The Moonlighters - Missing Moonlighters: Live/Studio Closet Tapes - COMPACT DISCS [CD]

This is a of songs from the Jefferson Airplane concerts at Winterland, March 1967, and Monterey Pop Festival. It also has live tracks from Bless It's Pointed Little Head. Don't Slip Away and And I Like It are the studio versions. Two never before released bonus tracks are included. Jefferson Airplane was an American rock band based in San Francisco, California, that became one of the pioneering bands of psychedelic rock. They were headliners at the Monterey Pop Festival (1967), Woodstock (1969), Altamont Free Concert (1969), and the first Isle of Wight Festival (1968) in England. Their 1967 break-out album Surrealistic Pillow was one of the most significant recordings of the Summer of Love. Two songs from that album, InchSomebody to LoveInch and InchWhite RabbitInch, are among Rolling Stone's Inch500 Greatest Songs of All TimeInch. This is the 3 side vinyl LP in an exclusive dark blue marble colored vinyl. Limited to 50 copies in North America.

There were many highlights to her musical career the concerts she gave in the Netherlands between 1968 and 1989 feature prominently among them. This is a faithful rendition, thanks especially to the remarkable audio quality. Dearie masterfully performed in all the instrumental formations, from solo shows to the great Metropole Orchestra. She sang repertoires of every kind, from film music - she brought a new dimension to InchRaindrops Keep Falling on my HeadInch - to Joni Mitchell's InchBoth Sides NowInch, sensitively revisited. Not to forget a masterpiece whose music she composed, InchWinchesterin Apple Blossom TimeInch, with Marilyn Monroe-style boo-be-doops - two superb versions of which can be enjoyed here, as well as her other compositions, those mentioned, and InchBring All Your Love AlongInch, whose first recording, made in Laren, 1982, is featured here. Blossom, so aptly named, bids the audience adieu, and makes a graceful bow.

Missing Persons were new wave with teeth - pop hooks delivered by musicians who knew exactly what they were doing. Rolling Stone InchWe were never trying to be a rock band or a pop band - we were trying to be Missing Persons.Inch Dale Bozzio Seeing Missing Persons live was like stepping into a neon-lit future that somehow arrived early. Dale Bozzio commanded the stage with a sharp, almost alien charisma - part punk provocateur, part pop siren - her vocals slicing through the mix with clipped precision and attitude. Behind her, the band played with startling discipline. The visuals were bold and confrontational, but the real impact came from the sound - sleek, aggressive, and exact - proving that beneath the fashion and flash was a band that could hit hard, play tight, and fully control the room.