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Thomson / Lang / Wu / Krakaue / Evans /Sachs - Continuum Portrait - COMPACT DISCS [CD]

SKU: 10350289

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Synthetic Waltzes (1925) is a charming legacy of those years. A stylized society waltz, it is full of subtle misbehavior, such as at the opening and conclusion, where Thomson creates the impression of two waltz tempos heard simultaneously. Other works of this period, especially his Gertrude Stein song settings, display a serious whimsy that time has not tarnished. A third opera, Lord Byron, occupied much of there making 1960s. From the later 1970s, Thomson's production tapered off, except in an area that fascinated him throughout his career, the musical InchPortraitsInch of his friends and acquaintances. Despite increasing health problems, he composed sporadically until shortly before his death on 30th September, 1989.

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  • Genre
    Classical
    Description
    Synthetic Waltzes (1925) is a charming legacy of those years. A stylized society waltz, it is full of subtle misbehavior, such as at the opening and conclusion, where Thomson creates the impression of two waltz tempos heard simultaneously. Other works of this period, especially his Gertrude Stein song settings, display a serious whimsy that time has not tarnished. A third opera, Lord Byron, occupied much of there making 1960s. From the later 1970s, Thomson's production tapered off, except in an area that fascinated him throughout his career, the musical InchPortraitsInch of his friends and acquaintances. Despite increasing health problems, he composed sporadically until shortly before his death on 30th September, 1989.
    Artist
    THOMSON / LANG / WU / KRAKAUE / EVANS /SACHS
    Title
    Continuum Portrait
    Format
    CD
    Label
    Naxos American
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Thomson / Lang / Wu / Krakaue / Evans /Sachs - Continuum Portrait   - COMPACT DISCS [CD]
Thomson / Lang / Wu / Krakaue / Evans /Sachs - Continuum Portrait - COMPACT DISCS [CD]

Synthetic Waltzes (1925) is a charming legacy of those years. A stylized society waltz, it is full of subtle misbehavior, such as at the opening and conclusion, where Thomson creates the impression of two waltz tempos heard simultaneously. Other works of this period, especially his Gertrude Stein song settings, display a serious whimsy that time has not tarnished. A third opera, Lord Byron, occupied much of there making 1960s. From the later 1970s, Thomson's production tapered off, except in an area that fascinated him throughout his career, the musical InchPortraitsInch of his friends and acquaintances. Despite increasing health problems, he composed sporadically until shortly before his death on 30th September, 1989.

Continuum - Continuum Portrait   - COMPACT DISCS [CD]

Continuum - Continuum Portrait [COMPACT DISCS] date 07/19/2005

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Kirchner is sometimes considered a InchdifficultInch composer, perhaps because he studied with Schoenberg. But Naxos has it right calling his work Inchpowerful, expressive music... propulsive and improvisational in spirit.Inch By the time the listener is halfway through the opening Duo, the InchdifficultInch aspects have been left far behind by the exciting, vigorous expression of the music. The final work on the program, Triptych, is somewhat difficult listening, but by the time you get to it you'll probably be attuned enough to Kirchner's style so that the expressive element of the music will come through anyway. Considering that the world premiere recordings of some of these pieces were made by musicians like Leon Fleisher (the Sonata) and the composer himself (he's an amazing pianist), Continuum's performances have powerful memories to compete with but they come across with total success. Who would have known that Cheryl Seltzer, co-director of a contemporary music group, was such an exciting pianist! All these recordings except Triptych originally came out on LP and are not digital recordings despite the DDD designation, but they still sound excellent. Very highly recommended to anyone whose listening tastes don't stop at 1900.

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Henry Cowell was one of the most remarkable figures in American music. A startlingly innovative composer, an inimitable piano virtuoso who outraged or delighted his audiences, a brilliant writer, teacher, lecturer and organizer.

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