The Nothing - A Short History of Decay - CASSETTES
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Nothing have always been rule-breakers. Shoegaze renegades who've rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing's music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. a short history of decay,Nothing's fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest. With the strongest arsenal in Nothing's ever-shifting lineup locked in - guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) - singer-songwriter Domenic InchNickyInch Palermo knew he had the manpower to make the band's most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), a short history of decay, is the most evolved musical statement in Nothing's catalog. Songs like InchCannibal WorldInch and InchToothless CoalInch are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine - except more extreme. On the other end of the spectrum, the ornately morose InchPurple StringsInch boasts a beautiful string arrangement that includes harpist - and two-time Nothing contributor - Mary Lattimore. That baroque delicacy permeates other a short history of decay, highlights, particularly InchThe Rain Don't Care,Inch a lilting ballad that channels the worn-down elegance of Mojave 3, and also InchNerve Scales,Inch a pattering bop tha
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- GenreRockDescriptionNothing have always been rule-breakers. Shoegaze renegades who've rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing's music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. a short history of decay,Nothing's fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest. With the strongest arsenal in Nothing's ever-shifting lineup locked in - guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) - singer-songwriter Domenic InchNickyInch Palermo knew he had the manpower to make the band's most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), a short history of decay, is the most evolved musical statement in Nothing's catalog. Songs like InchCannibal WorldInch and InchToothless CoalInch are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine - except more extreme. On the other end of the spectrum, the ornately morose InchPurple StringsInch boasts a beautiful string arrangement that includes harpist - and two-time Nothing contributor - Mary Lattimore. That baroque delicacy permeates other a short history of decay, highlights, particularly InchThe Rain Don't Care,Inch a lilting ballad that channels the worn-down elegance of Mojave 3, and also InchNerve Scales,Inch a pattering bop thaArtistThe NothingTitleA Short History of DecayFormatCassetteLabelRun for Cover
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Nothing have always been rule-breakers. Shoegaze renegades who've rebuilt the stereotypically lightweight genre in their own bloodyknuckled American image. Outlaw poets spilling existential dread on mile-wide canvasses of fuzz and reverb. Beginning as a Philly-born bedroom solo project in 2010, Nothing's music has always captured the full scale of the human condition, both the blaring anger and the whispering sadness. a short history of decay,Nothing's fifth solo album and first for Run For Cover Records, widens that aperture even further, providing the most hi-def rendering of Nothing to date. The band have never sounded this colossal, never felt this intimate, never been this honest. With the strongest arsenal in Nothing's ever-shifting lineup locked in - guitarist Doyle Martin (Cloakroom), bassist Bobb Bruno (Best Coast), drummer Zachary Jones (MSC, Manslaughter 777), and third guitarist Cam Smith (Ladder To God, also of Cloakroom) - singer-songwriter Domenic InchNickyInch Palermo knew he had the manpower to make the band's most ambitious record yet. Co-written and produced with Whirr guitarist Nicholas Bassett, and with additional production and mixing work from Sonny Diperri (DIIV, Julie), a short history of decay, is the most evolved musical statement in Nothing's catalog. Songs like InchCannibal WorldInch and InchToothless CoalInch are cataclysmic lashings of mechanized industrial-gaze that sound like My Bloody Valentine - except more extreme. On the other end of the spectrum, the ornately morose InchPurple StringsInch boasts a beautiful string arrangement that includes harpist - and two-time Nothing contributor - Mary Lattimore. That baroque delicacy permeates other a short history of decay, highlights, particularly InchThe Rain Don't Care,Inch a lilting ballad that channels the worn-down elegance of Mojave 3, and also InchNerve Scales,Inch a pattering bop tha
Vinyl LP pressing. A self-taught musician, singer and songwriter from small-town Humboldt, Tennessee, Valerie honed her astonishing sound in the vibrant Memphis atmosphere, her spectrum of influences the history of music itself Elizabeth Cotten, Leadbelly, the Carter Family, Whitney Houston, Van Morrison, Dolly Parton, Roscoe Holcomb, Woody Guthrie, Nico, Junior Kimbrough, Nina Simone, Bob Dylan, the Beatles, Nick Drake, Leonard Cohen, Joni Mitchell, Tracey Chapman, Billie Holiday, the Rolling Stones, Blind Lemon Jefferson, Mississippi John Hurt, Gillian Welch, Townes Van Zandt, Elmore James, Skip James, Blind Willie McTell, Memphis Minnie, etc. Pushin' Against a Stone was mostly recorded at Dan Auerbach's (The Black Keys) Easy Eye studio in Nashville, as well as L.A. and Budapest, and was produced by both Dan Auerbach and Kevin Augunas (Edward Sharpe & the Magnetic Zeros, Florence & the Machine).
Three-time Grammy nominees and San Antonio, Texas-born quartet, NOTHING MORE return with their highly awaited 8th album CARNAL, scheduled for on June 28th. The album features 15 songs with introspective philosophical lyrics with unapologetically massive anthems. Since their emergence in 2003, Nothing More has earned rock radio chart history with #1 singles with both InchThis is the Time (Ballast)Inch and InchGo To WarInch and already has seven Active Rock Radio Top-10 singles in their repertoire. InchCARNALInch further proves their expertise in the rock genre and beyond.
The Nothing That Is, Fit For An Autopsy's seventh and latest album (and third for Nuclear Blast), bears no sign whatsoever of commercial concession or rehashed past glories. Instead, the ten-song album finds the band exploring moodier textures and deeper emotions that add new power and dynamics to their already brutal and complex music, while also completely tuning out the ambient noise of passing musical trends and the expectations of the outside world. Purple Cass
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