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The Mantles - All Odds End - COMPACT DISCS [CD]

SKU: 12555387

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The Bay Area has a rich history of garagey, folkrock bands and since their formation in 2007 The Mantles have carved themselves out a very unique spot in that lineage. From their roots as a loose & loud Velvets/Nuggets-bashing outfit through a series of excellent releases on labels like Siltbreeze and Mexican Summer, the band developed their sound and moved towards a more contemplative, melodic vibe. In 2013 they released their second album, the Kelley Stoltzproduced InchLong Enough To Leave,Inch which saw them consolidate the progression of the previous records into a uniquely impressionistic brand of psychedelic pop. Now the band is back with InchAll Odds End,Inch another understated, marvelously-textured guitar pop album featuring a tweaked line-up that now includes the swirling keyboards of Carly Putnam and the rock-solid bass of Matt Bullimore. InchAll Odds EndInch is full of folky, garagey flavors that echo the Paisley Underground and the best of New Zealand's underground pop. The lovely, sympathetic production by Jason Quever (Papercuts, The Donkeys, Elisa Ambroglio) only serves to underline the timeless nature of the tunes, songs that are at once familiar and fresh and place The Mantles into a category all their own.

Specifications

  • Genre
    Rock
    Description
    The Bay Area has a rich history of garagey, folkrock bands and since their formation in 2007 The Mantles have carved themselves out a very unique spot in that lineage. From their roots as a loose & loud Velvets/Nuggets-bashing outfit through a series of excellent releases on labels like Siltbreeze and Mexican Summer, the band developed their sound and moved towards a more contemplative, melodic vibe. In 2013 they released their second album, the Kelley Stoltzproduced InchLong Enough To Leave,Inch which saw them consolidate the progression of the previous records into a uniquely impressionistic brand of psychedelic pop. Now the band is back with InchAll Odds End,Inch another understated, marvelously-textured guitar pop album featuring a tweaked line-up that now includes the swirling keyboards of Carly Putnam and the rock-solid bass of Matt Bullimore. InchAll Odds EndInch is full of folky, garagey flavors that echo the Paisley Underground and the best of New Zealand's underground pop. The lovely, sympathetic production by Jason Quever (Papercuts, The Donkeys, Elisa Ambroglio) only serves to underline the timeless nature of the tunes, songs that are at once familiar and fresh and place The Mantles into a category all their own.
    Artist
    The Mantles
    Title
    All Odds End
    Format
    CD
    Label
    Slumberland Records
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The Mantles - All Odds End   - COMPACT DISCS [CD]
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The Bay Area has a rich history of garagey, folkrock bands and since their formation in 2007 The Mantles have carved themselves out a very unique spot in that lineage. From their roots as a loose & loud Velvets/Nuggets-bashing outfit through a series of excellent releases on labels like Siltbreeze and Mexican Summer, the band developed their sound and moved towards a more contemplative, melodic vibe. In 2013 they released their second album, the Kelley Stoltzproduced InchLong Enough To Leave,Inch which saw them consolidate the progression of the previous records into a uniquely impressionistic brand of psychedelic pop. Now the band is back with InchAll Odds End,Inch another understated, marvelously-textured guitar pop album featuring a tweaked line-up that now includes the swirling keyboards of Carly Putnam and the rock-solid bass of Matt Bullimore. InchAll Odds EndInch is full of folky, garagey flavors that echo the Paisley Underground and the best of New Zealand's underground pop. The lovely, sympathetic production by Jason Quever (Papercuts, The Donkeys, Elisa Ambroglio) only serves to underline the timeless nature of the tunes, songs that are at once familiar and fresh and place The Mantles into a category all their own.

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San Francisco/Oakland's The Mantles have been charting a unique path through the Bay Area's storied Garage/Pop scene since 2007. Their first singles saw them honing their sound, building towards their excellent 2009 self-titled debut album. Loosely aligning with artists like White Fence and Ty Segall, The Mantles thoroughly modernize and personalize the Folk-Rock tradition. Now on Long Enough to Leave, The Mantles still color outside the lines but dial a cleaner, more infectious sound. SF's Kelley Stoltz recorded the new album with enough savvy to make it pop while keeping the performances idiosyncratic and affecting. Sharp ears may spot bits of early Love, New Zealand's Flying Nun tag and LA's Paisley Underground, but The Mantles are very far from revivalists and have more songwriting and arranging skill at their disposal than many bands could hope to have.

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