Togni / Fabbriciani / Dorow - Works for Flute - COMPACT DISCS [CD]

Jacques Casterede's distinguished career was centered in Paris, but with musical roots in the early twentieth-century traditions of neo-Classicism and Les Six- the wide variety of scope and intent in his work was never meant to compete with the radical avant-garde. The balletic Flutes en vacances has become one of his most popular pieces, while Ciels ('Skies') was a competition piece for the Conservatoire. The colors in Trois moments musicaux d'apres Corot depict paintings in sound while the Sonatine de Mai is more neo-Classical in mood.

2019 . Critically acclaimed husband and wife duo Over the Rhine celebrates 30 years of making understated yet emotionally-charged music with Love & Revelation. Self-produced and releasing on their own Great Speckled Dog tag, Over the Rhine's first new music in four years finds the beloved duo in a deeply reflective place, contemplating both personal loss and the wavering of Americas collective compass. 2013s acclaimed double album Meet Me At The Edge Of The World found the pair settling into a new chapter of their lives in rural Ohio. On the other end of the emotional spectrum, Love & Revelation explores the many forms of grief and how we react and process, but as with much of Over the Rhine's body of work, there is often a deep undercurrent of hope.

Flutist Roberto Fabbriciani continues his releases dedicated to the flute repertoire of single composers with works by Belgian composer Henri Pousseur (1929-2009). Previous releases on Mode featured Aldo Clementi and Bruno Maderna. As with the preceding Clementi and Maderna releases, this Pousseur marks the first time Pousseur's works for flute have been collected in one recording. It is important to note that Fabbriciani had a long working relationship with the composer. The series of Flexions was composed in 1979 for the performance examinations at the Conservatory in Liège, where Pousseur had been director for 3 years. It aims to introduce students to the diversity of post-tonal harmonic materials without discarding any contact with tradition and the harmonic qualities of the standard repertoire. Two pieces belong to the category of open or mobile form works. The score of Éclipticare (2001) is a proposal to be elaborated (completed). Fabbriciani has made two different versions, including extended playing techniques prominent in the contemporary flute repertoire but largely unused by Pousseur in his written scores. Éclipticare builds a kind of bridge to Zeus jouer de flûtes (2006), a score that is co-signed Pousseur-Fabbriciani for good reasons. Pousseur provided the tape (Hymne à Zeus ornothologue, extracted from the eight Études paraboliques, 1972) as well as a Inchplan of actionInch indicating the specific time-spans and the choice of instrument to be used according to the tessitura (from bass-flute to piccolo). All the other details remained in Fabbriciani's hands. This type of collaboration had long been part of Pousseur's practice and is also the outcome of his firm belief in the social and human importance of sharing. In addition to the flute repertoire, this also includes Pousseur's Scambi for electronic tape, composed in 1957 and realized by Pousseur at