They Hate Change - Finally, New - VINYL LP
Reviews coming soon
About this product
If it's really a post-genre world, why does everything sound the same? The two halves of Tampa rap duo They Hate Change - Dre (he/him) and Vonne (they/them) - first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people - they're sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they've been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that InchencyclopedicInch barely begins to cover it - not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast's twerkably raunchy answer to house) and crank (think InchMiami bass meets NOLA bounceInch), but also drum 'n' bass, Chicago footwork, post-punk, prog (they're, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map. Once they graduated to DJs on the Tampa DIY scene - which includes everything from punk rock house parties to the black Inchteen nightsInch that pop up in rec centers and ballrooms - they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them. For anyone who's been feeling suffocated by the sameness that's been afflicting hip-hop and pop - where a small handful of ideas gets recycled endlessly, and a spin through the big new- playlists quickly devolves into a blur - They Hate Change's Jagjaguwar debut, Finally, New lives up to it's name. Finally, a r
Format
VINYLSpecifications
- GenreDance and electronicDescriptionIf it's really a post-genre world, why does everything sound the same? The two halves of Tampa rap duo They Hate Change - Dre (he/him) and Vonne (they/them) - first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people - they're sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they've been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that InchencyclopedicInch barely begins to cover it - not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast's twerkably raunchy answer to house) and crank (think InchMiami bass meets NOLA bounceInch), but also drum 'n' bass, Chicago footwork, post-punk, prog (they're, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map. Once they graduated to DJs on the Tampa DIY scene - which includes everything from punk rock house parties to the black Inchteen nightsInch that pop up in rec centers and ballrooms - they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them. For anyone who's been feeling suffocated by the sameness that's been afflicting hip-hop and pop - where a small handful of ideas gets recycled endlessly, and a spin through the big new- playlists quickly devolves into a blur - They Hate Change's Jagjaguwar debut, Finally, New lives up to it's name. Finally, a rArtistThey Hate ChangeTitleFinally, NewFormatVINYLLabelJagjaguwar
Reviews
This product doesn't have any reviews yet.
Compare similar products

If it's really a post-genre world, why does everything sound the same? The two halves of Tampa rap duo They Hate Change - Dre (he/him) and Vonne (they/them) - first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people - they're sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they've been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that InchencyclopedicInch barely begins to cover it - not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast's twerkably raunchy answer to house) and crank (think InchMiami bass meets NOLA bounceInch), but also drum 'n' bass, Chicago footwork, post-punk, prog (they're, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map. Once they graduated to DJs on the Tampa DIY scene - which includes everything from punk rock house parties to the black Inchteen nightsInch that pop up in rec centers and ballrooms - they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them. For anyone who's been feeling suffocated by the sameness that's been afflicting hip-hop and pop - where a small handful of ideas gets recycled endlessly, and a spin through the big new- playlists quickly devolves into a blur - They Hate Change's Jagjaguwar debut, Finally, New lives up to it's name. Finally, a r

If it's really a post-genre world, why does everything sound the same? The two halves of Tampa rap duo They Hate Change - Dre (he/him) and Vonne (they/them) - first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people - they're sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they've been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that InchencyclopedicInch barely begins to cover it - not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast's twerkably raunchy answer to house) and crank (think InchMiami bass meets NOLA bounceInch), but also drum 'n' bass, Chicago footwork, post-punk, prog (they're, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map. Once they graduated to DJs on the Tampa DIY scene - which includes everything from punk rock house parties to the black Inchteen nightsInch that pop up in rec centers and ballrooms - they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them. For anyone who's been feeling suffocated by the sameness that's been afflicting hip-hop and pop - where a small handful of ideas gets recycled endlessly, and a spin through the big new- playlists quickly devolves into a blur - They Hate Change's Jagjaguwar debut, Finally, New lives up to it's name. Finally, a r

Vinyl LP pressing. Social Change is Australia's Hip Hop supreme team consisting of renown music producer Funkwig, champion turntablist DJ Snair, and emcee Joe The Social Changer. Social Change has been a fixture in the Hip Hop scene for over two decades. Joe has featured on tracks with Del the Funky Homosapien, Georgia Anne-Muldrow, Blu, Pugz Atoms, and Scarub, whilst Funkwig has produced tracks for Talib Kweli, Abstract Rude, and Hilltop Hoods to name a few. Together the group have played with international artists such as Mystic Journeymen, Grandmaster Flash, Jurassic 5, Kool Keith, DOOM, GZA, Pharaoh Monch, Def Wish Cast, Immortal Technique, Ras Kass and Delta the Lostralian. Their official debut InchV. High. PInch has now been pressed for the first time on vinyl and also includes bonus single InchRealInch, the previously unreleased track InchBananasInch, as well as Funkwig and Snair's project the InchPhat TapeInch on side B. This next-level record features production by beat heavyweights Funkwig and One Above as well as cuts by Australia's finest turntable veteran DJ Snair. With a mic, MPC and two turntables, Social Change has crafted an L. P that leaves you wanting more.

Preoccupations - New Material [VINYL LP] date 03/23/2018
Specs
Be the first to ask a question.
We’ll try to get your question answered within 24 hours by a Best Buy customer or brand representative.