and though I have to admit, they compliment that part of the song well, it took me a couple of listens to get used to it. Besides, Kelly Johnson's guitar solo on said song makes counters any keyboards. After wowing with those more harder songs, things go back to the sound of the opening tracks. Keyboards a plenty here for I get the feeling that on InchSurrenderInch that they were trying for a Night Ranger or Journey type hit single. However, it was

There's nothing like the sound of a world-class bluesman getting back to business. Last October, when Bernard Allison returned to his old haunt of Bessie Blue Studios, Tennessee, to be greeted by fabled producer and career-long collaborator Jim Gaines, it felt like coming home. And when Allison fired up the amps, counted in the band and embarked upon his latest studio album, Highs And Lows, everything felt right with the world. InchJust to be able to create music again after the pandemic,Inch he says of that long-awaited rebirth, Inchwas incredible.Inch For 56 years, music has been Bernard Allison's essence. As the youngest son of the much-missed Chicago bandleader Luther Allison, he was a bluesman from birth, naturally drawn to this ancient music that seemed to heal deep wounds, and held spellbound by early encounters with heavyweights like Muddy Waters, Albert King and Hound Dog Taylor.

The Dead Weather's full length debut LP Horehound a double-album dose of black magic riffs, fuzzed-out guitorgan, and painful peons to the devil-knows-what, comes as a double-LP with a Rob Jones art etching on side 4 and is lovingly housed in a thick-as-thieves gatefold sleeve. It's a jaw-dropping record with the packaging to match.