Tokyo Ska Paradise Orchestra - Stompin' On Down Beat Alley - VINYL LP

Limited vinyl LP pressing. Experimental Jet Set, Trash and No Star is the eighth studio album by the American experimental rock band Sonic Youth, originally released in 1994 by DGC Records. It was produced by Butch Vig and recorded at Sear Sound studio in New York City, the same studio where the band's 1987 album Sister was recorded. Unlike it's predecessor Dirty, Experimental Jet Set features a more low-key approach and references the band's earlier work on the independent record tag SST Records. The album contains quieter and more relaxed songs that deal with personal and political topics. Sonic Youth formed in 1981. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass guitar, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, and rounded out the core line-up. In their early career Sonic Youth were associated with the no wave art and music scene in New York City. Part of the first wave of American noise rock groups, the band carried out their interpretation of the hardcore punk ethos throughout the evolving American underground that focused more on the DIY ethic of the genre rather than it's specific sound.

Tokyo Ska Paradise Orchestra - Ska Me Forever [VINYL LP] Colored Vinyl, Ltd Ed date 02/27/2026

Electrical Field of Love is the brilliant new from Harriet Tubman - the long-running trio of guitarist Brandon Ross, bassist Melvin Gibbs, and drummer JT Lewis, joined here by the fervent voice and imagination of Grammy-nominee Georgia Anne Muldrow. Described as Inchblack music at it's bestInch by NPR, Tubman has been a band that creates it's unique sound world through it's exploration of all tributaries of what the Art Ensemble of Chicago called InchGreat Black Music, Ancient to the Future.Inch Jazz, funk, psychedelia, doom metal, soul, dub, and electronics are just some of what the group amalgamates through their creative process into it's own mystic brew. Into this vortex enters Muldrow, whose shared devotion to exploring black music in all of it's multivariate forms melds seamlessly into the Tubman aesthetic. She moves freely within the music, with her voice by turns incantatory, declarative, and spectral. Moments of raw propulsion resolve to space and rare beauty. Throughout, the emphasis is on listening - musicians responding in real time, shaping form through insight rather than formula, moving with the force of electric Miles, the ooze of the heaviest Funkadelic, and the sharpened edge of the Black Rock aesthetic. Through collective creativity, the convergence of these kindred spirits results in music that feels both deeply grounded and yet, inspiringly exploratory.