The Higgins - Higgins: The Faerie Bride & Horn Concerto - COMPACT DISCS [CD]
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Gavin Higgins' music is bursting with authenticity. Everything he writes speaks in some way of where he comes from, of the land, of the community, of the family which formed him. He grew up in a working class former mining community in the Forest of Dean, a borderland between England and Wales with it's own dialect, a liminal place where Welsh songs and stories as well as English are in the air. It's a place where brass band music is the chief legacy of the coal mines, the last of which closed a decade before Gavin was born and where the forest, with it's sounds, it's colours and it's stories was a constant presence. Gavin has spoken evocatively - and perhaps romantically - about the music of the forest which surrounded him sounds of foxes and deer mingled with brass bands, church choirs and occasional illegal raves. Nature and music, he says, are powerfully linked in his mind. Almost as soon as he could speak, Gavin was given a cornet to blow and grew up playing in the brass band conducted by his grandfather and populated by most of his family. A scholarship to specialist music school in Manchester and subsequent study at the Royal Northern College of Music meant that he moved on to the orchestral French horn. Now, as a composer chiefly working in the orchestral and opera world, Gavin still writes for brass bands and has even put his two musical traditions on the stage together in an award winning Concerto Grosso for Brass Band and Orchestra. But the pieces on this disc which feature the French horn - Horn Concerto and Fanfare, Air and Flourish - mark the first time that he has highlighted his own instrument in the solo slot. As ever, it was a personal connection which sparked the idea of the Horn Concerto - an approach from the horn virtuoso Ben Goldscheider, made in the full knowledge that this would reunite Gavin with his younger self.
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- GenreClassicalDescriptionGavin Higgins' music is bursting with authenticity. Everything he writes speaks in some way of where he comes from, of the land, of the community, of the family which formed him. He grew up in a working class former mining community in the Forest of Dean, a borderland between England and Wales with it's own dialect, a liminal place where Welsh songs and stories as well as English are in the air. It's a place where brass band music is the chief legacy of the coal mines, the last of which closed a decade before Gavin was born and where the forest, with it's sounds, it's colours and it's stories was a constant presence. Gavin has spoken evocatively - and perhaps romantically - about the music of the forest which surrounded him sounds of foxes and deer mingled with brass bands, church choirs and occasional illegal raves. Nature and music, he says, are powerfully linked in his mind. Almost as soon as he could speak, Gavin was given a cornet to blow and grew up playing in the brass band conducted by his grandfather and populated by most of his family. A scholarship to specialist music school in Manchester and subsequent study at the Royal Northern College of Music meant that he moved on to the orchestral French horn. Now, as a composer chiefly working in the orchestral and opera world, Gavin still writes for brass bands and has even put his two musical traditions on the stage together in an award winning Concerto Grosso for Brass Band and Orchestra. But the pieces on this disc which feature the French horn - Horn Concerto and Fanfare, Air and Flourish - mark the first time that he has highlighted his own instrument in the solo slot. As ever, it was a personal connection which sparked the idea of the Horn Concerto - an approach from the horn virtuoso Ben Goldscheider, made in the full knowledge that this would reunite Gavin with his younger self.ArtistThe HigginsTitleHiggins: The Faerie Bride & Horn ConcertoFormatCDLabelLyrita
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Gary Higginson has spent a life writing music for a wide range of formations, ages and abilities. Much of his work explores two great loves nature and English literature, especially Shakespeare. Accordingly, this presents a sequence of songs, instrumental works and a substantial cantata. This is music that is always communicative, characterful and accessible. He was born in West Bromwich which, although then semi-rural, also forms part of the industrial Black Country. His first musical experience, listening to his father's constant singing at home, led him to joining the local church choir at the age of seven, the next year beginning piano lessons with the choirmaster. The constant presence of the church and it's music has been a strong influence on him ever since and led to singing in an early performance of Britten's War Requiem. His first attempt at composition was made when he was eleven and he has not stopped for more than fifty years.
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