The Proper Ornaments - Wooden Head - VINYL LP

Letlive's album, If I'm the Devil... is a strident, principled and heavy work. It's also perfectly suited for someone who just wants to pound on the steering wheel after a hard day at school, work, or whatever institution happens to command most of your waking life. Just consider the name Letlive - it's meant to be life-affirming above all else. Frontman Jason Aalon Bulter has an ambitious nature which takes him to extremely lofty places. He acknowledges that Letlive is a punk band and one that reflects humanity as a collection of emotional, frontal-lobe beings. At the same time, he fully believes that Letlive can access that utopian, inexplicable transcendental quality that allows art to reach budding revolutionaries the way books and other oratory cannot. If their album, If I'm the Devil... needs a genre, Butler would call it Inchrevolutionary counterculture music,Inch like a more emotional Rage Against the Machine, or Public Enemy with more inclusive politics. Butler grew up as a skater disillusioned with what he saw as a heteronormative, patriarchal punk rock scene until the older kids showed him black artists such as Bad Brains, Living Colour and Fishbone. InchPunk rock is inclusive if you want to be included,Inch Butler states, recognizing how Letlive can speak for people who feel they lack representation.

12 tracks of acoustic folk music that witness of great creative force and a wonderful, homogeneous and open-style album of rare beauty. A journey, an honest confession to nature and at the same time an escape from all the hustle and bustle of everyday life and modernity. The magic of folk is brought back by isolated and melancholic feelings reminding us our own evocative strength. Visions of thoughtful solitude evoke the melancholy of a lost time, turn back the wheel to forgotten ages. Listening to these songs is like seeing through the eyes of a northern-land wanderer wide landscapes wearing the autumn colors, snow covered mountains under clear blue sky, endless horizons and feeling the warm hearths of grandfathers families. Dive into InchViddernas tolv kapitelInch and experience a profound emotional journey

Woods are in bloom again, inviting you to disappear into a new spectrum of colors and sounds and dreams on Perennial. Formed in Brooklyn in 2004, Woods have matured into a true independent institution, above and below the root, reliably emerging every few years with new music that grows towards the latest sky. Operating the Woodsist tag since 2006 and curating the beloved homespun Woodsist Festival for the musical universe they've built, Perennial is the sound of a band on the edge of their 20th anniversary and still finding bold new ways to sound like (and challenge) themselves. InchPerennial grew from a bed of guitar / keyboard / drum loops by Woods head-in-chief Jeremy Earl, a form of winter night meditation that evolved into an unexplored mode of collaborative songwriting. With Earl's starting points, he and bandmates Jarvis Taveniere and John Andrews convened, first at Earl's house in New York, then at Panoramic House studio in Stinson Beach, California, site of sessions for 2020's Strange To Explain. With a view of the sparkling Pacific and tape rolling, they began to build, jamming over the loops, switching instruments, and developing a few dozen building blocks. InchThe album's resulting eleven songs, four of them instrumental, are in the classic Woods mode-shimmering, familiar, fractionally unsettling-but with the half-invisible infinity boxes of Earl's loops burbling beneath each like a mysterious underground source. From source to seed to bloom, each loop unfolds into something unpredictable, from the jeweled pop of the aching 'Little Black Flowers' to the ecstatic starlit freak-beat of 'Another Side.' They are blossomings both far-out and comforting, like the Mellotronic cloud-hopping of 'Between the Past,' or sometimes just plain comforting, like the widescreen snowglobe fantasia of the instrumental 'White Winter Melody,' touched by Connor Gallaher's peda