Thielemann Garanca Wiener Philharmoniker - Wesendonck Lieder - DVD
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Christian Thielemann is a compelling advocate for German music, and his Salzburg Festival 2020 programme with the Wiener Philharmoniker is smack-dab at the heart of his favoured repertoire. For his long-awaited return to the Summer Festival, he opens with Wagner's Wesendock Songs, considered musical sketches for the opera Tristan und Isolde, with terrific Latvian mezzo-soprano Elina Garanca as soloist. The centerpiece is Bruckner's Symphony No. 4, the Romantic. Storms of applause. InchTogether with an orchestra that breathes with her, Elina Garanca proved that she currently represents the non plus ultra in the mezzosoprano category. Grandiose the fusion of intensity and noble soundInch (Der Standard) InchAn event with goose bumpsInch (Kurier)
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- GenreMusicDescriptionChristian Thielemann is a compelling advocate for German music, and his Salzburg Festival 2020 programme with the Wiener Philharmoniker is smack-dab at the heart of his favoured repertoire. For his long-awaited return to the Summer Festival, he opens with Wagner's Wesendock Songs, considered musical sketches for the opera Tristan und Isolde, with terrific Latvian mezzo-soprano Elina Garanca as soloist. The centerpiece is Bruckner's Symphony No. 4, the Romantic. Storms of applause. InchTogether with an orchestra that breathes with her, Elina Garanca proved that she currently represents the non plus ultra in the mezzosoprano category. Grandiose the fusion of intensity and noble soundInch (Der Standard) InchAn event with goose bumpsInch (Kurier)TitleWesendonck LiederFormatDVDMPAA RatingNRStudioUnitel Edition
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Christian Thielemann is a compelling advocate for German music, and his Salzburg Festival 2020 programme with the Wiener Philharmoniker is smack-dab at the heart of his favoured repertoire. For his long-awaited return to the Summer Festival, he opens with Wagner's Wesendock Songs, considered musical sketches for the opera Tristan und Isolde, with terrific Latvian mezzo-soprano Elina Garanca as soloist. The centerpiece is Bruckner's Symphony No. 4, the Romantic. Storms of applause. InchTogether with an orchestra that breathes with her, Elina Garanca proved that she currently represents the non plus ultra in the mezzosoprano category. Grandiose the fusion of intensity and noble soundInch (Der Standard) InchAn event with goose bumpsInch (Kurier)

Christian Thielemann is a compelling advocate for German music, and his Salzburg Festival 2020 programme with the Wiener Philharmoniker is smack-dab at the heart of his favoured repertoire. For his long-awaited return to the Summer Festival, he opens with Wagner's Wesendock Songs, considered musical sketches for the opera Tristan und Isolde, with terrific Latvian mezzo-soprano Elina Garanca as soloist. The centerpiece is Bruckner's Symphony No. 4, the Romantic. Storms of applause. InchTogether with an orchestra that breathes with her, Elina Garanca proved that she currently represents the non plus ultra in the mezzosoprano category. Grandiose the fusion of intensity and noble soundInch (Der Standard) InchAn event with goose bumpsInch (Kurier)

In it's 100th anniversary edition, the Salzburg Festival celebrates a real triumph with a mind-blowing new production of Elektra, one of the most famous masterpieces of opera history by the two festival founders Richard Strauss and Hugo von Hofmannsthal. The Lithuanian soprano Ausrine Stundyte as vengeful and traumatized Elektra turns the opening of the Festival into a real knockout performance! Her sister Chrysotemis is sung by her compatriot Asmik Grigorian, who made her international breakthrough as acclaimed Salome at the 2018 Salzburg Festival, and whose performance once again draws the audience into spell. Tanja Ariane Baumgartner as Klytämnestra, Derek Welton as Orest and Michael Laurenz as Ägisth complete an ensemble of top-notch singers. The staging by Krzysztof Warlikowski of this work about matricide, obsession, revenge and physical degradation is a deep psychological study of a broken family. Franz Welser-Möst brings his trademark flair to the pit where the brilliantly effervescent and then again heartrendingly gentle playing Wiener Philharmoniker create gloriously exultant Strauss moments. InchTo have chosen Elektra of all pieces, was audacious - and to have brought it off so well, triumphantInch (The Times) InchOne Highlight of the centenary season.Inch (The Telegraph)

Verdi's masterpiece InchSimon BoccanegraInch is presented in a Inchclear and levelheadedInch (The New York Times) staging by Andreas Kriegenburg from the Salzburg Festival. The tragedy of the corsair who becomes Doge of Genoa and is poisoned shortly after having found his lost daughter is conducted by Valery Gergiev, Inchmakes for gorgeously beautiful tone coloursInch (Der Kurier). The excellent cast includes Luca Salsi (InchItaly's finest baritone todayInch, Financial Times) in the title role, René Pape (Inchin sumptuous voiceInch, Financial Times) as his contrahent Fiesco, as well as Marina Rebeka and Charles Castronovo as the loving couple Amelia and Adorno who Inchtogether create islands of bliss in duet and action.Inch (Neue Zürcher Zeitung). Valery Gergiev provides for an excellent musical realization, the Wiener Philharmoniker and the Konzertvereinigung Wiener Staatsopernchor perform superbly InchThe Wiener Philharmoniker seemed to have virtually conspired with the conductor and the work, shining into every hidden sound angle, playing out all their sovereignty and opera experienceInch (Süddeutsche Zeitung).
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