The Jazz Butcher - Highest In The Land - COMPACT DISCS [CD]
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2022 . It's not often that an artist gets to do a Bowie by consciously carving their personal epitaph into the grooves of their final LP. The Highest In The Land is that rarity of an album, and it could not have been made by a more brilliantly poetic and fearlessly sarcastic writer than Pat Fish, also known as The Jazz Butcher. There are many existentially charged moments on a record whose songs were written throughout the last seven years of Fish's life before his untimely passing in October 2021, aged only 63. Between moving personal songs like InchNever Give UpInch or InchGoodbye SweetheartInch and more opaque ones such as the title track (the mysterious InchBlack RaoulInch, by the way, is Pat and Dhiren's cat), much of this album is imbued with righteous ire at the isolationist path taken by the UK in recent times. InchRunning On FumesInch and InchSebastian's MedicationInch may be the sharpest analyses of the state of Brexit Britain yet committed to song. Meanwhile, the former stands as an angry state-of-the-nation address, drawing parallels to the Weimar Republic by evoking Hermann Hesse and Mackie Messer, musically cloaked in a Dylan reference suggesting there is indeed blood on the tracks. By contrast, InchSea MadnessInch tells the heart-warming tale of an immigrant in tribute to Turkish George, a legendary presence on the Northampton music scene. It is not without irony that a career that began in witty defiance of the Thatcher years should end under the shadow of the Johnson era. Certainly, The Highest In The Land sounds as relevant to today as A Scandal In Bohemia did to 1984. Likewise, in musical terms, it feels like the closing of a circle, based around live recordings by a core band of Fish, Dave Morgan on drums and Tim Harries on bass, augmented by an array of musicians including founder member Max Eider.
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- GenreRockDescription2022 . It's not often that an artist gets to do a Bowie by consciously carving their personal epitaph into the grooves of their final LP. The Highest In The Land is that rarity of an album, and it could not have been made by a more brilliantly poetic and fearlessly sarcastic writer than Pat Fish, also known as The Jazz Butcher. There are many existentially charged moments on a record whose songs were written throughout the last seven years of Fish's life before his untimely passing in October 2021, aged only 63. Between moving personal songs like InchNever Give UpInch or InchGoodbye SweetheartInch and more opaque ones such as the title track (the mysterious InchBlack RaoulInch, by the way, is Pat and Dhiren's cat), much of this album is imbued with righteous ire at the isolationist path taken by the UK in recent times. InchRunning On FumesInch and InchSebastian's MedicationInch may be the sharpest analyses of the state of Brexit Britain yet committed to song. Meanwhile, the former stands as an angry state-of-the-nation address, drawing parallels to the Weimar Republic by evoking Hermann Hesse and Mackie Messer, musically cloaked in a Dylan reference suggesting there is indeed blood on the tracks. By contrast, InchSea MadnessInch tells the heart-warming tale of an immigrant in tribute to Turkish George, a legendary presence on the Northampton music scene. It is not without irony that a career that began in witty defiance of the Thatcher years should end under the shadow of the Johnson era. Certainly, The Highest In The Land sounds as relevant to today as A Scandal In Bohemia did to 1984. Likewise, in musical terms, it feels like the closing of a circle, based around live recordings by a core band of Fish, Dave Morgan on drums and Tim Harries on bass, augmented by an array of musicians including founder member Max Eider.ArtistThe Jazz ButcherTitleHighest In The LandFormatCDLabelTapete Records
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2022 . It's not often that an artist gets to do a Bowie by consciously carving their personal epitaph into the grooves of their final LP. The Highest In The Land is that rarity of an album, and it could not have been made by a more brilliantly poetic and fearlessly sarcastic writer than Pat Fish, also known as The Jazz Butcher. There are many existentially charged moments on a record whose songs were written throughout the last seven years of Fish's life before his untimely passing in October 2021, aged only 63. Between moving personal songs like InchNever Give UpInch or InchGoodbye SweetheartInch and more opaque ones such as the title track (the mysterious InchBlack RaoulInch, by the way, is Pat and Dhiren's cat), much of this album is imbued with righteous ire at the isolationist path taken by the UK in recent times. InchRunning On FumesInch and InchSebastian's MedicationInch may be the sharpest analyses of the state of Brexit Britain yet committed to song. Meanwhile, the former stands as an angry state-of-the-nation address, drawing parallels to the Weimar Republic by evoking Hermann Hesse and Mackie Messer, musically cloaked in a Dylan reference suggesting there is indeed blood on the tracks. By contrast, InchSea MadnessInch tells the heart-warming tale of an immigrant in tribute to Turkish George, a legendary presence on the Northampton music scene. It is not without irony that a career that began in witty defiance of the Thatcher years should end under the shadow of the Johnson era. Certainly, The Highest In The Land sounds as relevant to today as A Scandal In Bohemia did to 1984. Likewise, in musical terms, it feels like the closing of a circle, based around live recordings by a core band of Fish, Dave Morgan on drums and Tim Harries on bass, augmented by an array of musicians including founder member Max Eider.
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The Jazz Butcher 'The Wasted Years' 4 x CD box set comes 'The Violent Years 1988-1991' featuring four seminal albums - 'Fishcotheque', 'Big Planet, Scarey Planet', 'Cult Of The Basement' and 'Condition Blue' - out 9th March 2018. In the early '80s, Dave Barker was checking master vinyl copies of classical recordings for glitches - they don't make jobs like that anymore. In his spare time he discovered innovative souls struggling to make music and welcomed them to his Glass Records tag. The roll call included Teenage Fanclub, Spacemen 3, The Pastels and The Jazz Butcher. The 'Butcher' delivered a gaggle of albums and many 45s for Glass from 1983 to 1986, the jacket notes on the dusty tome that recalls this period mentions Randall And Hopkirk (Deceased), Thatcher, DIY post-punk, LSD, surrealist cabaret, The Velvet Underground, a bottle of Cointreau or two, the Amstrad 7090 and Ronco's 'Black Magic' compilation. All that led to the 'The Wasted Years' Four albums, many visions
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