The Empty - Made Of Fire - COMPACT DISCS [CD]

This Allman Brothers classic comes home to Capricorn Records sporting remastering from the original master tapes and packaging authentic to the original LP (2 complete LPs on 1 CD). Tracks InchStatesboro Blues,Inch InchDone Somebody Wrong,Inch InchStormy Monday,Inch InchYou Don't Love Me,Inch InchHot 'Lanta,Inch InchIn Memory of Elizabeth ReedInch and InchWhipping Post.Inch

The power trio delivers a special brand of hard rock that captures the huge, hooks and heavy thunder of the power metal elite, combined with the killer progressions of a neo-classical flair. In September 2015, Mind Of Fury was formed by musicians Gheeyeh, Henry Moreno and Mike Frankenbush. Gheeyeh, originally hailing from Santiago, Chile, moved to the states in 2012 and soon after recorded an album with Nick Z. Marino (Keyboardist for Yngwie Malmsteen). Ghee's unique style has been described as Metallica meets Pantera meets Yngwie - with big riffs and shredding guitar. Ghee moved to central Florida where he met Henry Moreno (ex-Imagika, Taunted). Originally form San Jose, California, Henry spent the last two decades touring and recording music in the vein of Bay Area thrash metal. Ghee and Henry connected in Florida and soon after added Mike Frankenbush to round out the power trio. A Chicago native, Mike was the perfect fit, with a thundering sound reminiscent of the powerful, heavy hitters. The chemistry was right, so the band decided that Ghee would take on vocal duties and the manifestation of Mind Of Fury was cemented. The band quickly wrote, recorded and self-released their debut album InchDo Or DieInch in 2016 to much critical acclaim. Described as hard-hitting, melodic and powerful, the band followed up by solidifying their status as one of Hard Rocks brightest on the rise by securing a spot on the Rocklahoma Festival in 2017. The new album, InchThe FireInch brings the band to the next level with 10 monster tracks that deliver melodic, power-rock like you've never heard before.

Voids employs the vocal talents of Bill Callahan, Emily Cross, Adam Torres, and Julia Holter across twelve genre-fluid, yet impressively cohesive tracks that span baroque dream-pop, filmic ambient, raga-like drones, avant-country, and even spiritual jazz, all imbued with poetic heft and seared by the West Texas sun. It was beneath this same sun that Lapham lost both of his parents, mourned a withering relationship, and shouldered the fallout of the pandemic, turning his life into the rusted-out scraps he then used to build Voids from the ground up.There is no better narrator for Lapham's story than fellow Texas resident Bill Callahan, whose iconic delivery perfectly personifies the core themes of Voids. By the time Callahan appears, he does so over a saw-blade drone that sounds like machinery echoing off the corrugated steel walls of a nearby workshop, which then breaks open into a loose yet pained confluence of violin and upright bass that recalls Joe Henderson's 1974 spiritual jazz album The Elements. On InchDreamlessInch the album crystallizes into it's most straight-ahead moment as Lapham trains his compositional lens on a brilliant piece of pop songwriting. Featured vocalist Adam Torres soars over John Mark's punctual arrangement of stomping drums and rapturous string-work to anthemic, and gently psychedelic consequence. Voids concludes with the pleasant clatter of InchCirclesInch wherein Lapham throws all his ingredients into a pot of celebratory catharsis. Drum sets collide with one another gleefully, and harmonized textures scatter and roll about the floor like a dropped bucket of ornate marbles. Lapham's collage-work, which up to this point has been smartly restrained, comes unglued as he transmutes grief into relief within a moment-of-death montage of aural imagery. Across Voids, that same awareness of tragedy and loneliness is made palatable by the album's