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Tom Beghin - Sonatas with Varied Reprises, K. 279–284 - COMPACT DISCS [CD]

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In 1775 Leopold Mozart made an offer to Breitkopf in Leipzig to print an opus of keyboard sonatas by his son mit veranderten Reprisen, following the famous example set by C. P. E. Bach. Breitkopf declined, but after 250 years the idea still resonates what might Wolfgang Amade´ Mozart's Sonatas with Varied Reprises have sounded like?Played on a highly responsive Stein fortepiano, Tom Beghin's reconstituted score of K. 279-284 (Munich, 1775) provides a captivating answer-one that challenges our familiarity with six classics of the repertoire, while also paying tribute to Mozart's supreme improvisational skills.
  • Details
    • Genre: Classical
    • Description: In 1775 Leopold Mozart made an offer to Breitkopf in Leipzig to print an opus of keyboard sonatas by his son mit veranderten Reprisen, following the famous example set by C. P. E. Bach. Breitkopf declined, but after 250 years the idea still resonates what might Wolfgang Amade´ Mozart's Sonatas with Varied Reprises have sounded like?Played on a highly responsive Stein fortepiano, Tom Beghin's reconstituted score of K. 279-284 (Munich, 1775) provides a captivating answer-one that challenges our familiarity with six classics of the repertoire, while also paying tribute to Mozart's supreme improvisational skills.
    • Artist: Tom Beghin
    • Title: Sonatas with Varied Reprises, K. 279–284
    • Format: CD
    • Label: Evil Penguin Records
    • Release Date: 11/07/2025
    • Genre: Classical
  • Other
    • Product Name: Tom Beghin - Sonatas with Varied Reprises, K. 279–284 - COMPACT DISCS
    • UPC: 608917726626

In 1775 Leopold Mozart made an offer to Breitkopf in Leipzig to print an opus of keyboard sonatas by his son mit veranderten Reprisen, following the famous example set by C. P. E. Bach. Breitkopf declined, but after 250 years the idea still resonates what might Wolfgang Amade´ Mozart's Sonatas with Varied Reprises have sounded like?Played on a highly responsive Stein fortepiano, Tom Beghin's reconstituted score of K. 279-284 (Munich, 1775) provides a captivating answer-one that challenges our familiarity with six classics of the repertoire, while also paying tribute to Mozart's supreme improvisational skills.

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