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Thilo Dahlmann - Darkness - COMPACT DISCS [CD]

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Darkness explores the symbolic depth of the bass and baritone voice as a vessel for humanity's most profound questions. Across works by Schumann, Wolf, Strauss, Martin and Brahms, the album traces a wide emotional and spiritual landscape shaped by themes of death, transience, loneliness, melancholy and, ultimately, transcendence. The programme opens with Schumann's Requiem, added as a tribute to Nikolaus Lenau and placed at the beginning as a motto a union of heaviness, longing and gentle, affirmative melancholy. From there, the journey unfolds through composers often writing at pivotal or final stages of their lives. Wolf's Michelangelo Songs, composed shortly before his mental collapse, meditate on love, devotion and artistic melancholy; Strauss's dark-hued songs reflect retreat, solitude and a wistful dissolution into nature; and Frank Martin's Six Monologues from Jedermann plunge into the raw confrontation with death, charting a moral and spiritual transformation from terror to humility and faith. Together, these works reveal darkness not as mere despair, but as a space in which existential truth is sought. Yet this album is not confined to shadow alone. In both Wolf and Brahms, the selected works bear witness to late creative phases in which despair is counterbalanced by reconciliation. Brahms's Vier ernste Gesange, written in anticipation of loss and drawing on biblical texts, move from stark reflections on mortality toward a final affirmation of love as the greatest human force, closing the circle begun with Schumann's Requiem. Throughout the programme, sorrow is repeatedly transformed into acceptance, and fear into insight, illuminated by what the liner notes describe as a Inchgentle compositional light.Inch Darkness thus becomes a deeply human meditation an artistic passage through emotional abysses toward consolation, spiritual clarity and an enduring sens

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  • Genre
    Classical
    Description
    Darkness explores the symbolic depth of the bass and baritone voice as a vessel for humanity's most profound questions. Across works by Schumann, Wolf, Strauss, Martin and Brahms, the album traces a wide emotional and spiritual landscape shaped by themes of death, transience, loneliness, melancholy and, ultimately, transcendence. The programme opens with Schumann's Requiem, added as a tribute to Nikolaus Lenau and placed at the beginning as a motto a union of heaviness, longing and gentle, affirmative melancholy. From there, the journey unfolds through composers often writing at pivotal or final stages of their lives. Wolf's Michelangelo Songs, composed shortly before his mental collapse, meditate on love, devotion and artistic melancholy; Strauss's dark-hued songs reflect retreat, solitude and a wistful dissolution into nature; and Frank Martin's Six Monologues from Jedermann plunge into the raw confrontation with death, charting a moral and spiritual transformation from terror to humility and faith. Together, these works reveal darkness not as mere despair, but as a space in which existential truth is sought. Yet this album is not confined to shadow alone. In both Wolf and Brahms, the selected works bear witness to late creative phases in which despair is counterbalanced by reconciliation. Brahms's Vier ernste Gesange, written in anticipation of loss and drawing on biblical texts, move from stark reflections on mortality toward a final affirmation of love as the greatest human force, closing the circle begun with Schumann's Requiem. Throughout the programme, sorrow is repeatedly transformed into acceptance, and fear into insight, illuminated by what the liner notes describe as a Inchgentle compositional light.Inch Darkness thus becomes a deeply human meditation an artistic passage through emotional abysses toward consolation, spiritual clarity and an enduring sens
    Artist
    Thilo Dahlmann
    Title
    Darkness
    Format
    CD
    Label
    Challenge Classics
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Thilo Dahlmann - Darkness   - COMPACT DISCS [CD]
Thilo Dahlmann - Darkness - COMPACT DISCS [CD]

Darkness explores the symbolic depth of the bass and baritone voice as a vessel for humanity's most profound questions. Across works by Schumann, Wolf, Strauss, Martin and Brahms, the album traces a wide emotional and spiritual landscape shaped by themes of death, transience, loneliness, melancholy and, ultimately, transcendence. The programme opens with Schumann's Requiem, added as a tribute to Nikolaus Lenau and placed at the beginning as a motto a union of heaviness, longing and gentle, affirmative melancholy. From there, the journey unfolds through composers often writing at pivotal or final stages of their lives. Wolf's Michelangelo Songs, composed shortly before his mental collapse, meditate on love, devotion and artistic melancholy; Strauss's dark-hued songs reflect retreat, solitude and a wistful dissolution into nature; and Frank Martin's Six Monologues from Jedermann plunge into the raw confrontation with death, charting a moral and spiritual transformation from terror to humility and faith. Together, these works reveal darkness not as mere despair, but as a space in which existential truth is sought. Yet this album is not confined to shadow alone. In both Wolf and Brahms, the selected works bear witness to late creative phases in which despair is counterbalanced by reconciliation. Brahms's Vier ernste Gesange, written in anticipation of loss and drawing on biblical texts, move from stark reflections on mortality toward a final affirmation of love as the greatest human force, closing the circle begun with Schumann's Requiem. Throughout the programme, sorrow is repeatedly transformed into acceptance, and fear into insight, illuminated by what the liner notes describe as a Inchgentle compositional light.Inch Darkness thus becomes a deeply human meditation an artistic passage through emotional abysses toward consolation, spiritual clarity and an enduring sens

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Terje Tonnesen - Qualities of Darkness   - COMPACT DISCS [CD]

Georg Friedrich Händel (1685-1759) was a baroque cosmopolitan. He was born in the small German town of Halle an der Saale, where his father was a barber and field surgeon. The young Georg Friedrich received his first musical education from the city's most influential church musician, Friedrich Wilhelm Zachow, who introduced him to Protestant church music. During a long tour of Italy in the early 18th century, he was introduced to Corelli's concerti grossi as Carissimi's cantatas and oratorios. After returning to Germany, Händel took a position at the court in Hanover. In 1714, when the Elector of Hanover became King George I of England and Ireland, Händel followed as his court conductor. It was in England where he wrote most of his compositions, including a large number of operas and the famous oratorios. By the time he died in 1759, he was widely renowned and was buried in Westminster Abbey alongside monarchs and some of the most prominent figures of British history. Since his death, the tradition of annual Händel festivals was established. Handel's concerto grosso opus 6, 7 in B major is a relatively late work. It was written together with eleven other concerts between 1739-40 in London. At the same time, he began composing his large oratorios belonging to the last group of his works. Some of these concerts were played as entertainment during the breaks when the significant oratorios were given. This orchestral concerto in B major is written as a sonata da Chiesa with the movement sequence slow - fast - slow - fast. Still, it is extended with a boisterous dancing movement called bagpipe or sackpipe as the last. The second movement, Allegro, is a fugue, which has an easy to follow theme thanks to it's characteristic beginning. It consists of a repeated note that is rhythmized with two half notes, four quarter notes and eight eighths; a thematic treatment we hear agai

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